Brave Fine Art has dated this piece to the 1860s.
During a rousing speech at the Exeter Literary Society in 1847, Williams expressed his firm belief that art, particularly drawing, should be for everyone - and, regardless of occupation, anyone can gain from it. His views echoed the sentiments of William Morris and the Arts and Crafts movement.
Rarely was drawing considered as such as most felt it should be either left to the professionals or kept within amateur sketchbooks. But Williams lauded inclusivity and urged those within any relevant occupation to study and improve their draughtsmanship. From builders and tailors to soldiers and embroiders.
In this turbulent work from around 1860, Williams’ vigorous spirit is expressed amid the rough waves of the Solent. Two boats are battered by gales as the swash crashes over the beach. Several gulls weave.
Undeterred by the blustery conditions, this irrepressible artist stood on the spot and painted. Spray flying, sand spinning past his brush. We know this as several small pieces of driftwood are painted into the surface of the canvas. Left by Williams as a memento.
Signed lower right and held within a 19th-century gilt frame.
Medium: Oil on canvas
Overall size: 21½” x 14½” / 55cm x 37cm
Year of creation: c. 1860
Labels & Inscriptions: Exhibition/gallery label on reverse.
Condition: Artwork presents well. Straw/wood embedded into paint surface. Frame with some light wear.
Artist’s auction maximum: £1,747
Charles Frederick Williams trained under David Cox and exhibited at the Royal Academy. His works are held in numerous public collections including at the Southampton City Art Gallery.
Learn more about Charles Frederick Williams in our directory.
Brave Fine Art has dated this piece to the 1860s.
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Charles Frederick Williams (Attributed), at the Beach Off the Isle of Wight - Antique Oil Painting
