Brave Fine Art has dated this piece to the 1860s.

Once again, she’s returned to her jewellery box to unearth a treasured letter from an admirer. Every time surreptitiously tucking it away from prying eyes inside a lockable jewellery box. There’s a chill of excitement as she delicately holds his words with both hands. A shudder of emerging romance, a dream unfolding. She’s not wearing a wedding ring - but for how long?

Whatever happened to love letters? Such a pleasing way of conveying one’s feelings.
Heinrich Spiess was immersed in the illustrious world of the old masters from an early age.
They worked together on various projects. As a child, the young Heinrich would’ve been surrounded by old master prints. Here, we see a subtle nod to the Dutch masters of the 17th century, such as Johannes Vermeer (1632-1675) and Gabriël Metsu (1629-1667).

Heinrich Speiss trained at the Munich Academy. His works are held in numerous public collections including at the Bavarian National Museum in Munich.
Signed lower left and held within a Dutch-style wooden frame, probably original.

Learn more about Heinrich Spiess in our directory.
Medium: Oil on wood
Overall size: 19” x 23” / 48cm x 59cm
Year of creation: c. 1860
Condition: Artwork presents well. Craquelure but the paint is stable. Frame with some light wear.
Brave Fine Art has dated this piece to the 1860s.
Exquisite antique paintings that capture the imagination.
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