Skippings Fine Arts has dated this piece to the 1930s.
A silver medal was awarded to her in the same year by the Lorraine Society of Fine Arts for her participation in an exhibition at Saint-Dié.

To to earn a living, worked as a journalist for the "Journal de la Femme" from 1936. After the war - during which Marcelle fought in the Resistance - she would work as an editor for Paris Match, Marie Claire and other publications - while at the same time being a literary advisor for Opéra Mundi and writing novels and plays!

Marcelle co-wrote the book "Playing for Time" about the Musicians at Auschwitz with Fania Fenelon, a survivor pianist and soprano in the Women's Orchestra of Auschwitz and Bergen Belsen, which was made into a Hollywood film.

She also worked with photographer Robert Doisneau and poet Jacques Prevert on the book "Saint Germain des Près".
Here, we have Marcelle Routier at her most exuberant with a ballet composition typical of the Art Deco period, which was of course also the period of Serge Lifar's "Ballets Russes".

I discovered a photograph of Lifar dancing with Tamara Toumanova in 1939 which I am showing it with this listing for reference - you will just how well Marcelle Routier seizes the spirit of the Ballet.

Our painting, dating from 1937, also corresponds to the period when Marcelle was preparing a major exhibition at the mythical Galerie de Paris, on the Faubourg Saint-Honoré.
The oil on canvas is signed at the lower right and measures 61 x 73 cm. Presented in its simple original frame, the overall size is 66 x 79 cm.
My mini biography of the artist was compiled with the help of Anne Mathieu's scholarly article: “Housewives and activists. Women in global action”, “Women in review”, autumn 2020.
Skippings Fine Arts has dated this piece to the 1930s.
Modern french & continental pictures selected by a former french auction house expert
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