It was listed by H & H Gallery. Sold pieces stay on Sellingantiques as a record of what has passed through, and the next one is rarely far away.
H & H Gallery has dated this piece to the 19th Century.
The couplet reads: mussavarast khiyalat chunan dar ayene-ye del keh har koja negaram chehreh-ye to dar nazar ayad: 'Your image in the mirror of my heart is depicted such/That wherever I look, your face comes to my mind'.
Mas'ud Mirza Zill al-Sultan (1850-1918) was the son of Nasir al-Din Shah Qajar, but was barred from the succession (which would be inherited by his brother, Muzaffar al-Din) because his mother was a commoner.
He was given the title Yamin al-Dawla Zill al-Sultan in 1869. His powers were later restricted to Isfahan, where he ruled until 1906, when he was forced to resign and left for Europe. Towards the end of his life, he returned to Isfahan, and died there. For further information, see M. Bamdad, Dictionary of National Biography of Iran, 1700-1900, vol. 4, Tehran, 1966, pp. 78-100.

The artist Ibrahim, known as Aqa Ibrahim, who also worked in lacquer, was trained in Russia and often worked in a European style. His recorded works are dated between AH 1290/AD 1873-74) and AH 1330/AD 1911-12. (see Karimzadeh-Tabrizi, The Lives & Art of Old Painters of Iran, vol. 1, London 1985, pp. 12-14.) The painting is closely modelled on a photograph: from the middle of the 19th Century photography was hugely popular in Persia, and the members of the royal household were frequently captured on film by court photographers. (See J. Raby, Qajar Portraits, London 1999, p. 79; and J. Y. Chi (ed.), The Eye of the Shah: Qajar Court Photography and the Persian Past, New York 2015, esp. pp. 34-40 on Zill al-Sultan).
Condition : Very Good
Dimensions: With Frame: H: 90cm, W: 71cm, D: 6cm
Without Frame: H: 76cm, W: 58cm, D: 1cm
H & H Gallery has dated this piece to the 19th Century.
European and islamic art
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