19th-century French School Portrait of a Female Saint at Prayer

19th century

Sold by Brave Fine Art

Description

A fine 19th-century French school portrait of a female saint at prayer. She’s wearing a green robe and looking up to the heavens with a tender expression.

The portrait is unsigned but clearly by an academy-trained hand. The details are exquisite, particularly around the face, and it has a touch of chiaroscuro, which references much older works.

Oftentimes, portraits of this nature are copies of renaissance or baroque originals but we’re unable to find another version. It’s also interesting to note the unconventional look of the subject - she’s beautiful but not in a traditional way (e.g. how an old master would envisage a female saint).

So with this in mind, perhaps the creator has been influenced by the approach of the Pre-Raphaelite Brotherhood who were working around the same time. The Pre-Raphaelites shrugged off the conservative conventions of the past and sought to bring real-life into their creations. Modern figures were juxtaposed with ancient symbolism.

Alternatively, could this be a commission by someone seeking to reference their religious views? For example, in the 17th-century, Catherine of Braganza (1638-1705) was depicted as Saint Catherine by Jacob Huysmans (1633-1696) to reference her devotion to Catholicism.

We may never know the true story but this only adds another layer of intrigue and mystery to this beautifully rendered painting.

Medium: Oil on canvas

Overall size: 23” x 29” / 59cm x 73cm

Year of creation: c. 1870

Provenance: France

Condition: Very presentable. Canvas relined and stretchers replaced.

Physical Dimensions

Height

73cm (28.74")

Width

59cm (23.23")

Depth

1cm (0.39")

Declaration

Brave Fine Art has dated this piece to the 19th Century.

Reference Numbers

Sellingantiques Reference

SA717631

Description

A fine 19th-century French school portrait of a female saint at prayer. She’s wearing a green robe and looking up to the heavens with a tender expression.

The portrait is unsigned but clearly by an academy-trained hand.

“

The details are exquisite, particularly around the face, and it has a touch of chiaroscuro, which references much older works.

Brave Fine Art

fig 1. 19th-Century French School Portrait Of A Female Saint At Prayer — fig 1. 19th-century French School Portrait of a Female Saint at Prayer

Oftentimes, portraits of this nature are copies of renaissance or baroque originals but we’re unable to find another version. It’s also interesting to note the unconventional look of the subject - she’s beautiful but not in a traditional way (e.g. how an old master would envisage a female saint).

fig 2. 19th-Century French School Portrait Of A Female Saint At Prayer — fig 2. 19th-century French School Portrait of a Female Saint at Prayer

So with this in mind, perhaps the creator has been influenced by the approach of the Pre-Raphaelite Brotherhood who were working around the same time. The Pre-Raphaelites shrugged off the conservative conventions of the past and sought to bring real-life into their creations. Modern figures were juxtaposed with ancient symbolism.

fig 3. 19th-Century French School Portrait Of A Female Saint At Prayer — fig 3. 19th-century French School Portrait of a Female Saint at Prayer

Alternatively, could this be a commission by someone seeking to reference their religious views? For example, in the 17th-century, Catherine of Braganza (1638-1705) was depicted as Saint Catherine by Jacob Huysmans (1633-1696) to reference her devotion to Catholicism.