Skippings Fine Arts has dated this piece to the 1920s.
The result is joyous, vibrant and free. One of the masters of this technique was Italo Giordani (1882-1956), who painted the artwork here presented.

Giordani was in fact Italian, and born in Sicily. He had studied at the Accademia di Brera in Milan, and then moved to Marseilles. Although he would eventually settle in Paris, Marseille and the Côte d'Azur had a lasting influence on his art. In the French capital, Giordani was represented by the Galerie Bernheim-Jeune from 1917, and by the Galerie Terrisse.

Bernheim-Jeune were art dealers who had presenting works by Pierre Bonnard, Édouard Vuillard, Paul Cézanne, Henri-Edmond Cross, Kees van Dongen, Henri Matisse, Le Douanier Rousseau, Raoul Dufy, Maurice de Vlaminck, Amedeo Modigliani and Maurice Utrillo.

From 1906 to 1925, art critic Félix Fénéon was the director of the gallery and was instrumental in bringing in the art of Georges Seurat. The gallery became one of the centres of the artistic avant-garde.

Our oil on board by Giordani dates from the 1920s or 30s and is signed at the lower right. It is presented in its original italianate 1920s frame, which is a little curious, as frames chosen by Giordani often are. The board is larger than the rabbet of the frame and is attached to the back of the latter. This allow for a glass plane to be added without it touching the epaint.
The size of the artwork visible in the frame is 54 x 31,5, and the size of the panel itself is 58 c 37 cm. The overall framed size is 66 x 44 cm.
Skippings Fine Arts has dated this piece to the 1920s.
Modern french & continental pictures selected by a former french auction house expert
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