22,770  PAGES BROWSED TODAY PAGES TODAY 88 ANTIQUES UPLOADED TODAYNEW ARRIVALS
88 ITEMS ADDED TODAY
Sort Order
Items Per Page
Browse Categories
Sort order
Items per page
ID #SA663555
SOLD
Email
Save
Robert Home, 1752 - 1834 Portrait of Elizabeth Catherine Jackson, Nee Mitchell 1792-1837
Artware Fineart
sold SA663555
Sorry, but this item has been sold.

Artware Fineart

Sellingantiques Verified Since Sep 2008
View Dealers Stock Page
Id #SA663555
PDF SHARE
SAVE

Robert Home, 1752 - 1834 Portrait of Elizabeth Catherine Jackson, Nee Mitchell 1792-1837

18th century
Description

Robert Home, 1752 - 1834

Portrait of Elizabeth Catherine Jackson, Nee Mitchell 1792-1837

oil on canvas

76.20 x 63.50 cm. (30 x 25 in.)

Provenance

By direct Family Descent

Notes

Elizabeth Mitchell, the daughter of Sir Charles Mitchell, married Alexander Cosby Jackson on October 13th 1811 at St. Peter's Church, Colombo, Ceylon.

Sir Charles Mitchell was captain in the Naval Service, H.E.I.C., knighted at St James, March 18, 1796, for an action in the Straits of Malacca, with a French frigate, he being then Captain of the “William Pitt,” East Indiaman, died suddenly, 24th March 1808. He married at Calcutta about 1788, Sarah, daughter of Thomas Patterson, who died 17th July 1803, and had issue

1. Charles, (only son), born at London, 13th July, 1789, an officer in H.E.I.C.S., died unmarried

2. Elizabeth Katherine, born 28th November, 1792, married in Ceylon, 1812, Alexander Cosby Jackson of Edmonton, Middlesex, Colonel 40th Foot, and had issue

(a) Sir Charles Robert Mitchell Jackson, born 1813, Judge of Supreme Court of India, died 1874, married 1844, Jane, daughter of Edward Armitage of Farnley Hall, Yorks, and had issue; Charles William Leathley, clerk of Insolvent Court, Bombay; Laurence Colville, barrister at Law, married Nina, daughter of George Goss, London; Francis Sydney, R.N., killed at bombardment of Alexandria

(b) Robert, Captain 40th Foot, married Elizabeth, daughter of Sir Peter Halkett, Bart, of Pitfirrane, and had issue

(c) William Forbes, married (first) ----------, daughter of Sir --- Thomas, Bart; and (second) Cecilia, daughter of admiral Fishbourne, and had issue

(d) Sydney Jackson, Captain 70th Foot

(e) Emma, married Rev. E H Armitage, and died 1849.

Artist Biography

Robert Home (1752–1834) was a British portrait oil painting artist who travelled to the Indian subcontinent in 1791. During his travels he also painted several historic scenes and landscapes. Born in Hull in the United Kingdom as the son of an eminent army surgeon from Greenlaw in Berwickshire, he joined Royal Academy Schools in 1769. He went to Rome in 1773 for further training in painting under Angelica Kauffman and remained in Italy until 1777.[2] From 1783–1789 he worked in Dublin and London before leaving for India in 1790. On 5 February 1791, Home was allowed to follow Lord Cornwallis' army in the Third Anglo-Mysore War as it moved towards Bangalore. Home painted some of his well-known paintings such as The Hostage Princes leaving home with the Vakil, Ghulam Ali and Lord Cornwallis Receiving Tipu Sahib's Sons during the period while he was in South India. In November 1792, Home came into contact with artists Thomas Daniell and William Daniell who inspired him to continue painting landscapes. He visited Mahabalipuram (Mamallapuram) in January/February 1793 and the two paintings he painted as a result, titled Ruins of Mahabalipuram are now in the collection of The Asiatic Society, Kolkata. In 1795 Home arrived in Calcutta (Kolkata) and continued his work there as an established artist. He was for some time Secretary of the Society and the first Library-in-Charge (1804) and donated his small but valuable art collection. In 1814 he moved to Lucknow and became a court painter of Nawab Ghazi-ud-Din Haider (1769–1827). He travelled to Kanpur in 1827 where he eventually died in 1834. His Select Views in Mysore, the Country of Tippoo Sultan were published in London and Madras in 1794, and in Calcutta he made 215 watercolours of Indian mammals, birds and reptiles, some of which were also worked up as oils.

Physical Dimensions
Height
76cm (29.92")
Width
64cm (25.20")
Depth
2cm (0.79")
Declaration

Artware Fineart has dated this piece to the 18th Century.

Reference Numbers
Sellingantiques Reference
SA663555
Dealers Internal Reference
3304
Description
Robert Home, 1752 - 1834

Portrait of Elizabeth Catherine Jackson, Nee Mitchell 1792-1837

oil on canvas

76.20 x 63.50 cm. (30 x 25 in.)

Provenance

By direct Family Descent

Notes

Elizabeth Mitchell, the daughter of Sir Charles Mitchell, married Alexander Cosby Jackson on October 13th 1811 at St.
Artware Fineart

Peter's Church, Colombo, Ceylon.

fig 1. Robert Home, 1752 - 1834
Portrait of Elizabeth Catherine Jackson, Nee Mitchell 1792-1837
fig 1. Robert Home, 1752 - 1834 Portrait of Elizabeth Catherine Jackson, Nee Mitchell 1792-1837

Sir Charles Mitchell was captain in the Naval Service, H.E.I.C., knighted at St James, March 18, 1796, for an action in the Straits of Malacca, with a French frigate, he being then Captain of the “William Pitt,” East Indiaman, died suddenly, 24th March 1808. He married at Calcutta about 1788, Sarah, daughter of Thomas Patterson, who died 17th July 1803, and had issue

1. Charles, (only son), born at London, 13th July, 1789, an officer in H.E.I.C.S., died unmarried

2. Elizabeth Katherine, born 28th November, 1792, married in Ceylon, 1812, Alexander Cosby Jackson of Edmonton, Middlesex, Colonel 40th Foot, and had issue

(a) Sir Charles Robert Mitchell Jackson, born 1813, Judge of Supreme Court of India, died 1874, married 1844, Jane, daughter of Edward Armitage of Farnley Hall, Yorks, and had issue; Charles William Leathley, clerk of Insolvent Court, Bombay; Laurence Colville, barrister at Law, married Nina, daughter of George Goss, London; Francis Sydney, R.N., killed at bombardment of Alexandria

(b) Robert, Captain 40th Foot, married Elizabeth, daughter of Sir Peter Halkett, Bart, of Pitfirrane, and had issue

(c) William Forbes, married (first) ----------, daughter of Sir --- Thomas, Bart; and (second) Cecilia, daughter of admiral Fishbourne, and had issue

(d) Sydney Jackson, Captain 70th Foot

(e) Emma, married Rev. E H Armitage, and died 1849.

Artist Biography

Robert Home (1752–1834) was a British portrait oil painting artist who travelled to the Indian subcontinent in 1791. During his travels he also painted several historic scenes and landscapes. Born in Hull in the United Kingdom as the son of an eminent army surgeon from Greenlaw in Berwickshire, he joined Royal Academy Schools in 1769. He went to Rome in 1773 for further training in painting under Angelica Kauffman and remained in Italy until 1777.[2] From 1783–1789 he worked in Dublin and London before leaving for India in 1790. On 5 February 1791, Home was allowed to follow Lord Cornwallis' army in the Third Anglo-Mysore War as it moved towards Bangalore. Home painted some of his well-known paintings such as The Hostage Princes leaving home with the Vakil, Ghulam Ali and Lord Cornwallis Receiving Tipu Sahib's Sons during the period while he was in South India. In November 1792, Home came into contact with artists Thomas Daniell and William Daniell who inspired him to continue painting landscapes. He visited Mahabalipuram (Mamallapuram) in January/February 1793 and the two paintings he painted as a result, titled Ruins of Mahabalipuram are now in the collection of The Asiatic Society, Kolkata. In 1795 Home arrived in Calcutta (Kolkata) and continued his work there as an established artist. He was for some time Secretary of the Society and the first Library-in-Charge (1804) and donated his small but valuable art collection. In 1814 he moved to Lucknow and became a court painter of Nawab Ghazi-ud-Din Haider (1769–1827). He travelled to Kanpur in 1827 where he eventually died in 1834. His Select Views in Mysore, the Country of Tippoo Sultan were published in London and Madras in 1794, and in Calcutta he made 215 watercolours of Indian mammals, birds and reptiles, some of which were also worked up as oils.

Height
76cm (29.92")
Width
64cm (25.20")
Depth
2cm (0.79")
Date of Manufacture

Artware Fineart has dated this piece to the 18th Century.

Reference Numbers
Sellingantiques Ref
SA663555
Dealers Internal Ref
3304
Artware Fineart
Sellingantiques verified Since Sep 2008
Dealer Profile

You can view the stock and full dealer information on the Artware Fineart Profile Page

PDF SHARE
SAVE
Robert Home, 1752 - 1834
Portrait of Elizabeth Catherine Jackson, Nee Mitchell 1792-1837
1 / 2
Archive I Robert Home, 1752 - 1834
Portrait of Elizabeth Catherine Jackson, Nee Mitchell 1792-1837

Robert Home, 1752 - 1834 Portrait of Elizabeth Catherine Jackson, Nee Mitchell 1792-1837

Archive II Robert Home, 1752 - 1834
Portrait of Elizabeth Catherine Jackson, Nee Mitchell 1792-1837
 View II
Enlarged Archival View
Telephone 07958 699 645
Location
18 La Gare
51 Surrey Row
London
SE1 0BZ
United Kingdom
Verified Since Sep 2008
Items For Sale 243
Items Sold 223
Artware Fineart
Verified Since Sep 2008
View Dealer Info
Location: 18 La Gare , 51 Surrey Row , London , SE1 0BZ , United Kingdom
Verified
Sep 2008
For Sale
243
Sold
223
Robert Home, 1752 - 1834
Portrait of Elizabeth Catherine Jackson, Nee Mitchell 1792-1837
Robert Home, 1752 - 1834 Portrait of Elizabeth Catherine Jackson, Nee Mitchell 1792-1837
Ref: SA663555
Robert Home, 1752 - 1834
Portrait of Elizabeth Catherine Jackson, Nee Mitchell 1792-1837
Detail View 1
Archival Detail
Every single antique dealer on our platform is individually approved by our internal team. We verify their professional trade history, ethical standards, and photographic quality to ensure a secure, high-standard buying environment. Upon joining, every dealer agrees to a strict 9-point code of conduct. While issues can occasionally arise, our dealers typically resolve them swiftly and directly with the buyer. In fact, since our founding in 2002, Sellingantiques has only had to step in to help resolve an issue on roughly five occasions—a true testament to the quality of our dealers and their dedication to your happiness.
Our dealers are highly experienced in packing and shipping fragile, high-value antiques. Because you are in direct contact with the dealer, you will be able to easily go through all available shipping and insurance options together to ensure your item arrives safely.
Antiques are the ultimate green purchase. By choosing historical pieces over newly manufactured goods, you completely eliminate the carbon footprint of modern mass production while preserving exceptional, timeless craftsmanship.
items
Add keywords to the filter
Price
£100
£250000
Era
Movements
Material
Origin
Stock Location
Freshness
Online Payments
Categories