Skippings Fine Arts has dated this piece to the 1940s.
She is painting a figure suspended in space; at her feet, there is a violin-shaped table.

To her left awaits an entire still life: there, on a second table, is a jug and a plate with a lemon. It is as if Yvette's mirror image is already turning towards it. And is there the figure bowing to her, at the very left? Or is he mocking her? The colours and the impasto are bold, as are the brushstrokes: it is 1946: the war is over, but its effect can still be felt.

Yvette Alde (1911-1967) had studied at the Grande Chaumière in Paris with Charles Picard le Doux and André Lhote. She began exhibiting her work in 1932, at the Salon des Indépendants. Her first solo show was held in 1935, in Barcelona.

In the post war years, she exhibited with the mythical gallery Drouant-David (who at the same time also had the young Bernard Buffet under contract). In the UK, she exhibited at Anglo-French Art Centre in London in 1947. The painting presented here dates from this period, when the artist was at her strongest and most creative. Painted presumably on a reused canvas - 1946 was a meagre year - our oil on canvas measures 54 x 65 cm and is signed at dated at the lower right.

The painting is framed in a hand carved wood by RG - quite possibly the best framers in the world. The business was started in the late 19th century by Emile Gault, and by the mid 1930s, Picasso, Dali and Chagall could regularly be seen on RG’s premises to have their paintings framed.
Our frame dates from the 1950s, so it does show some signs of age, but it is a wonderful addition to the painting. The overall framed size is 77 x 88 cm.
Skippings Fine Arts has dated this piece to the 1940s.
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