Attributed to Eugène Girardet, 1853 - 1907 Portrait of a Bedouin Child Wearing a White Shawl and Necklace

Attributed to Eugène Girardet, 1853 - 1907

Portrait of a Bedouin Child wearing a white shawl and necklace

oil on canvas

40 x 30 cm. (16 x 12 in.)

Orientalism is a term used by art historians and literary and cultural studies scholars for the imitation or depiction of aspects in Middle Eastern, South Asian, and East Asian cultures. These depictions are usually done by writers, designers, and artists from the West. In particular, Orientalist painting, depicting more specifically "the Middle East",[1] was one of the many specialisms of 19th-century academic art, and the literature of Western countries took a similar interest in Oriental themes.

Since the publication of Edward Said's Orientalism in 1978, much academic discourse has begun to use the term "Orientalism" to refer to a general patronizing Western attitude towards Middle Eastern, Asian, and North African societies. In Said's analysis, the West essentializes these societies as static and undeveloped—thereby fabricating a view of Oriental culture that can be studied, depicted, and reproduced. Implicit in this fabrication, writes Said, is the idea that Western society is developed, rational, flexible, and superior.

Orientalism refers to the Orient, in reference and opposition to the Occident; the East and the West, respectively.The word Orient entered the English language as the Middle French orient. The root word oriens, from the Latin Oriens, has synonymous denotations: The eastern part of the world; the sky whence comes the sun; the east; the rising sun, etc.; yet the denotation changed as a term of geography. In the "Monk's Tale" (1375), Geoffrey Chaucer wrote: "That they conquered many regnes grete / In the orient, with many a fair citee." The term "orient" refers to countries east of the Mediterranean Sea and Southern Europe. In Place of Fear (1952), Aneurin Bevan used an expanded denotation of the Orient that comprehended East Asia: "the awakening of the Orient under the impact of Western ideas". Edward Said said that Orientalism "enables the political, economic, cultural and social domination of the West, not just during colonial times, but also in the present."

In art history, the term Orientalism refers to the works of the Western artists who specialized in Oriental subjects, produced from their travels in Western Asia, during the 19th century. In that time, artists and scholars were described as Orientalists, especially in France, where the dismissive use of the term "Orientalist" was made popular by the art critic Jules-Antoine Castagnary. Despite such social disdain for a style of representational art, the French Society of Orientalist Painters was founded in 1893, with Jean-Léon Gérôme as the honorary president; whereas in Britain, the term Orientalist identified "an artist".

The formation of the French Orientalist Painters Society changed the consciousness of practitioners towards the end of the 19th century, since artists could now see themselves as part of a distinct art movement. As an art movement, Orientalist painting is generally treated as one of the many branches of 19th-century academic art; however, many different styles of Orientalist art were in evidence. Art historians tend to identify two broad types of Orientalist artist: the realists who carefully painted what they observed and those who imagined Orientalist scenes without ever leaving the studio. French painters such as Eugène Delacroix (1798–1863) and Jean-Léon Gérôme (1824–1904) are widely regarded as the leading luminaries of the Orientalist movement.

In the book Orientalism (1978), the cultural critic Edward Said redefined the term Orientalism to describe a pervasive Western tradition — academic and artistic — of prejudiced outsider-interpretations of the Eastern world, which was shaped by the cultural attitudes of European imperialism in the 18th and 19th centuri