Skippings Fine Arts has dated this piece to the 1950s.
visionary artist with a strikingly individualistic style, Martin's
work of the 1950s presages the 1960s and develops into an exuberant,

free expression of colour and symbols that goes beyond Art Informel,
and any other movement.
Represented by Gimpel fils in London and with solo shows and
retrospectives in Galleries as important as the Redfern Gallery in

London, Pierre Matisse Gallery in New York, Galerie Borgogna in Italy,
the Kunsthalle Bern and Basel, Galerie du Dragon in Paris, Philipp
Martin was one of the major artists of his generation. Influential

critics, curators and colectors such as Michel Tapié, Alain Jouffroy
and Jean Jacques Lebel praised his work.
Exhibiting with the likes of Jackson Pollock, Bryen and Riopelle, the
MOMA New York purchased a work by Martin as early as 1952.

Works of Phillip Martin have also been acquired by the Art Institute
Chicago, the Detroit Art Museum, the San Fransisco Museum of Art, the
Contemporary Art Society London, the Musee des Beaux Arts Liege,

Belgium, the Kunst Museum Basel, Switzerland, the Municipal Museum of
Modern Art Dublin, the Guggenheim Foundation Venice, the Centre
Pompidou, Paris, the National Gallery of Australia. Canberra, among
others.
Everything I read about the artist's life - that he had entered a poor
order as a lay brother, worked with the underprivileged, his interest
in calligraphy, Indian art, his sojourns abroad - leads me to believe
that that he was an open minded, kind, thoughtful man. This is
important, as it shines though in his art, and notably in the painting
presented here. An exuberant, happy work, it exudes positive energy.
It was only after I had written the above sentences that I came across
the following statement by Gugliemo Archille Cavellini, who had known
the artist well:
"All of Phillip Martin's art conserves the force of an uninterrupted
ode to life. His painting always seems to announce something that is
being born, a love for existence that he had inside himself even
before he became an artist (...)
An important oil on canvas measuring 95 x 102 cm, the artwork
presented here has impeccable provenance: it was acquired by its
previous owner in 1963 from the Galerie H. Le Genre in the St Germain
district of Paris where Phillip Martin had a solo show titled
"éclatement spirituel de l'image-symbole".
Our oil on canvas is of the "Shrine" series, signed lower right and
dated 31-5-59 lower left. It is titled, signed again, and situated
"Paris 1959" on the verso of the canvas.
Skippings Fine Arts has dated this piece to the 1950s.
Modern french & continental pictures selected by a former french auction house expert
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