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Portrait of Mrs Symonds Nee Waller, Sir Thomas Lawrence 1769-1830
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Portrait of Mrs Symonds Nee Waller, Sir Thomas Lawrence 1769-1830

19th century
Description

watercolour and bodycolour

14 x 8 in. (36 x 21 cm.)

Sir Thomas Lawrence RA (13 April 1769 – 7 January 1830), was a notable English painter, mostly of portraits.



He was born in Bristol. His father was an innkeeper, first at Bristol and afterwards at Devizes, and at the age of six Lawrence was already being shown off to the guests of the Bear as an infant prodigy who could sketch their likenesses and declaim speeches from Milton. In 1779 the elder Lawrence had to leave Devizes, having failed in business and Thomas's precocious talent began to be the main source of the family's income; he had gained a reputation along the Bath road. His debut as a crayon portrait painter was made at Oxford, where he was well patronized, and in 1782 the family settled in Bath, where the young artist soon found himself fully employed in taking crayon likenesses of fashionable people at a guinea or a guinea and a half a head. In 1784 he gained the prize and silver-gilt palette of the Society of Arts for a crayon drawing after Raphael's "Transfiguration," and presently beginning to paint in oil.



Abandoning the idea of going on the stage which he had briefly entertained, Lawrence came to London in 1787, was kindly received by Sir Joshua Reynolds, and became a student at the Royal Academy. He began to exhibit almost immediately, and his reputation increased so rapidly that he became an associate of the Academy in 1791. The death of Sir Joshua in 1792 opened the way to further successes. Lawrence was at once appointed painter to the Dilettanti Society, and principal painter to King George III in lieu of Reynolds. In 1794 he was a Royal Academician, and he became the fashionable portrait painter of the age, his sitters including England's most notable people, and ultimately most of the crowned heads of Europe. Caroline of Brunswick was one of his favourite subjects, and is reputed to have been his lover for a time.



Financial problems plagued Lawrence. In 1796, Francis Mackenzie, 1st Baron Seaforth, one of Lawrence's close patrons, gave him £1,000 (an enormous sum at the time) to relieve him from his financial difficulties. Lawrence painted several portraits for Lord Seaforth, including a full-length portrait of Seaforth's daughter, Mary.



In 1815 Lawrence was knighted; in 1818 he went to Aachen to paint the sovereigns and diplomats gathered there for the third congress, and visited Vienna and Rome, everywhere receiving flattering marks of distinction from princes, due as much to his courtly manners as to his merits as an artist. After eighteen months he returned to England, and on the very day of his arrival was chosen president of the Academy in room of Benjamin West, who had died a few days before. He held the office from 1820 to his death. He was never married.



Portrait of Marguerite, Countess of Blessington, 1819.

Physical Dimensions
Height
40cm (15.75")
Width
25cm (9.84")
Depth
1cm (0.39")
Declaration

Artware Fineart has dated this piece to the 1800s.

Reference Numbers
Sellingantiques Reference
SA45557
Dealers Internal Reference
3228
Description
Watercolour and bodycolour

14 x 8 in. (36 x 21 cm.)

Sir Thomas Lawrence RA (13 April 1769 – 7 January 1830), was a notable English painter, mostly of portraits.
Artware Fineart

He was born in Bristol. His father was an innkeeper, first at Bristol and afterwards at Devizes, and at the age of six Lawrence was already being shown off to the guests of the Bear as an infant prodigy who could sketch their likenesses and declaim speeches from Milton. In 1779 the elder Lawrence had to leave Devizes, having failed in business and Thomas's precocious talent began to be the main source of the family's income; he had gained a reputation along the Bath road. His debut as a crayon portrait painter was made at Oxford, where he was well patronized, and in 1782 the family settled in Bath, where the young artist soon found himself fully employed in taking crayon likenesses of fashionable people at a guinea or a guinea and a half a head. In 1784 he gained the prize and silver-gilt palette of the Society of Arts for a crayon drawing after Raphael's "Transfiguration," and presently beginning to paint in oil.

fig 1. Portrait of Mrs Symonds nee Waller, Sir Thomas Lawrence 1769-1830
fig 1. Portrait of Mrs Symonds Nee Waller, Sir Thomas Lawrence 1769-1830

Abandoning the idea of going on the stage which he had briefly entertained, Lawrence came to London in 1787, was kindly received by Sir Joshua Reynolds, and became a student at the Royal Academy. He began to exhibit almost immediately, and his reputation increased so rapidly that he became an associate of the Academy in 1791. The death of Sir Joshua in 1792 opened the way to further successes. Lawrence was at once appointed painter to the Dilettanti Society, and principal painter to King George III in lieu of Reynolds. In 1794 he was a Royal Academician, and he became the fashionable portrait painter of the age, his sitters including England's most notable people, and ultimately most of the crowned heads of Europe. Caroline of Brunswick was one of his favourite subjects, and is reputed to have been his lover for a time.

fig 2. Portrait of Mrs Symonds nee Waller, Sir Thomas Lawrence 1769-1830
fig 2. Portrait of Mrs Symonds Nee Waller, Sir Thomas Lawrence 1769-1830

Financial problems plagued Lawrence. In 1796, Francis Mackenzie, 1st Baron Seaforth, one of Lawrence's close patrons, gave him £1,000 (an enormous sum at the time) to relieve him from his financial difficulties. Lawrence painted several portraits for Lord Seaforth, including a full-length portrait of Seaforth's daughter, Mary.

fig 3. Portrait of Mrs Symonds nee Waller, Sir Thomas Lawrence 1769-1830
fig 3. Portrait of Mrs Symonds Nee Waller, Sir Thomas Lawrence 1769-1830

In 1815 Lawrence was knighted; in 1818 he went to Aachen to paint the sovereigns and diplomats gathered there for the third congress, and visited Vienna and Rome, everywhere receiving flattering marks of distinction from princes, due as much to his courtly manners as to his merits as an artist. After eighteen months he returned to England, and on the very day of his arrival was chosen president of the Academy in room of Benjamin West, who had died a few days before. He held the office from 1820 to his death. He was never married.

Portrait of Marguerite, Countess of Blessington, 1819.

Height
40cm (15.75")
Width
25cm (9.84")
Depth
1cm (0.39")
Date of Manufacture

Artware Fineart has dated this piece to the 1800s.

Reference Numbers
Sellingantiques Ref
SA45557
Dealers Internal Ref
3228
Artware Fineart
Sellingantiques verified Since Sep 2008
Dealer Profile

You can view the stock and full dealer information on the Artware Fineart Profile Page

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Portrait of Mrs Symonds nee Waller, Sir Thomas Lawrence 1769-1830
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Archive I Portrait of Mrs Symonds nee Waller, Sir Thomas Lawrence 1769-1830

Portrait of Mrs Symonds Nee Waller, Sir Thomas Lawrence 1769-1830

Archive II Portrait of Mrs Symonds nee Waller, Sir Thomas Lawrence 1769-1830 View II
Archive III Portrait of Mrs Symonds nee Waller, Sir Thomas Lawrence 1769-1830 View III
Archive IV Portrait of Mrs Symonds nee Waller, Sir Thomas Lawrence 1769-1830 View IV
Archive V Portrait of Mrs Symonds nee Waller, Sir Thomas Lawrence 1769-1830 View V
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Telephone 07958 699 645
Location
18 La Gare
51 Surrey Row
London
SE1 0BZ
United Kingdom
Verified Since Sep 2008
Items For Sale 243
Items Sold 223
Artware Fineart
Verified Since Sep 2008
View Dealer Info
Location: 18 La Gare , 51 Surrey Row , London , SE1 0BZ , United Kingdom
Verified
Sep 2008
For Sale
243
Sold
223
Portrait of Mrs Symonds nee Waller, Sir Thomas Lawrence 1769-1830
Portrait of Mrs Symonds nee Waller, Sir Thomas Lawrence 1769-1830
Ref: SA45557
Portrait of Mrs Symonds nee Waller, Sir Thomas Lawrence 1769-1830
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