William Greenwood Fine Art has dated this piece to the 1930s.
Title: 'Mother and child'
Medium: Dry point etching.
Size: 8'' x 8'' (picture size in inches)
Overall framed size: 21'' x 16 1/2''
Signed in pencil. Title inscribed on old William Gray, Fine Art Galleries, Halifax label verso. 30 impressions artist's proofs.
Arthur W Heintzelman (American) 1891- 1965:
In his early work, a desire to document the common person is clear. Old men and woman, peasants and paupers with weathered features, were later replaced by his favorite subject matter - children. In addition to being a successful artist, Heintzelman held such positions as Keeper of Prints at the Boston Public Library and head of the Fine Arts department of the Rhode Island School of Design. He was published in Fine Prints of the Year from1923 to 1939, and Fifty Prints of the Year in 1934.
He was awarded the Logan Prize at the Art Institute of Chicago from 1920 to 1922; the Barnett Prize at the Society of Etchers in 1920; 1st prize at the California Society of Etchers in 1921; the Noyes Prize at the Brooklyn Society of Etchers in 1924; the Lea Prize at the Philadelphia Print Club in 1925; a prize at the Philadelphia Society of Etchers in 1924; a gold medal at the California Printmakers in 1934; a gold medal at the Paris International Exposition in 1937; prizes and medals at the Chicago Society of Etchers in 1915, 1920, and 1925; prizes at the Society of American Etchers in 1920 and 1924; a prize at the Society for Sanity in Art in 1939; prizes at the American Artists Professional League in 1929 and 1945; a prize at the Southern Printmakers in 1940; a prize at the Northwest Printmakers in 1941; prizes at the New England Women's Club in 1940 and 1945; a prize at the Library of Congress in 1945; a prize at the Wichita Art Association in 1946; a prize at the Montclair Art Museum in 1939. Heinzelman also exhibited annually with the National Academy of Design from 1933; Paris; Milan; Rome; Geneva; Lausanne; London, from 1925 to 1935; and nationally from 1917.
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William Greenwood Fine Art has dated this piece to the 1930s.
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