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ID #SA1234361
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19th Century Engraved Print of Anne Richmond and Photo of the Artist Thomas (Tom) Richmond Jnr
For sale by Radnorshire Fine Arts Ltd
for sale €293     $318
£250
Radnorshire Fine Arts Ltd

Radnorshire Fine Arts Ltd

Sellingantiques Verified Since Sep 2026
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    We buy and sell paintings, watercolours, prints and drawings from the 17th to the 20th century
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19th Century Engraved Print of Anne Richmond and Photo of the Artist Thomas (Tom) Richmond Jnr

19th century
Description

Mrs, Thomas Richmond (née Anne Oram / 1772-1859.) Wife of Thomas Richmond Snr (miniature painter), mother of George Richmond, R.A., and grandmother to Sir William Blake Richmond.

Image: 3 3/4 x 2 7/8 in. (9 x 7.4 cm.)

Mount: 12 1/8 x 9 5/8 in. (30.8 x 24.6 cm.)

Portrait photograph of the artist Thomas (Tom) Richmond Jnr (1802-1874). Provenance: Walter Coleridge Richmond (1852-1931) son of George Richmond RA, thence by descent in the family.

Inscribed: Thomas Richmond, son of Thomas Richmond, Ann Orme, born 1802 in Hatton Garden, died 1874 in Windermere. He was the only surviving brother of George Richmond. 5 other brothers died in infancy.

Image: 2 5/8 x 2 1/8 in. (6.6 x 5.3 cm.)

Mount: 11 3/4 x 8 1/4 in. (29.3 x 21 cm.)

Both items have been professionally cleaned and mounted.

Anne Richmond

Anne was known far and wide for her beauty. Her father kept an Inn at Kew Green and her mother died when she was young.

As an old lady she remembered the burning of Newgate during the Gordon riots and was taken to see Lord Gordon in prison. After her marriage she often saw Lord Nelson at Portsmouth, in which town her husband practised his art as a miniature painter. She also knew Shelley, who had lodged in the same house with her in Half Moon Street, Piccadilly.

A year before Anne died she gave a true and first hand account of a ghost story to her then, 16 year old grandchild, W B Richmond. After her mothers death her father immediately left the city and moved to Chelsea. At the back of their new house was a large and neglected garden which was used by their Newfoundland dog, and the children for games. One day while the children were playing “catch who catch can,” Anne’s brother, who was leading, came to some steps descending into a kind of hole; Anne followed but at the bottom of the steps there stood their mother, saying nothing but standing there in the attitude of pushing them back. Shocked by their dead mothers appearance they retreated immediately. When they told their father what had happened he sent them to bed for what he considered to be a monstrous lie. A few days after, the Newfoundland dog went missing; a search for him was made in the garden, and it was found that he had made his way down those same steps, had trodden upon some rotten planks overgrown with weeds, fallen into a covered well, and drowned.

Anne died in John Giles’ house where she had lived for some years.

Thomas (Tom) Richmond Jnr.

Thomas Richmond was a portrait painter, known for his idealised pictures in the so-called Keepsake style. His father Thomas Richmond (1771–1837), was a miniature painter, and his brother George Richmond RA (1809-1896) was a celebrated portrait painter.

Richmond initially practiced in Sheffield, and later moved to London. His main clientele was among the hunting fraternity. Between 1833 and 1860 he exhibited fifty one portraits in London. He exhibited forty-five portraits at the Royal Academy and six at the Suffolk Street gallery. Richmond’s paintings are close in style to his father’s work, but distinguished by the characteristic use of dark stippling in the background.

Richmond and his brother George had met Ruskin during his trip to Rome in 1840-1. He accompanied him on his visits to galleries. John Ruskin’s father commissioned Richmond to paint his daughter-in-law Effie Gray, Effie wrote of the finished work to her mother: ‘…it is the most lovely piece of oil painting but much prettier than me. I look like a graceful Doll but John and his father are delighted with it’. Ruskin’s father was not as delighted with the portrait of Effie as she believed. He wrote to his son that Thomas was inferior as an artist to his brother: “Tom I regret to say cannot hold a candle to George – It is second rate or lower”.

Tom Richmond died in 1874 at Windermere, where he had purchased an estate but was buried in Brompton Cemetery, London.

Declaration

Radnorshire Fine Arts Ltd has dated this piece to the 19th Century.

Reference Numbers
Sellingantiques Reference
SA1234361
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Description
Mrs, Thomas Richmond (née Anne Oram / 1772-1859.) Wife of Thomas Richmond Snr (miniature painter), mother of George Richmond, R.A., and grandmother to Sir William Blake Richmond.

Image: 3 3/4 x 2 7/8 in. (9 x 7.4 cm.)

fig 1. 19th Century Engraved Print of Anne Richmond and Photo of The Artist Thomas (Tom) Richmond Jnr
fig 1. 19th Century Engraved Print of Anne Richmond and Photo of the Artist Thomas (Tom) Richmond Jnr

Mount: 12 1/8 x 9 5/8 in. (30.8 x 24.6 cm.)

Portrait photograph of the artist Thomas (Tom) Richmond Jnr (1802-1874).

Provenance: Walter Coleridge Richmond (1852-1931) son of George Richmond RA, thence by descent in the family.
Radnorshire Fine Arts Ltd
fig 2. 19th Century Engraved Print of Anne Richmond and Photo of The Artist Thomas (Tom) Richmond Jnr
fig 2. 19th Century Engraved Print of Anne Richmond and Photo of the Artist Thomas (Tom) Richmond Jnr

Inscribed: Thomas Richmond, son of Thomas Richmond, Ann Orme, born 1802 in Hatton Garden, died 1874 in Windermere. He was the only surviving brother of George Richmond. 5 other brothers died in infancy.

fig 3. 19th Century Engraved Print of Anne Richmond and Photo of The Artist Thomas (Tom) Richmond Jnr
fig 3. 19th Century Engraved Print of Anne Richmond and Photo of the Artist Thomas (Tom) Richmond Jnr

Image: 2 5/8 x 2 1/8 in. (6.6 x 5.3 cm.)

Mount: 11 3/4 x 8 1/4 in. (29.3 x 21 cm.)

Both items have been professionally cleaned and mounted.

Anne Richmond

Anne was known far and wide for her beauty. Her father kept an Inn at Kew Green and her mother died when she was young.

fig 4. 19th Century Engraved Print of Anne Richmond and Photo of The Artist Thomas (Tom) Richmond Jnr
fig 4. 19th Century Engraved Print of Anne Richmond and Photo of the Artist Thomas (Tom) Richmond Jnr

As an old lady she remembered the burning of Newgate during the Gordon riots and was taken to see Lord Gordon in prison. After her marriage she often saw Lord Nelson at Portsmouth, in which town her husband practised his art as a miniature painter. She also knew Shelley, who had lodged in the same house with her in Half Moon Street, Piccadilly.

fig 5. 19th Century Engraved Print of Anne Richmond and Photo of The Artist Thomas (Tom) Richmond Jnr
fig 5. 19th Century Engraved Print of Anne Richmond and Photo of the Artist Thomas (Tom) Richmond Jnr

A year before Anne died she gave a true and first hand account of a ghost story to her then, 16 year old grandchild, W B Richmond. After her mothers death her father immediately left the city and moved to Chelsea. At the back of their new house was a large and neglected garden which was used by their Newfoundland dog, and the children for games. One day while the children were playing “catch who catch can,” Anne’s brother, who was leading, came to some steps descending into a kind of hole; Anne followed but at the bottom of the steps there stood their mother, saying nothing but standing there in the attitude of pushing them back. Shocked by their dead mothers appearance they retreated immediately. When they told their father what had happened he sent them to bed for what he considered to be a monstrous lie. A few days after, the Newfoundland dog went missing; a search for him was made in the garden, and it was found that he had made his way down those same steps, had trodden upon some rotten planks overgrown with weeds, fallen into a covered well, and drowned.

fig 6. 19th Century Engraved Print of Anne Richmond and Photo of The Artist Thomas (Tom) Richmond Jnr
fig 6. 19th Century Engraved Print of Anne Richmond and Photo of the Artist Thomas (Tom) Richmond Jnr

Anne died in John Giles’ house where she had lived for some years.

Thomas (Tom) Richmond Jnr.

Thomas Richmond was a portrait painter, known for his idealised pictures in the so-called Keepsake style. His father Thomas Richmond (1771–1837), was a miniature painter, and his brother George Richmond RA (1809-1896) was a celebrated portrait painter.

fig 7. 19th Century Engraved Print of Anne Richmond and Photo of The Artist Thomas (Tom) Richmond Jnr
fig 7. 19th Century Engraved Print of Anne Richmond and Photo of the Artist Thomas (Tom) Richmond Jnr

Richmond initially practiced in Sheffield, and later moved to London. His main clientele was among the hunting fraternity. Between 1833 and 1860 he exhibited fifty one portraits in London. He exhibited forty-five portraits at the Royal Academy and six at the Suffolk Street gallery. Richmond’s paintings are close in style to his father’s work, but distinguished by the characteristic use of dark stippling in the background.

Richmond and his brother George had met Ruskin during his trip to Rome in 1840-1. He accompanied him on his visits to galleries. John Ruskin’s father commissioned Richmond to paint his daughter-in-law Effie Gray, Effie wrote of the finished work to her mother: ‘…it is the most lovely piece of oil painting but much prettier than me. I look like a graceful Doll but John and his father are delighted with it’. Ruskin’s father was not as delighted with the portrait of Effie as she believed. He wrote to his son that Thomas was inferior as an artist to his brother: “Tom I regret to say cannot hold a candle to George – It is second rate or lower”.

Tom Richmond died in 1874 at Windermere, where he had purchased an estate but was buried in Brompton Cemetery, London.

Date of Manufacture

Radnorshire Fine Arts Ltd has dated this piece to the 19th Century.

Reference Numbers
Sellingantiques Ref
SA1234361
Radnorshire Fine Arts Ltd
Radnorshire Fine Arts Ltd
Sellingantiques verified Since Sep 2026

We buy and sell paintings, watercolours, prints and drawings from the 17th to the 20th century

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19th Century Engraved Print of Anne Richmond and Photo of The Artist Thomas (Tom) Richmond Jnr
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Archive I 19th Century Engraved Print of Anne Richmond and Photo of The Artist Thomas (Tom) Richmond Jnr

19th Century Engraved Print of Anne Richmond and Photo of the Artist Thomas (Tom) Richmond Jnr

Archive II 19th Century Engraved Print of Anne Richmond and Photo of The Artist Thomas (Tom) Richmond Jnr View II
Archive III 19th Century Engraved Print of Anne Richmond and Photo of The Artist Thomas (Tom) Richmond Jnr View III
Archive IV 19th Century Engraved Print of Anne Richmond and Photo of The Artist Thomas (Tom) Richmond Jnr View IV
Archive V 19th Century Engraved Print of Anne Richmond and Photo of The Artist Thomas (Tom) Richmond Jnr View V
Archive VI 19th Century Engraved Print of Anne Richmond and Photo of The Artist Thomas (Tom) Richmond Jnr View VI
Archive VII 19th Century Engraved Print of Anne Richmond and Photo of The Artist Thomas (Tom) Richmond Jnr View VII
Archive VIII 19th Century Engraved Print of Anne Richmond and Photo of The Artist Thomas (Tom) Richmond Jnr View VIII
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Telephone 07790 208712
Location
Powys
Wales
United Kingdom

By appointment.
Dealer Profile Page sellingantiques.co.uk/rfa
Verified Since Sep 2026
Items For Sale 16
Radnorshire Fine Arts Ltd
Radnorshire Fine Arts Ltd
Verified Since Sep 2026
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Location: Powys, Wales, United Kingdom, , By appointment.
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Sep 2026
For Sale
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19th Century Engraved Print of Anne Richmond and Photo of The Artist Thomas (Tom) Richmond Jnr
19th Century Engraved Print of Anne Richmond and Photo of The Artist Thomas (Tom) Richmond Jnr
Ref: SA1234361
19th Century Engraved Print of Anne Richmond and Photo of The Artist Thomas (Tom) Richmond Jnr
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Archival Detail
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Written by Sellingantiques from the dealer’s photographs and listing
  • Period19th century

This nineteenth-century set comprises an engraved print of Anne Richmond within an oval border and a portrait photograph of the artist Thomas Richmond Junior accompanied by a handwritten biographical inscription. Both monochrome works are presented beneath heavy cream-coloured paper mounts with bevelled window openings. The print depicts a woman wearing a bonnet and dark dress, while the sepia-toned photograph shows an elderly man with a long white beard. Below the photograph rests a piece of aged paper bearing handwritten script in black ink detailing genealogical records. The prints display visible surface ageing including toning and minor irregularities on the paper supports. Each item occupies a distinct rectangular mount measuring 30.8 x 24.6 cm and 29.3 x 21 cm respectively. These framed works suit display in a traditional study, library or drawing room, hung directly on a wall or placed within a period domestic interior.

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