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ID #SA1233213
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£5,790
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A Rare Solid-cast Bronze and Selectively Fire-gilded Figural Scholar’s Desk Paperweight (Zhenzhi) in the Form of a Reclining Boy (Wa Wa) Ming Dynasty, 16th Century
Sandbanks Antiques
for sale €6,774     $7,353
£5,790
Sandbanks Antiques

Sandbanks Antiques

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    Specialising in antique silver, gold boxes, gold coins and objects de vertu. Rare fine-quality imperial chinese porcelain, jades, cloisonné
Id #SA1233213
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A Rare Solid-cast Bronze and Selectively Fire-gilded Figural Scholar’s Desk Paperweight (Zhenzhi) in the Form of a Reclining Boy (Wa Wa) Ming Dynasty, 16th Century

16th century
Description

A Rare Solid-Cast Bronze and Selectively Fire-Gilded Figural Scholar’s Desk Paperweight (Zhenzhi) in the Form of a Reclining Boy (Wa Wa)

Ming Dynasty, 16th Century

Comprehensive Description & Condition Report

Dimensions & Scale: Ultra-compact cabinet format, measuring precisely 2.0 cm in height and 3.1 cm in length.

Weight & Structural Density: Possesses an extraordinary and unexpected heft of 47 grams. For a miniature footprint of just over three centimeters, this heavy weight proves the object is entirely solid-cast rather than hollow-formed, engineered specifically to function as a dense desk paperweight (zhenzhi) capable of anchoring loose sheets of xuan paper.

Subject & Iconography: Realized as a recumbent boy (wa wa), a highly revered auspicious motif in traditional Chinese art representing fertility, domestic joy, and the continuity of family lines. The child is depicted wearing traditional layered robes with finely incised, flowing parallel drapery lines, resting with his head tilted forward and hands folded.

Gilding & Surface Treatment: The face and hair detail feature high-grade, selective mercury (fire) gilding, creating a striking contrast against the dark body. The high points of the cheeks and nose show soft, authentic friction wear from centuries of handling.

Patina: The un-gilded jacket and lower body display a rich, warm Cupertino-toned patina. Under macro examination, the deep crevices of the drapery folds retain untouched, dark brown natural oxidation and micro-residues that cannot be artificially duplicated.

Base & Markings: The flat, squared underside features a distinct geometric grid-like placement or workshop control marking, designed to sit completely flush and stable on the desk. The base exhibits high-point rubbing where the brilliant golden-toned underlying alloy peeks through the dark surface crust, reflecting generations of desk placement and handling.

Provenance: The G S. May Esquire Private Collection, London

Why This Piece is Exceptionally Rare

The Density-to-Scale Ratio (47g / 3cm): While small scholar items appear occasionally, finding one that packs a dense 47 grams of solid, high-grade metal into a 2 cm profile is extraordinarily uncommon. Standard commercial or tourist pieces are cast thin or hollow to save metal; this piece utilizes elite foundry resources typically reserved for high-status imperial or affluent private commissions.

Selective Mercury Gilding Preservation: Full gilding is occasionally encountered, but precise, partial fire-gilding restricted solely to the facial features requires complex masking techniques. For this delicate application to survive centuries of use intact—alongside a stable, undisturbed natural skin—marks it as a survivor of the highest order.

The Intimate Scholar’s Function: Because these miniature desk paperweights were designed to be handheld, squeezed, and rubbed during quiet contemplation, the vast majority were lost, heavily worn down, or discarded over the centuries. A 16th-century cabinet bronze surviving in this state of structural and surface integrity is a true rarity for advanced collections of Asian art.

Physical Dimensions
Height
2cm (0.79")
Width
3.1cm (1.22")
Declaration

Sandbanks Antiques has dated this Ming Dynasty Bronze Paperweight to the 16th Century.

Reference Numbers
Sellingantiques Reference
SA1233213
Description
A Rare Solid-Cast Bronze and Selectively Fire-Gilded Figural Scholar’s Desk Paperweight (Zhenzhi) in the Form of a Reclining Boy (Wa Wa)

Ming Dynasty, 16th Century

Comprehensive Description & Condition Report

fig 1. A dark bronze cast sculpture of a reclining child with gilded details on the head and face, resting on a flat base.
fig 1. A Rare Solid-cast Bronze and Selectively Fire-gilded Figural Scholar’s Desk Paperweight (Zhenzhi) in the Form of a Reclining Boy (Wa Wa) Ming Dynasty, 16th Century

Dimensions & Scale: Ultra-compact cabinet format, measuring precisely 2.0 cm in height and 3.1 cm in length.

Weight & Structural Density: Possesses an extraordinary and unexpected heft of 47 grams. For a miniature footprint of just over three centimeters, this heavy weight proves the object is entirely solid-cast rather than hollow-formed, engineered specifically to function as a dense desk paperweight (zhenzhi) capable of anchoring loose sheets of xuan paper.

Subject & Iconography: Realized as a recumbent boy (wa wa), a highly revered auspicious motif in traditional Chinese art representing fertility, domestic joy, and the continuity of family lines.
Sandbanks Antiques

The child is depicted wearing traditional layered robes with finely incised, flowing parallel drapery lines, resting with his head tilted forward and hands folded.

fig 2. A dark bronze cast sculpture of a reclining child with gilded details on the head and face, resting on a flat base.
fig 2. A Rare Solid-cast Bronze and Selectively Fire-gilded Figural Scholar’s Desk Paperweight (Zhenzhi) in the Form of a Reclining Boy (Wa Wa) Ming Dynasty, 16th Century

Gilding & Surface Treatment: The face and hair detail feature high-grade, selective mercury (fire) gilding, creating a striking contrast against the dark body. The high points of the cheeks and nose show soft, authentic friction wear from centuries of handling.

fig 3. A dark bronze cast sculpture of a reclining child with gilded details on the head and face, resting on a flat base.
fig 3. A Rare Solid-cast Bronze and Selectively Fire-gilded Figural Scholar’s Desk Paperweight (Zhenzhi) in the Form of a Reclining Boy (Wa Wa) Ming Dynasty, 16th Century

Patina: The un-gilded jacket and lower body display a rich, warm Cupertino-toned patina. Under macro examination, the deep crevices of the drapery folds retain untouched, dark brown natural oxidation and micro-residues that cannot be artificially duplicated.

fig 4. A dark bronze cast sculpture of a reclining child with gilded details on the head and face, resting on a flat base.
fig 4. A Rare Solid-cast Bronze and Selectively Fire-gilded Figural Scholar’s Desk Paperweight (Zhenzhi) in the Form of a Reclining Boy (Wa Wa) Ming Dynasty, 16th Century

Base & Markings: The flat, squared underside features a distinct geometric grid-like placement or workshop control marking, designed to sit completely flush and stable on the desk. The base exhibits high-point rubbing where the brilliant golden-toned underlying alloy peeks through the dark surface crust, reflecting generations of desk placement and handling.

fig 5. A dark bronze cast sculpture of a reclining child with gilded details on the head and face, resting on a flat base.
fig 5. A Rare Solid-cast Bronze and Selectively Fire-gilded Figural Scholar’s Desk Paperweight (Zhenzhi) in the Form of a Reclining Boy (Wa Wa) Ming Dynasty, 16th Century

Provenance: The G S. May Esquire Private Collection, London

Why This Piece is Exceptionally Rare

The Density-to-Scale Ratio (47g / 3cm): While small scholar items appear occasionally, finding one that packs a dense 47 grams of solid, high-grade metal into a 2 cm profile is extraordinarily uncommon. Standard commercial or tourist pieces are cast thin or hollow to save metal; this piece utilizes elite foundry resources typically reserved for high-status imperial or affluent private commissions.

fig 6. A dark bronze cast sculpture of a reclining child with gilded details on the head and face, resting on a flat base.
fig 6. A Rare Solid-cast Bronze and Selectively Fire-gilded Figural Scholar’s Desk Paperweight (Zhenzhi) in the Form of a Reclining Boy (Wa Wa) Ming Dynasty, 16th Century

Selective Mercury Gilding Preservation: Full gilding is occasionally encountered, but precise, partial fire-gilding restricted solely to the facial features requires complex masking techniques. For this delicate application to survive centuries of use intact—alongside a stable, undisturbed natural skin—marks it as a survivor of the highest order.

fig 7. A dark bronze cast sculpture of a reclining child with gilded details on the head and face, resting on a flat base.
fig 7. A Rare Solid-cast Bronze and Selectively Fire-gilded Figural Scholar’s Desk Paperweight (Zhenzhi) in the Form of a Reclining Boy (Wa Wa) Ming Dynasty, 16th Century

The Intimate Scholar’s Function: Because these miniature desk paperweights were designed to be handheld, squeezed, and rubbed during quiet contemplation, the vast majority were lost, heavily worn down, or discarded over the centuries. A 16th-century cabinet bronze surviving in this state of structural and surface integrity is a true rarity for advanced collections of Asian art.

Height
2cm (0.79")
Width
3.1cm (1.22")
Date of Manufacture

Sandbanks Antiques has dated this Ming Dynasty Bronze Paperweight to the 16th Century.

Reference Numbers
Sellingantiques Ref
SA1233213
Sandbanks Antiques
Sandbanks Antiques
Sellingantiques verified Since Jan 2025

Specialising in antique silver, gold boxes, gold coins and objects de vertu. Rare fine-quality imperial chinese porcelain, jades, cloisonné

Dealer Profile

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A dark bronze cast sculpture of a reclining child with gilded details on the head and face, resting on a flat base.
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Archive I A dark bronze cast sculpture of a reclining child with gilded details on the head and face, resting on a flat base.

A Rare Solid-cast Bronze and Selectively Fire-gilded Figural Scholar’s Desk Paperweight (Zhenzhi) in the Form of a Reclining Boy (Wa Wa) Ming Dynasty, 16th Century

Archive II A dark bronze cast sculpture of a reclining child with gilded details on the head and face, resting on a flat base. View II
Archive III A dark bronze cast sculpture of a reclining child with gilded details on the head and face, resting on a flat base. View III
Archive IV A dark bronze cast sculpture of a reclining child with gilded details on the head and face, resting on a flat base. View IV
Archive V A dark bronze cast sculpture of a reclining child with gilded details on the head and face, resting on a flat base. View V
Archive VI A dark bronze cast sculpture of a reclining child with gilded details on the head and face, resting on a flat base. View VI
Archive VII A dark bronze cast sculpture of a reclining child with gilded details on the head and face, resting on a flat base. View VII
Archive VIII A dark bronze cast sculpture of a reclining child with gilded details on the head and face, resting on a flat base. View VIII
Archive IX A dark bronze cast sculpture of a reclining child with gilded details on the head and face, resting on a flat base. View IX
Archive X A dark bronze cast sculpture of a reclining child with gilded details on the head and face, resting on a flat base. View X
Archive XI A dark bronze cast sculpture of a reclining child with gilded details on the head and face, resting on a flat base. View XI
Enlarged Archival View
Telephone 07889 139677
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Sandbanks
Poole
Dorset
United Kingdom

By appointment only in Poole or London.
Verified Since Jan 2025
Items For Sale 198
Items Sold 82
Sandbanks Antiques
Sandbanks Antiques
Verified Since Jan 2025
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Location: Sandbanks, Poole, Dorset, United Kingdom, , By appointment only in Poole or London.
Verified
Jan 2025
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A dark bronze cast sculpture of a reclining child with gilded details on the head and face, resting on a flat base.
A Rare Solid-Cast Bronze and Selectively Fire-Gilded Figural Scholar’s Desk Paperweight (Zhenzhi) in the Form of a Reclining Boy (Wa Wa) Ming Dynasty, 16th Century
Ref: SA1233213
A dark bronze cast sculpture of a reclining child with gilded details on the head and face, resting on a flat base.
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A zhenzhi is a traditional Chinese desktop object used in a scholars studio to hold down paper or silk during calligraphy and painting, often cast in bronze or carved from stone into symbolic forms.

These items were generally solid-cast using the lost-wax technique and frequently detailed with mercury fire-gilding to highlight specific features such as hair, faces, or garments.

Authentic pieces display natural surface patination, substantial weight proportional to their size due to solid metal casting, and period-appropriate stylistic details in drapery and facial features.

They serve as tactile accent objects when placed on a study desk, arranged within a bookshelf, or styled alongside modern stationery and trays.

Remove dust using a soft, dry microfibre cloth or soft-bristled brush, avoiding liquid cleansers, metal polishes, or harsh chemical solutions that strip historic gilding and surface patina.
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