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ID #SA1231606
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£720
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Mezzotint Portrait of Queen Charlotte (1744-1818) - By James Mccardell After Jeremiah Meyer.
The Mezzotint Man
for sale €842     $914
£720
The Mezzotint Man

The Mezzotint Man

Sellingantiques Verified Since Mar 2026
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Mezzotint Portrait of Queen Charlotte (1744-1818) - By James Mccardell After Jeremiah Meyer.

18th century
Description

Fine early coronation-era mezzotint portrait of Queen Charlotte which represents one of the most prominent official profile likenesses of the young Queen. She is depicted half-length at approximately seventeen or eighteen years of age, shortly after her marriage to King George III in September 1761.

The monarch is depicted in sharp profile facing toward the right in a profile perspective which was was heavily popularised by coronation medals and miniatures designed by Jeremiah Meyer.

Her hair is styled up into a tight series of curls, woven with fine pearls. A delicate tiara sets atop her head, and a wide satin bow secures her hair at the nape of her neck. She wears an elaborate, embroidered brocade dress adorned with a heavily jeweled, laced bodice. Draped over her shoulder is an ermine-lined royal cloak, a classic marker of her new sovereign status.

Reflecting the immense wealth brought by her royal union, she is adorned with a pair of large teardrop pearl earrings, a tight-fitting diamond-studded choker collar, and an additional sweeping pearl-and-jewel necklace falling across her chest.

Framed: 45cm x 36cm

Sheet: 35cm x 25cm

House in high quality ebonised frame with sanded gilt slip.

Price: £720

Physical Dimensions
Height
45cm (17.72")
Width
36cm (14.17")
Depth
2cm (0.79")
Declaration

The Mezzotint Man has dated this Queen Charlotte Mezzotint Print to the 18th Century.

Reference Numbers
Sellingantiques Reference
SA1231606
Description
Fine early coronation-era mezzotint portrait of Queen Charlotte which represents one of the most prominent official profile likenesses of the young Queen.
She is depicted half-length at approximately seventeen or eighteen years of age, shortly after her marriage to King George III in September 1761.
The Mezzotint Man
fig 1. A framed 18th-century monochrome mezzotint portrait of Queen Charlotte shown in profile, set within a molded black frame with a gilded inner border.
fig 1. Mezzotint Portrait of Queen Charlotte (1744-1818) - By James Mccardell After Jeremiah Meyer.

The monarch is depicted in sharp profile facing toward the right in a profile perspective which was was heavily popularised by coronation medals and miniatures designed by Jeremiah Meyer.

Her hair is styled up into a tight series of curls, woven with fine pearls. A delicate tiara sets atop her head, and a wide satin bow secures her hair at the nape of her neck. She wears an elaborate, embroidered brocade dress adorned with a heavily jeweled, laced bodice. Draped over her shoulder is an ermine-lined royal cloak, a classic marker of her new sovereign status.

fig 2. A framed 18th-century monochrome mezzotint portrait of Queen Charlotte shown in profile, set within a molded black frame with a gilded inner border.
fig 2. Mezzotint Portrait of Queen Charlotte (1744-1818) - By James Mccardell After Jeremiah Meyer.

Reflecting the immense wealth brought by her royal union, she is adorned with a pair of large teardrop pearl earrings, a tight-fitting diamond-studded choker collar, and an additional sweeping pearl-and-jewel necklace falling across her chest.

Framed: 45cm x 36cm

Sheet: 35cm x 25cm

House in high quality ebonised frame with sanded gilt slip.

Price: £720

Height
45cm (17.72")
Width
36cm (14.17")
Depth
2cm (0.79")
Date of Manufacture

The Mezzotint Man has dated this Queen Charlotte Mezzotint Print to the 18th Century.

Reference Numbers
Sellingantiques Ref
SA1231606
The Mezzotint Man
The Mezzotint Man
Sellingantiques verified Since Mar 2026

Dealers in fine antiquarian portrait prints

Dealer Profile

You can view the stock and full dealer information on the The Mezzotint Man Profile Page

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A framed 18th-century monochrome mezzotint portrait of Queen Charlotte shown in profile, set within a molded black frame with a gilded inner border.
1 / 12
Archive I A framed 18th-century monochrome mezzotint portrait of Queen Charlotte shown in profile, set within a molded black frame with a gilded inner border.

Mezzotint Portrait of Queen Charlotte (1744-1818) - By James Mccardell After Jeremiah Meyer.

Archive II A framed 18th-century monochrome mezzotint portrait of Queen Charlotte shown in profile, set within a molded black frame with a gilded inner border. View II
Archive III A framed 18th-century monochrome mezzotint portrait of Queen Charlotte shown in profile, set within a molded black frame with a gilded inner border. View III
Archive IV A framed 18th-century monochrome mezzotint portrait of Queen Charlotte shown in profile, set within a molded black frame with a gilded inner border. View IV
Archive V A framed 18th-century monochrome mezzotint portrait of Queen Charlotte shown in profile, set within a molded black frame with a gilded inner border. View V
Archive VI A framed 18th-century monochrome mezzotint portrait of Queen Charlotte shown in profile, set within a molded black frame with a gilded inner border. View VI
Archive VII A framed 18th-century monochrome mezzotint portrait of Queen Charlotte shown in profile, set within a molded black frame with a gilded inner border. View VII
Archive VIII A framed 18th-century monochrome mezzotint portrait of Queen Charlotte shown in profile, set within a molded black frame with a gilded inner border. View VIII
Archive IX A framed 18th-century monochrome mezzotint portrait of Queen Charlotte shown in profile, set within a molded black frame with a gilded inner border. View IX
Archive X A framed 18th-century monochrome mezzotint portrait of Queen Charlotte shown in profile, set within a molded black frame with a gilded inner border. View X
Archive XI A framed 18th-century monochrome mezzotint portrait of Queen Charlotte shown in profile, set within a molded black frame with a gilded inner border. View XI
Archive XII A framed 18th-century monochrome mezzotint portrait of Queen Charlotte shown in profile, set within a molded black frame with a gilded inner border. View XII
Enlarged Archival View
Telephone 07889 859729
Location
North Yorkshire
United Kingdom
Verified Since Mar 2026
Items For Sale 33
Items Sold 9
The Mezzotint Man
The Mezzotint Man
Verified Since Mar 2026
View Dealer Info
Location: North Yorkshire, United Kingdom
Verified
Mar 2026
For Sale
33
Sold
9
A framed 18th-century monochrome mezzotint portrait of Queen Charlotte shown in profile, set within a molded black frame with a gilded inner border.
MEZZOTINT PORTRAIT OF QUEEN CHARLOTTE (1744-1818) - BY JAMES MCCARDELL AFTER JEREMIAH MEYER.
Ref: SA1231606
A framed 18th-century monochrome mezzotint portrait of Queen Charlotte shown in profile, set within a molded black frame with a gilded inner border.
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Archival Detail
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Our dealers are highly experienced in packing and shipping fragile, high-value antiques. Because you are in direct contact with the dealer, you will be able to easily go through all available shipping and insurance options together to ensure your item arrives safely.
Antiques are the ultimate green purchase. By choosing historical pieces over newly manufactured goods, you completely eliminate the carbon footprint of modern mass production while preserving exceptional, timeless craftsmanship.

A mezzotint is an eighteenth-century intaglio printmaking technique created by roughening a copper plate with a rocker tool and smoothing area surfaces to create tonal gradations from dark to light.

Georgian mezzotint prints were printed on handmade rag paper using oil-based ink, often housed in timber frames with gilded or ebonised details.

Authentic period mezzotints display plate marks along the image perimeter, visible paper laid lines, characteristic tonal velvety blacks, and publisher inscriptions at the lower margin.

Historical prints can be arranged as part of a curated gallery wall alongside modern artwork, or hung individually above traditional dark wood furniture to create a focal point.

Keep prints out of direct sunlight, maintain stable humidity levels, and utilize conservation glass with acid-free mounting materials to prevent yellowing and paper degradation.
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