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ID #SA1226066
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£22,000
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Trajan Hughes Signed and Dated 1713 - Oil on Canvas Portrait of Sir Thomas Wentworth Earl of Strafford and Sir Philip Mainwaring.
Period Portraits
for sale €25,740     $27,940
£22,000
Period Portraits

Period Portraits

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Trajan Hughes Signed and Dated 1713 - Oil on Canvas Portrait of Sir Thomas Wentworth Earl of Strafford and Sir Philip Mainwaring.

18th century
For Sale by Period Portraits
Description

Sir Thomas Wentworth Earl of Strafford and Sir Philip Mainwaring by Trajan Hughes after Sir Anthony van Dyck

This monumental and richly coloured early 18th century double portrait depicts Sir Thomas Wentworth, Earl of Strafford receiving his death warrant from Sir Philip Mainwairing. This moment signals the start of the English Civil War and for the next 18 years Britain was at war or was without a sovereign.

This fine work is a version of the double portrait formerly at Wentworth Woodhouse. Van Dyck’s composition was based on Titian’s double portrait of ‘Georges d’Armagnac, Bishop of Rodez, with his Secretary Guillaume Philandrier’, now at Alnwick Castle.

Trajan Hughes

Trajan Hughes is celebrated as one of the earliest animal painters in Britain, a contemporary of Francis Barlow, he painted similar subjects.as well as flowers and still lifes, Portrait by this artist are extremely rare and this signed work is one of the only recorded examples

Little is know the artist’s life or career. In the International Genealogical Index for Wales, in the forename index, there are only two entries for Trajan in all of Wales. Both are for a Trajan Hughes. One refers to a baptism that occurred circa 1693 in Anglesley County (in all likelihood for the son of the painter). The other records a death in 1743 at Plas Llan Arowan.

It is believed Hughes also worked in London. In the International Genealogical Index for London, there is a record of a marriage between Trajan Hughes and Elizabeth Churchman on June 18, 1691

Philip Mainwaring Mainwaring was the son of Sir Randle Mainwaring of Over Peover in Cheshire. He was Secretary of State to Thomas Wentworth (1593-1641) following the latter’s appointment as Lord Deputy General of Ireland.

Thomas Wentworth, 1st earl of Strafford, (born April 13, 1593, London, Eng.—died May 12, 1641, London.

Strafford was the son of Sir William Wentworth, of Wentworth Woodhouse, near Rotherham. An English politician and leading adviser to Charles I. Although an outspoken member of the opposition, he switched his support to the crown when offered a barony in 1628. As lord president of the north (1628–33), he quelled defiance to the crown. As lord deputy of Ireland (1633–39), he consolidated the royal authority, extended English settlement, reformed the administration, and increased revenues for the crown. He was recalled to command Charles’s army against a Scottish revolt, but the costly war was opposed by the Long Parliament; as a target representing the king’s authority, he was impeached by the Parliament in 1640. Strafford was accused of subverting the laws (he had offered to bring over the Irish army to subdue the king’s opponents in England); when it looked as though he might be acquitted, John Pym, the leader of the House of Commons, had a bill of attainder passed that condemned Strafford to death. Strafford released the king from his promise of protection, and Charles gave his consent to the bill.

Strafford was subsequently beheaded in the presence of an immense and jubilant crowd.was appointed as Lord Lieutenant of Ireland and was the most able minister of King Charles I. Charles was an unpopular king with a more unpopular French catholic wife (Henrietta Maria). Parliament decided that Strafford should be tried for treason. They had no evidence against him but the King was forced to sign the death warrant believing his wife was in danger.

Signed, inscribed and dated on the letter l.c.: T.Hughes 1713

Literature

Mrs Day’s list, £17.0.0.;

Physical Dimensions
Height
1525cm (600.39")
Width
160cm (62.99")
Depth
8cm (3.15")
Declaration

Period Portraits has dated this Antique Oil Portrait Painting to the 18th Century.

Reference Numbers
Sellingantiques Reference
SA1226066
Description
Sir Thomas Wentworth Earl of Strafford and Sir Philip Mainwaring by Trajan Hughes after Sir Anthony van Dyck
This monumental and richly coloured early 18th century double portrait depicts Sir Thomas Wentworth, Earl of Strafford receiving his death warrant from Sir Philip Mainwairing.
Period Portraits

This moment signals the start of the English Civil War and for the next 18 years Britain was at war or was without a sovereign.

fig 1. An 18th-century oil portrait on canvas depicting two seated men in historical attire, set within an ornate carved giltwood frame.
fig 1. Trajan Hughes Signed and Dated 1713 - Oil on Canvas Portrait of Sir Thomas Wentworth Earl of Strafford and Sir Philip Mainwaring.

This fine work is a version of the double portrait formerly at Wentworth Woodhouse. Van Dyck’s composition was based on Titian’s double portrait of ‘Georges d’Armagnac, Bishop of Rodez, with his Secretary Guillaume Philandrier’, now at Alnwick Castle.

fig 2. An 18th-century oil portrait on canvas depicting two seated men in historical attire, set within an ornate carved giltwood frame.
fig 2. Trajan Hughes Signed and Dated 1713 - Oil on Canvas Portrait of Sir Thomas Wentworth Earl of Strafford and Sir Philip Mainwaring.

Trajan Hughes

Trajan Hughes is celebrated as one of the earliest animal painters in Britain, a contemporary of Francis Barlow, he painted similar subjects.as well as flowers and still lifes, Portrait by this artist are extremely rare and this signed work is one of the only recorded examples

fig 3. An 18th-century oil portrait on canvas depicting two seated men in historical attire, set within an ornate carved giltwood frame.
fig 3. Trajan Hughes Signed and Dated 1713 - Oil on Canvas Portrait of Sir Thomas Wentworth Earl of Strafford and Sir Philip Mainwaring.

Little is know the artist’s life or career. In the International Genealogical Index for Wales, in the forename index, there are only two entries for Trajan in all of Wales. Both are for a Trajan Hughes. One refers to a baptism that occurred circa 1693 in Anglesley County (in all likelihood for the son of the painter). The other records a death in 1743 at Plas Llan Arowan.

fig 4. An 18th-century oil portrait on canvas depicting two seated men in historical attire, set within an ornate carved giltwood frame.
fig 4. Trajan Hughes Signed and Dated 1713 - Oil on Canvas Portrait of Sir Thomas Wentworth Earl of Strafford and Sir Philip Mainwaring.

It is believed Hughes also worked in London. In the International Genealogical Index for London, there is a record of a marriage between Trajan Hughes and Elizabeth Churchman on June 18, 1691

Philip Mainwaring Mainwaring was the son of Sir Randle Mainwaring of Over Peover in Cheshire. He was Secretary of State to Thomas Wentworth (1593-1641) following the latter’s appointment as Lord Deputy General of Ireland.

fig 5. An 18th-century oil portrait on canvas depicting two seated men in historical attire, set within an ornate carved giltwood frame.
fig 5. Trajan Hughes Signed and Dated 1713 - Oil on Canvas Portrait of Sir Thomas Wentworth Earl of Strafford and Sir Philip Mainwaring.

Thomas Wentworth, 1st earl of Strafford, (born April 13, 1593, London, Eng.—died May 12, 1641, London.

Strafford was the son of Sir William Wentworth, of Wentworth Woodhouse, near Rotherham. An English politician and leading adviser to Charles I. Although an outspoken member of the opposition, he switched his support to the crown when offered a barony in 1628. As lord president of the north (1628–33), he quelled defiance to the crown. As lord deputy of Ireland (1633–39), he consolidated the royal authority, extended English settlement, reformed the administration, and increased revenues for the crown. He was recalled to command Charles’s army against a Scottish revolt, but the costly war was opposed by the Long Parliament; as a target representing the king’s authority, he was impeached by the Parliament in 1640. Strafford was accused of subverting the laws (he had offered to bring over the Irish army to subdue the king’s opponents in England); when it looked as though he might be acquitted, John Pym, the leader of the House of Commons, had a bill of attainder passed that condemned Strafford to death. Strafford released the king from his promise of protection, and Charles gave his consent to the bill.

fig 6. An 18th-century oil portrait on canvas depicting two seated men in historical attire, set within an ornate carved giltwood frame.
fig 6. Trajan Hughes Signed and Dated 1713 - Oil on Canvas Portrait of Sir Thomas Wentworth Earl of Strafford and Sir Philip Mainwaring.

Strafford was subsequently beheaded in the presence of an immense and jubilant crowd.was appointed as Lord Lieutenant of Ireland and was the most able minister of King Charles I. Charles was an unpopular king with a more unpopular French catholic wife (Henrietta Maria). Parliament decided that Strafford should be tried for treason. They had no evidence against him but the King was forced to sign the death warrant believing his wife was in danger.

Signed, inscribed and dated on the letter l.c.: T.Hughes 1713

Literature

Mrs Day’s list, £17.0.0.;

Height
1525cm (600.39")
Width
160cm (62.99")
Depth
8cm (3.15")
Date of Manufacture

Period Portraits has dated this Antique Oil Portrait Painting to the 18th Century.

Reference Numbers
Sellingantiques Ref
SA1226066
Period Portraits
Period Portraits
Sellingantiques verified Since Jan 2017

Specialist dealer in portraits from the 17th century to the 20th century. Our stock includes quality oil paintings, drawings, and mezzotints

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An 18th-century oil portrait on canvas depicting two seated men in historical attire, set within an ornate carved giltwood frame.
1 / 7
Archive I An 18th-century oil portrait on canvas depicting two seated men in historical attire, set within an ornate carved giltwood frame.

Trajan Hughes Signed and Dated 1713 - Oil on Canvas Portrait of Sir Thomas Wentworth Earl of Strafford and Sir Philip Mainwaring.

Archive II An 18th-century oil portrait on canvas depicting two seated men in historical attire, set within an ornate carved giltwood frame. View II
Archive III An 18th-century oil portrait on canvas depicting two seated men in historical attire, set within an ornate carved giltwood frame. View III
Archive IV An 18th-century oil portrait on canvas depicting two seated men in historical attire, set within an ornate carved giltwood frame. View IV
Archive V An 18th-century oil portrait on canvas depicting two seated men in historical attire, set within an ornate carved giltwood frame. View V
Archive VI An 18th-century oil portrait on canvas depicting two seated men in historical attire, set within an ornate carved giltwood frame. View VI
Archive VII An 18th-century oil portrait on canvas depicting two seated men in historical attire, set within an ornate carved giltwood frame. View VII
Enlarged Archival View
Telephone 07889 859729
Location
North Yorkshire
United Kingdom
Verified Since Jan 2017
Items For Sale 48
Items Sold 61
Period Portraits
Period Portraits
Verified Since Jan 2017
View Dealer Info
Location: North Yorkshire, United Kingdom
Verified
Jan 2017
For Sale
48
Sold
61
An 18th-century oil portrait on canvas depicting two seated men in historical attire, set within an ornate carved giltwood frame.
TRAJAN HUGHES SIGNED AND DATED 1713 - OIL ON CANVAS PORTRAIT OF SIR THOMAS WENTWORTH EARL OF STRAFFORD AND SIR PHILIP MAINWARING.
Ref: SA1226066
An 18th-century oil portrait on canvas depicting two seated men in historical attire, set within an ornate carved giltwood frame.
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Antiques are the ultimate green purchase. By choosing historical pieces over newly manufactured goods, you completely eliminate the carbon footprint of modern mass production while preserving exceptional, timeless craftsmanship.

Early 18th-century British portraiture frequently drew upon Baroque compositions established by earlier 17th-century court painters. These works emphasised formal posture, detailed drapery, and symbolic accessories such as documents or writing instruments to reflect the status and intellect of the sitters.

Period oil paintings were created using hand-ground mineral and organic pigments mixed with drying oils like linseed or walnut oil, applied onto hand-woven linen or hemp canvas stretched over wooden frames. Decorative frames were typically constructed from hand-carved wood finished with water gilding using gold leaf over gesso.

Authenticity is verified by examining the natural age craquelure across the paint layer, checking for period-appropriate canvas weave and stretcher construction, inspecting hardware attachment points, and confirming the consistency of signatures or inscriptions under ultraviolet inspection.

An antique portrait works effectively as a statement focal point when mounted above a fireplace mantelpiece, sideboard, or desk. Combining historical fine art with contemporary or traditional interior architecture adds visual texture and balance to the space.

Paintings should be kept in stable environments away from direct sunlight, heat sources, and high humidity. The surface should only be dusted gently with a soft dry brush, while frame gilding requires careful dusting without liquid cleansers.
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