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Portrait Painting of Charles Darqneuve by Michael Dahl, Circa 1700
Isherwood Fine Art
sold SA1212840
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Isherwood Fine Art

Isherwood Fine Art

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    16th to 19th century old master, british and european paintings and sculpture, specialising in period portraiture. Member BADA, LAPADA.
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    Isherwood Fine Art is a registered member of LAPADA  BADA 
Id #SA1212840
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Portrait Painting of Charles Darqneuve by Michael Dahl, Circa 1700

18th century
Description

This fine portrait by Michael Dahl depicts Charles Darqneuve (often recorded as Dartiquenave), a figure of immense charisma and mystery in the courtly circles of late Stuart and early Georgian England.

Presented in a half-length composition, the sitter wears a sumptuous brown velvet coat, the shimmering texture of which is a testament to Dahl’s mastery of light and fabric. A deep crimson mantle is draped elegantly over his shoulder, a classical device signifying status and lineage. Darqneuve is crowned by a voluminous, finely rendered periwig, which frames a face of quiet dignity and intelligence.

Charles Darqneuve has long been the subject of one of the most persistent traditions of the British Court—that he was the unacknowledged 'natural' son of King Charles II. While the 'Merry Monarch' officially recognized many of his children, Darqneuve remained a figure of the inner circle, possessing the social access and wealth befitting a royal descendant.

Beyond his rumored parentage, Darqneuve was a celebrated bon vivant and a central member of the Kit-Cat Club, the most influential political and literary society of the 18th century. His refined tastes and legendary love for fine dining earned him a place in the works of the era’s greatest wits:

Alexander Pope immortalized him in his Satires, famously referencing his love for 'Ham-pie'.

Jonathan Swift recorded frequent meetings with 'Darty', noting his presence at the heart of London’s intellectual elite.

Darqneuve served as the Paymaster of the Royal Works, a prestigious position that placed him in charge of the King’s building projects, further cementing his proximity to the Crown.

Michael Dahl was the principal rival to Sir Godfrey Kneller and a favorite of Prince George of Denmark and Queen Anne. His style is characterized by a softer, more tonal sensitivity than that of his contemporaries. In this work, the delicate rendering of the lace cravat and the atmospheric handling of the background demonstrate why Dahl was considered the premier portraitist for those who sought a more sophisticated, intimate portrayal than the formal studio works of the period.

Provenance:

The property of Major George Meyler Harding of the Woodmancote Estate, Lymington, Hampshire when sold by Christie's London, April 24, 1931, 'Catalogue of Pictures by Old Masters: The Property of Major G. M. Harding, and others', lot 43 (attributed to Kneller)

Stockholms Auktionsverk, November 1973, lot 375

The portrait comes with a letter of authenticity dated 1940 from Michael Nisser, the renowned authority on the artist Michael Dahl and author of the artist's catalogue raisonne, published in 1927.

Physical Dimensions
Height
89cm (35.04")
Width
77cm (30.31")
Declaration

Isherwood Fine Art has dated this Baroque Oil Portrait Painting to the 1700s.

Reference Numbers
Sellingantiques Reference
SA1212840
Dealers Notes

Isherwood fine art

Description
This fine portrait by Michael Dahl depicts Charles Darqneuve (often recorded as Dartiquenave), a figure of immense charisma and mystery in the courtly circles of late Stuart and early Georgian England.
Presented in a half-length composition, the sitter wears a sumptuous brown velvet coat, the shimmering texture of which is a testament to Dahl’s mastery of light and fabric.
Isherwood Fine Art

A deep crimson mantle is draped elegantly over his shoulder, a classical device signifying status and lineage. Darqneuve is crowned by a voluminous, finely rendered periwig, which frames a face of quiet dignity and intelligence.

fig 1. An oil painting of a gentleman with a long dark wig and brown velvet jacket set inside an ornate gilded frame.
fig 1. Portrait Painting of Charles Darqneuve by Michael Dahl, Circa 1700

Charles Darqneuve has long been the subject of one of the most persistent traditions of the British Court—that he was the unacknowledged 'natural' son of King Charles II. While the 'Merry Monarch' officially recognized many of his children, Darqneuve remained a figure of the inner circle, possessing the social access and wealth befitting a royal descendant.

Beyond his rumored parentage, Darqneuve was a celebrated bon vivant and a central member of the Kit-Cat Club, the most influential political and literary society of the 18th century. His refined tastes and legendary love for fine dining earned him a place in the works of the era’s greatest wits:

Alexander Pope immortalized him in his Satires, famously referencing his love for 'Ham-pie'.

Jonathan Swift recorded frequent meetings with 'Darty', noting his presence at the heart of London’s intellectual elite.

Darqneuve served as the Paymaster of the Royal Works, a prestigious position that placed him in charge of the King’s building projects, further cementing his proximity to the Crown.

Michael Dahl was the principal rival to Sir Godfrey Kneller and a favorite of Prince George of Denmark and Queen Anne. His style is characterized by a softer, more tonal sensitivity than that of his contemporaries. In this work, the delicate rendering of the lace cravat and the atmospheric handling of the background demonstrate why Dahl was considered the premier portraitist for those who sought a more sophisticated, intimate portrayal than the formal studio works of the period.

Provenance:

The property of Major George Meyler Harding of the Woodmancote Estate, Lymington, Hampshire when sold by Christie's London, April 24, 1931, 'Catalogue of Pictures by Old Masters: The Property of Major G. M. Harding, and others', lot 43 (attributed to Kneller)

Stockholms Auktionsverk, November 1973, lot 375

The portrait comes with a letter of authenticity dated 1940 from Michael Nisser, the renowned authority on the artist Michael Dahl and author of the artist's catalogue raisonne, published in 1927.

Height
89cm (35.04")
Width
77cm (30.31")
Date of Manufacture

Isherwood Fine Art has dated this Baroque Oil Portrait Painting to the 1700s.

Reference Numbers
Sellingantiques Ref
SA1212840
Isherwood Fine Art
Isherwood Fine Art
Sellingantiques verified Since Oct 2023

16th to 19th century old master, british and european paintings and sculpture, specialising in period portraiture. Member BADA, LAPADA.

Dealer Profile

You can view the stock and full dealer information on the Isherwood Fine Art Profile Page

Trade Associations

Isherwood Fine Art is a registered member of LAPADA  BADA 

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An oil painting of a gentleman with a long dark wig and brown velvet jacket set inside an ornate gilded frame.
1 / 2
Archive I An oil painting of a gentleman with a long dark wig and brown velvet jacket set inside an ornate gilded frame.

Portrait Painting of Charles Darqneuve by Michael Dahl, Circa 1700

Archive II An oil painting of a gentleman with a long dark wig and brown velvet jacket set inside an ornate gilded frame. View II
Enlarged Archival View
Telephone 07984 699799
Location
Bath
Somerset
United Kingdom

By appointment only.

Viewing in London by appointment.
Verified Since Oct 2023
Items For Sale 43
Items Sold 32
Isherwood Fine Art
Isherwood Fine Art
Verified Since Oct 2023
View Dealer Info
Location: Bath, Somerset, United Kingdom, , By appointment only., , Viewing in London by appointment.
Verified
Oct 2023
For Sale
43
Sold
32
An oil painting of a gentleman with a long dark wig and brown velvet jacket set inside an ornate gilded frame.
Portrait painting of Charles Darqneuve by Michael Dahl, circa 1700
Ref: SA1212840
An oil painting of a gentleman with a long dark wig and brown velvet jacket set inside an ornate gilded frame.
Detail View 1
Archival Detail
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Antiques are the ultimate green purchase. By choosing historical pieces over newly manufactured goods, you completely eliminate the carbon footprint of modern mass production while preserving exceptional, timeless craftsmanship.

Early 18th-century Baroque portraiture features dramatic lighting contrast, rich fabric drapery, formal seated or standing postures, and elaborate full-bottomed wigs worn by male subjects to signal social status.

Paintings from this era were created using oil-based pigments applied to stretched linen canvas, displayed within hand-carved timber frames coated with gesso and hand-applied gold leaf.

Authentic period pieces exhibit age-appropriate craquelure across the paint surface, natural darkening or oxidation of the canvas backing, and hand-carved lap or mortise joints on the framing.

Hanging a gilded period portrait above a minimalist sideboard or within a mixed-era gallery wall creates a deliberate visual contrast between historical portraiture and modern architecture.

Position the artwork away from direct sunlight and heat sources, clean the frame gently with a dry soft-bristled brush, and consult a qualified conservator for periodic varnish restoration.
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