“Gathering Poppies,” set beneath a brooding sky, is a delightful landscape by the Glasgow-born artist Sir David Murray. The work is signed, dated, and carries a Christie’s Auction House stencil on the reverse. Painted in the later years of his career while he was based in London, it likely depicts a Suffolk countryside scene.
Sir David Murray was a prominent Scottish landscape painter known for his atmospheric, romantic depictions of the British countryside. Active during the late Victorian and early modern periods, he became one of the most respected artists of his generation and held influential positions within major artistic institutions.
Early Life and Education
David Murray was born on 29 January 1849 in Glasgow, Scotland. He received a traditional education before entering business life, working for several years in a Glasgow merchant’s office. His interest in art, however, grew steadily, and he began taking evening classes at the Glasgow School of Art, where his natur
...al talent quickly became evident.
Artistic Career
Murray devoted himself fully to painting in the early 1870s. He first exhibited at the Royal Scottish Academy in 1875 and rapidly became associated with the rising cohort of Glasgow-based landscape painters.
In 1881, he moved to London to be closer to the core of the British art world. There he became a regular exhibitor at the Royal Academy, showing dramatic, poetic landscapes characterised by:
• Luminous skies
• Expansive moors and pastures
• Cattle and pastoral motifs
• Rich, atmospheric color.
Honors and Positions
Murray’s standing rose steadily:
• Associate of the Royal Academy (A.R.A.) – 1891
• Royal Academician (R.A.) – 1905
• Knighted – 1918, for services to art
• Keeper of the Royal Academy – 1921–1926, overseeing the teaching and management of the Academy Schools
He became one of the most influential figures in British academic art, respected for both his creative work and his leadership in arts education.
Artistic Style and Legacy
Murray specialised in naturalistic yet romantic landscapes, often inspired by the Scottish Highlands, English pastures, and the changing seasons. His works combined meticulous observation with emotional interpretation, placing him within the tradition of late-Victorian and Edwardian landscape art.
His paintings are held in numerous public collections, including the Tate Britain, Royal Academy, and several major Scottish museums.
Condition:
The varnish has yellowed and good lighting is required to fully appreciate.
Size:
35cm x 53cm (54cm x 72cm framed)
14 x 21 inches (21 x 28 inches framed)
Follow us on Twitter @termitefoxInternal Reference: 11858
Antique ID Number (AIDN): SA1183066
Dateline of this antique is 1890
Height is 35cm (13.8inches)Width is 53cm (20.9inches)Depth is 5cm (2.0inches)
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