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ID #SA1138097
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£1,650
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Watercolour of the Medway Estuary by George Stanfield Walters, Rba
For sale by Baggott & Co.
for sale €1,931     $2,096
£1,650
Baggott & Co.

Baggott & Co.

Sellingantiques Verified Since Feb 2019
Browse dealers 277 items
  • About Us
    Dealers in antiques and decorative interiors based in the cotswolds and scotland
Id #SA1138097
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Watercolour of the Medway Estuary by George Stanfield Walters, Rba

19th century
For Sale by Baggott & Co.
Description

Watercolour, Medway Estuary by George Stanfield Walters, RBA

19th century English watercolour painting of a three-masted sailing ship at anchor with other boats on the Medway Estuary at sunset. Signed: G.S.Walters, RBA. This painting captures the tranquility of sunset - a theme of many of his works - using pinks and russet tones to enhance the serenity and warmth of the scene. With its sails furled, the three-masted sailing ship sits at rest on the calm estuary. The white building to the right of this painting is probably Darnet Fort.

English, circa 1880

George Stanfield Walters (1838–1924) was born in Liverpool, the grandson of the marine and coastal painter Miles Walters. He studied under his father, marine artist Samuel Walters, moving eventually to London in about 1865. He is best known for his paintings of the Channel Coasts, the Lake District, Thames and Wales and also for his works from the Venetian and Dutch waterways. Walters was a prolific exhibitor throughout London and the UK and examples of his works are now in collections in the British Museum and the Victoria and Albert Museum in London. He was elected to the Royal Society of British Artists in 1897.

In 1860, the Royal Commission for the defence of the United Kingdom put forward a recommendation that two powerful gun batteries were installed at Burntwick and Oakham with a boom between them. These forts were eventually built at Hoo and Darnet Ness, the latter housing nine 9” guns and three 7” guns. It was complete and operational by 1872.

Dimensions: H: 20" (50.8 cm), W: 27" (68.6 cm).

Stock Number: 8028

Date of Manufacture

Baggott & Co. has dated this Antique Marine Watercolour Painting to the 19th Century.

Physical Dimensions
Height
51cm (20.08")
Width
69cm (27.17")
Reference Numbers
Sellingantiques Reference
SA1138097
Dealers Internal Reference
BCSL8028
Dealers Notes

If you would like to order this item online please go to our website: www.baggottandcompany.com, search for the item with the ‘Internal Ref’ shown below. We have a full checkout with shipping for most items to the UK. If for any reason you cannot find it please just get in touch and we can answer any questions, quote for delivery and take payments.

Small items can be posted internationally using a tracked and signed service, parcels can be sent by courier both to the UK and internationally and for deliveries of furniture and larger items internationally please contact us for a quote.

We offer a refund if for any reason you wish to return an item, delivery charges are non refundable.

England:

Huntsman’s Yard, Sheep Street, Stow on the Wold, GL54 1AA

01451 830 370

Scotland:

Keepers House, Auchencairn, Castle Douglas, DG7 1QZ

07881 823 369

Description
Watercolour, Medway Estuary by George Stanfield Walters, RBA
“
19th century English watercolour painting of a three-masted sailing ship at anchor with other boats on the Medway Estuary at sunset.
Baggott & Co.

Signed: G.S.Walters, RBA. This painting captures the tranquility of sunset - a theme of many of his works - using pinks and russet tones to enhance the serenity and warmth of the scene. With its sails furled, the three-masted sailing ship sits at rest on the calm estuary. The white building to the right of this painting is probably Darnet Fort.

English, circa 1880

George Stanfield Walters (1838–1924) was born in Liverpool, the grandson of the marine and coastal painter Miles Walters. He studied under his father, marine artist Samuel Walters, moving eventually to London in about 1865. He is best known for his paintings of the Channel Coasts, the Lake District, Thames and Wales and also for his works from the Venetian and Dutch waterways. Walters was a prolific exhibitor throughout London and the UK and examples of his works are now in collections in the British Museum and the Victoria and Albert Museum in London. He was elected to the Royal Society of British Artists in 1897.

In 1860, the Royal Commission for the defence of the United Kingdom put forward a recommendation that two powerful gun batteries were installed at Burntwick and Oakham with a boom between them. These forts were eventually built at Hoo and Darnet Ness, the latter housing nine 9” guns and three 7” guns. It was complete and operational by 1872.

Dimensions: H: 20" (50.8 cm), W: 27" (68.6 cm).

Stock Number: 8028

Date of Manufacture

Baggott & Co. has dated this Antique Marine Watercolour Painting to the 19th Century.

Height
51cm (20.08")
Width
69cm (27.17")
Reference Numbers
Sellingantiques Ref
SA1138097
Dealers Internal Ref
BCSL8028
Baggott & Co.
Baggott & Co.
Sellingantiques verified Since Feb 2019

Dealers in antiques and decorative interiors based in the cotswolds and scotland

Dealer Profile

You can view the stock and full dealer information on the Baggott & Co. Profile Page

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A framed Victorian watercolour painting depicting a tranquil estuary scene with sailing ships and rowing boats under a hazy setting sun.
1 / 1
Archive I A framed Victorian watercolour painting depicting a tranquil estuary scene with sailing ships and rowing boats under a hazy setting sun.

Watercolour of the Medway Estuary by George Stanfield Walters, Rba

Enlarged Archival View
Telephone 07881 823 369
Location
Two locations:

Huntsmans Yard
Sheep Street
Stow-on-the-Wold
Gloucestershire
GL54 1AA

The Keepers House
Auchencairn
Castle Douglas
DG7 1QZ

United Kingdom
Verified Since Feb 2019
Items For Sale 277
Items Sold 2
Baggott & Co.
Baggott & Co.
Verified Since Feb 2019
View Dealer Info
Location: Two locations:, , Huntsmans Yard, Sheep Street, Stow-on-the-Wold, Gloucestershire, GL54 1AA, , The Keepers House, Auchencairn, Castle Douglas, DG7 1QZ, , United Kingdom
Verified
Feb 2019
For Sale
277
Sold
2
A framed Victorian watercolour painting depicting a tranquil estuary scene with sailing ships and rowing boats under a hazy setting sun.
Watercolour of the Medway Estuary by George Stanfield Walters, RBA
Ref: SA1138097
A framed Victorian watercolour painting depicting a tranquil estuary scene with sailing ships and rowing boats under a hazy setting sun.
Archival Detail
Every single antique dealer on our platform is individually approved by our internal team. We verify their professional trade history, ethical standards, and photographic quality to ensure a secure, high-standard buying environment. Upon joining, every dealer agrees to a strict 9-point code of conduct. While issues can occasionally arise, our dealers typically resolve them swiftly and directly with the buyer. In fact, since our founding in 2002, Sellingantiques has only had to step in to help resolve an issue on roughly five occasions—a true testament to the quality of our dealers and their dedication to your happiness.
Our dealers are highly experienced in packing and shipping fragile, high-value antiques. Because you are in direct contact with the dealer, you will be able to easily go through all available shipping and insurance options together to ensure your item arrives safely.
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Written by Sellingantiques from the dealer’s photographs and listing
  • ObjectWall Art
  • Period19th century
  • StyleVictorian Marine
  • MaterialWatercolour on paper, Wood, Glass, Gold mount
  • ColourMuted Gold and Blue
  • MotifsSailing ships, Rowboats, Estuary landscape, Hazy sun
  • SizeH 51 cm (20 in) x W 69 cm (27 in)

This 19th-century Victorian marine watercolour painting depicts the Medway Estuary by George Stanfield Walters, RBA, showing a tranquil estuary scene with sailing ships and rowboats under a hazy setting sun. Signed G.S. Walters, RBA, the artwork uses pinks and russet tones to capture the serenity and warmth of the sunset, featuring a three-masted sailing ship at rest with furled sails alongside other boats and distant buildings including Darnet Fort. The piece is set behind glass within a wide, bevelled, muted gold-coloured mount and encased in a dark wooden frame with simple linear moulding profiles along the inner and outer borders. The overall size of the framed artwork measures 51 cm high and 69 cm wide. Suitable for traditional and classic interior settings, this artwork brings a peaceful maritime atmosphere to a home. It is traditionally hung in a reception space, living area, study, or hallway, and works particularly well mounted on a wall above a sideboard where its atmospheric estuary landscape and soft golden tones complement surrounding furniture.

Victorian marine watercolour painting is characterized by the use of water-based pigments on paper to render coastal landscapes, shipping vessels, and atmospheric sea conditions. Artists of this era focused heavily on natural light effects, precise nautical detailing, and romanticised maritime themes popularised during Britains naval expansion.

19th-century watercolours were typically executed on heavy rag paper using natural earth pigments and plant-based binders. Works were framed under glass with acidic pulp mounts and wooden outer frames, often featuring inner gilt slips to separate the artwork from the glass.

Authentic period pieces usually feature characteristic paper aging, artist signatures or monograms, and period-correct mounting techniques. The paint layer may show natural foxing or slight fading, and the subject matter reflects historic ship design and 19th-century artistic techniques.

A Victorian marine watercolour can be displayed as a singular focal point on a neutral gallery wall or paired with dark timber furniture in traditional settings. The subdued palette allows it to complement modern muted colour schemes without overpowering surrounding decor.

To preserve an antique watercolour, mount the artwork using acid-free museum board and UV-filtering protective glass. Display the painting away from direct sunlight, high humidity, and extreme temperature fluctuations to prevent colour fading and paper foxing.
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