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ID #SA1103636
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£12,000
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Scottish 19th Century Bronze Sculpture Bust of Thomas Guthrie
Cheshire Antiques Consultant Ltd
for sale €14,040     $15,240
£12,000
Cheshire Antiques Consultant Ltd

Cheshire Antiques Consultant Ltd

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Scottish 19th Century Bronze Sculpture Bust of Thomas Guthrie

19th century
Description

1 Scottish Lifesize Historic 19th Century Antique Bronze Sculpture Bust of Thomas Guthrie FRSE Philanthropist By Sir John Robert Steel RSA

Impress your clients & guests in your office or home with this incredible detailed sculpture of Thomas Guthrie.

Subject known person Thomas Guthrie shown in front profile, quarter length view, having such a fabulous charming patina which you will love & cherish, the detail is of museum quality totally amazing so crisp, with the lines on his forehead and he has such thick long hair, masculine facial features. With a part of his clothing robe gown also visible. He is looking directly at the viewer.

A rather nice display size being 52.5 cm high and 26 cm in depth.

Signed & dated on the back by known sculptor Steell for Sir John Robert Steell RSA.

In our opinion this is an examplary example of his work.

Made from the finest cast bronze, underneath with original red velvet lining. Extremely heavy weighing around 25kg estimate.

Origin from Scotland.

Circa 1856 mid 19th century Victorian era.

Provenance from a high end southern Shire auction & now in collection of Cheshire Antiques Consultant LTD.

Highly desirable sought after by collectors.

Perfect to suit and home interior design theme.

Biography of Thomas Guthrie FRSE (12 July 1803 – 24 February 1873) was a Scottish divine and philanthropist, born at Brechin in Angus (at that time also called Forfarshire). He was one of the most popular preachers of his day in Scotland, and was associated with many forms of philanthropy—especially temperance and Ragged Schools, of which he was a founder. He was born on 12 July 1803 the son of David Guthrie, a banker, and later Provost of Brechin. Thomas grew to a height of six foot and three inches.

Guthrie studied at Edinburgh University for both surgery and anatomy (under Dr Robert Knox) but then concentrated on Theology. He was licensed to preach in the Church of Scotland from 1825, but having established a reputation as an evangelical he had difficulty securing a parish and instead spent two years studying medicine and science in Paris. Following his return from Paris and a period of varied employment, including as a bank manager, he was eventually offered the living of Arbirlot in Angus by the Hon William Maule in 1830. Guthrie served as Minister of Arbirlot for eight years, and while there where he adopted a dramatic style of preaching suited to his rural congregation. As well as his training for the Ministry, his medical knowledge and experience was called upon in particular during an outbreak of cholera in the parish.

He was made Moderator of the General Assembly of the Free Church of Scotland in 1862. He was succeeded in 1863 by Rev Roderick McLeod. Other roles included manager of Edinburgh Royal Infirmary, work for the Blind Asylum and work at the Night Refuge. Among his writings are The Gospel in Ezekiel (1855) and Plea for Ragged Schools (1847) and The City, its Sins and Sorrows (1857), "Christ and the Inheritance of the Saints" (1858), "The Way to Life", Speaking to the Heart", the "Life of Robert Flockhart", "Man and the Gospel" (1865), "The Angels Song" (1865), "The Parables" (1866), "Our Fathers Business" (1867), "Out of Harness" (1867), "Early Piety" (1869), "Studies of Character" (1868–70) and "Sundays Abroad" (1871).

Thomas Guthrie died at St Leonards-on-Sea in Sussex in 1873 and was buried in The Grange Cemetery, Edinburgh. His grave is in a commanding position, terminating the main central avenue at its southern end. His will left his copy of the National Covenant to the Free Church. His wife, Anne Burns (1810–1899), daughter of Rev James Burns of Brechin, is buried with him.

By the known Scottish listed sculptor Sir John Robert Steell RSA (Aberdeen 18 September 1804 – 15 September 1891) was a Scottish sculptor. His works have been exhibited in galleries around the world & au

Physical Dimensions
Height
52.5cm (20.67")
Width
25.5cm (10.04")
Depth
26cm (10.24")
Declaration

Cheshire Antiques Consultant Ltd has dated this Antique Bronze Portrait Bust to the 19th Century.

Reference Numbers
Sellingantiques Reference
SA1103636
Dealers Internal Reference
620
Dealers Notes

Delivery shipping information

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Description
1 Scottish Lifesize Historic 19th Century Antique Bronze Sculpture Bust of Thomas Guthrie FRSE Philanthropist By Sir John Robert Steel RSA
Impress your clients & guests in your office or home with this incredible detailed sculpture of Thomas Guthrie.
Cheshire Antiques Consultant Ltd
fig 1. A 19th-century dark brown patinated bronze portrait bust depicting a man with shoulder-length hair mounted on a square plinth base.
fig 1. Scottish 19th Century Bronze Sculpture Bust of Thomas Guthrie

Subject known person Thomas Guthrie shown in front profile, quarter length view, having such a fabulous charming patina which you will love & cherish, the detail is of museum quality totally amazing so crisp, with the lines on his forehead and he has such thick long hair, masculine facial features. With a part of his clothing robe gown also visible. He is looking directly at the viewer.

fig 2. A 19th-century dark brown patinated bronze portrait bust depicting a man with shoulder-length hair mounted on a square plinth base.
fig 2. Scottish 19th Century Bronze Sculpture Bust of Thomas Guthrie

A rather nice display size being 52.5 cm high and 26 cm in depth.

Signed & dated on the back by known sculptor Steell for Sir John Robert Steell RSA.

In our opinion this is an examplary example of his work.

fig 3. A 19th-century dark brown patinated bronze portrait bust depicting a man with shoulder-length hair mounted on a square plinth base.
fig 3. Scottish 19th Century Bronze Sculpture Bust of Thomas Guthrie

Made from the finest cast bronze, underneath with original red velvet lining. Extremely heavy weighing around 25kg estimate.

Origin from Scotland.

Circa 1856 mid 19th century Victorian era.

Provenance from a high end southern Shire auction & now in collection of Cheshire Antiques Consultant LTD.

fig 4. A 19th-century dark brown patinated bronze portrait bust depicting a man with shoulder-length hair mounted on a square plinth base.
fig 4. Scottish 19th Century Bronze Sculpture Bust of Thomas Guthrie

Highly desirable sought after by collectors.

Perfect to suit and home interior design theme.

Biography of Thomas Guthrie FRSE (12 July 1803 – 24 February 1873) was a Scottish divine and philanthropist, born at Brechin in Angus (at that time also called Forfarshire). He was one of the most popular preachers of his day in Scotland, and was associated with many forms of philanthropy—especially temperance and Ragged Schools, of which he was a founder. He was born on 12 July 1803 the son of David Guthrie, a banker, and later Provost of Brechin. Thomas grew to a height of six foot and three inches.

fig 5. A 19th-century dark brown patinated bronze portrait bust depicting a man with shoulder-length hair mounted on a square plinth base.
fig 5. Scottish 19th Century Bronze Sculpture Bust of Thomas Guthrie

Guthrie studied at Edinburgh University for both surgery and anatomy (under Dr Robert Knox) but then concentrated on Theology. He was licensed to preach in the Church of Scotland from 1825, but having established a reputation as an evangelical he had difficulty securing a parish and instead spent two years studying medicine and science in Paris. Following his return from Paris and a period of varied employment, including as a bank manager, he was eventually offered the living of Arbirlot in Angus by the Hon William Maule in 1830. Guthrie served as Minister of Arbirlot for eight years, and while there where he adopted a dramatic style of preaching suited to his rural congregation. As well as his training for the Ministry, his medical knowledge and experience was called upon in particular during an outbreak of cholera in the parish.

fig 6. A 19th-century dark brown patinated bronze portrait bust depicting a man with shoulder-length hair mounted on a square plinth base.
fig 6. Scottish 19th Century Bronze Sculpture Bust of Thomas Guthrie

He was made Moderator of the General Assembly of the Free Church of Scotland in 1862. He was succeeded in 1863 by Rev Roderick McLeod. Other roles included manager of Edinburgh Royal Infirmary, work for the Blind Asylum and work at the Night Refuge. Among his writings are The Gospel in Ezekiel (1855) and Plea for Ragged Schools (1847) and The City, its Sins and Sorrows (1857), "Christ and the Inheritance of the Saints" (1858), "The Way to Life", Speaking to the Heart", the "Life of Robert Flockhart", "Man and the Gospel" (1865), "The Angels Song" (1865), "The Parables" (1866), "Our Fathers Business" (1867), "Out of Harness" (1867), "Early Piety" (1869), "Studies of Character" (1868–70) and "Sundays Abroad" (1871).

fig 7. A 19th-century dark brown patinated bronze portrait bust depicting a man with shoulder-length hair mounted on a square plinth base.
fig 7. Scottish 19th Century Bronze Sculpture Bust of Thomas Guthrie

Thomas Guthrie died at St Leonards-on-Sea in Sussex in 1873 and was buried in The Grange Cemetery, Edinburgh. His grave is in a commanding position, terminating the main central avenue at its southern end. His will left his copy of the National Covenant to the Free Church. His wife, Anne Burns (1810–1899), daughter of Rev James Burns of Brechin, is buried with him.

fig 8. A 19th-century dark brown patinated bronze portrait bust depicting a man with shoulder-length hair mounted on a square plinth base.
fig 8. Scottish 19th Century Bronze Sculpture Bust of Thomas Guthrie

By the known Scottish listed sculptor Sir John Robert Steell RSA (Aberdeen 18 September 1804 – 15 September 1891) was a Scottish sculptor. His works have been exhibited in galleries around the world & au

Height
52.5cm (20.67")
Width
25.5cm (10.04")
Depth
26cm (10.24")
Date of Manufacture

Cheshire Antiques Consultant Ltd has dated this Antique Bronze Portrait Bust to the 19th Century.

Reference Numbers
Sellingantiques Ref
SA1103636
Dealers Internal Ref
620
Cheshire Antiques Consultant Ltd
Cheshire Antiques Consultant Ltd
Sellingantiques verified Since Jan 2021

Source the historic in 17th, 18th, 19th & 20th century fine arts, painting, sculptures & collectibles

Dealer Profile

You can view the stock and full dealer information on the Cheshire Antiques Consultant Ltd Profile Page

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A 19th-century dark brown patinated bronze portrait bust depicting a man with shoulder-length hair mounted on a square plinth base.
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Archive I A 19th-century dark brown patinated bronze portrait bust depicting a man with shoulder-length hair mounted on a square plinth base.

Scottish 19th Century Bronze Sculpture Bust of Thomas Guthrie

Archive II A 19th-century dark brown patinated bronze portrait bust depicting a man with shoulder-length hair mounted on a square plinth base. View II
Archive III A 19th-century dark brown patinated bronze portrait bust depicting a man with shoulder-length hair mounted on a square plinth base. View III
Archive IV Scale Reference for A 19th-century dark brown patinated bronze portrait bust depicting a man with shoulder-length hair mounted on a square plinth base.
Archive V A 19th-century dark brown patinated bronze portrait bust depicting a man with shoulder-length hair mounted on a square plinth base. View V
Archive VI A 19th-century dark brown patinated bronze portrait bust depicting a man with shoulder-length hair mounted on a square plinth base. View VI
Archive VII A 19th-century dark brown patinated bronze portrait bust depicting a man with shoulder-length hair mounted on a square plinth base. View VII
Archive VIII A 19th-century dark brown patinated bronze portrait bust depicting a man with shoulder-length hair mounted on a square plinth base. View VIII
Archive IX A 19th-century dark brown patinated bronze portrait bust depicting a man with shoulder-length hair mounted on a square plinth base. View IX
Archive X A 19th-century dark brown patinated bronze portrait bust depicting a man with shoulder-length hair mounted on a square plinth base. View X
Archive XI A 19th-century dark brown patinated bronze portrait bust depicting a man with shoulder-length hair mounted on a square plinth base. View XI
Archive XII A 19th-century dark brown patinated bronze portrait bust depicting a man with shoulder-length hair mounted on a square plinth base. View XII
Archive XIII A 19th-century dark brown patinated bronze portrait bust depicting a man with shoulder-length hair mounted on a square plinth base. View XIII
Archive XIV A 19th-century dark brown patinated bronze portrait bust depicting a man with shoulder-length hair mounted on a square plinth base. View XIV
Archive XV A 19th-century dark brown patinated bronze portrait bust depicting a man with shoulder-length hair mounted on a square plinth base. View XV
Archive XVI A 19th-century dark brown patinated bronze portrait bust depicting a man with shoulder-length hair mounted on a square plinth base. View XVI
Archive XVII A 19th-century dark brown patinated bronze portrait bust depicting a man with shoulder-length hair mounted on a square plinth base. View XVII
Archive XVIII A 19th-century dark brown patinated bronze portrait bust depicting a man with shoulder-length hair mounted on a square plinth base. View XVIII
Archive XIX A 19th-century dark brown patinated bronze portrait bust depicting a man with shoulder-length hair mounted on a square plinth base. View XIX
Archive XX A 19th-century dark brown patinated bronze portrait bust depicting a man with shoulder-length hair mounted on a square plinth base. View XX
Archive XXI A 19th-century dark brown patinated bronze portrait bust depicting a man with shoulder-length hair mounted on a square plinth base. View XXI
Archive XXII A 19th-century dark brown patinated bronze portrait bust depicting a man with shoulder-length hair mounted on a square plinth base. View XXII
Archive XXIII A 19th-century dark brown patinated bronze portrait bust depicting a man with shoulder-length hair mounted on a square plinth base. View XXIII
Archive XXIV A 19th-century dark brown patinated bronze portrait bust depicting a man with shoulder-length hair mounted on a square plinth base. View XXIV
Archive XXV A 19th-century dark brown patinated bronze portrait bust depicting a man with shoulder-length hair mounted on a square plinth base. View XXV
Archive XXVI A 19th-century dark brown patinated bronze portrait bust depicting a man with shoulder-length hair mounted on a square plinth base. View XXVI
Archive XXVII A 19th-century dark brown patinated bronze portrait bust depicting a man with shoulder-length hair mounted on a square plinth base. View XXVII
Archive XXVIII A 19th-century dark brown patinated bronze portrait bust depicting a man with shoulder-length hair mounted on a square plinth base. View XXVIII
Archive XXIX A 19th-century dark brown patinated bronze portrait bust depicting a man with shoulder-length hair mounted on a square plinth base. View XXIX
Archive XXX A 19th-century dark brown patinated bronze portrait bust depicting a man with shoulder-length hair mounted on a square plinth base. View XXX
Archive XXXI A 19th-century dark brown patinated bronze portrait bust depicting a man with shoulder-length hair mounted on a square plinth base. View XXXI
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Cheshire Antiques Consultant Ltd
Cheshire Antiques Consultant Ltd
Verified Since Jan 2021
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Location: 71-75 Shelton Street, Covent Garden, London, WC2H 9JQ, United Kingdom, , By appointment
Verified
Jan 2021
For Sale
247
Sold
218
A 19th-century dark brown patinated bronze portrait bust depicting a man with shoulder-length hair mounted on a square plinth base.
Scottish 19th Century Bronze Sculpture Bust of Thomas Guthrie
Ref: SA1103636
A 19th-century dark brown patinated bronze portrait bust depicting a man with shoulder-length hair mounted on a square plinth base.
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Antiques are the ultimate green purchase. By choosing historical pieces over newly manufactured goods, you completely eliminate the carbon footprint of modern mass production while preserving exceptional, timeless craftsmanship.

During the 19th century, bronze portrait busts were widely commissioned across Europe to commemorate influential religious leaders, scholars, and public figures. These sculptures reflected the Victorian interest in portraiture, classical artistic traditions, and public memorialisation.

Sculptors typically employed the lost-wax (cire perdue) or sand casting technique to pour molten bronze into detailed moulds. The cast metal was subsequently hand-chased to refine facial features and drapery before a chemical patina was applied to achieve a deep, durable colour.

Authentic period bronzes display crisp hand-chiselled details, realistic weight, and a genuine aged patina showing natural wear on raised edges. Foundries often stamped maker marks, foundry seals, or sculptor signatures into the base or rear of the cast.

A bronze portrait bust is often styled as an accent piece on a mahogany bookcase, mantelpiece, or executive desk. It creates visual structure when paired with minimalist ceramics, framed art, or curated antique volumes.

Dust the surface regularly with a dry, soft-bristled brush or lint-free cloth. Avoid water and chemical cleaners, applying a light coat of specialist microcrystalline wax periodically to protect the patina from oxidation and moisture.
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