45,327  PAGES BROWSED TODAY PAGES TODAY 117 ANTIQUES UPLOADED TODAYNEW ARRIVALS
117 ITEMS ADDED TODAY
Sort Order
Items Per Page
Browse Categories
Sort order
Items per page
ID #SA1064471
SOLD
Email
Save
Oil on Canvas Portrait of King Charles I, Half Length Wearing Armour and the Badge of the Order of the Garter - After Sir Anthony Van Dyke
Period Portraits
sold SA1064471
Sorry, but this item has been sold.
Period Portraits

Period Portraits

Sellingantiques Verified Since Jan 2017
View Dealers Stock Page
  • About Us
    Specialist dealer in portraits from the 17th century to the 20th century. Our stock includes quality oil paintings, drawings, and mezzotints
Id #SA1064471
PDF SHARE
SAVE

Oil on Canvas Portrait of King Charles I, Half Length Wearing Armour and the Badge of the Order of the Garter - After Sir Anthony Van Dyke

17th century
Description

17th century portrait of King Charles I, half-length, wearing armour and the badge of the Order of the Garter - After Sir Anthony van Dyck (1599-1641)

This iconic image is a reduced version of Van Dyck's iconic three-quarter length portrait of King Charles I, datable to circa 1632-33, in the collection of The Duke of Norfolk at Arundel Castle, Sussex.

As with many portraits of the monarch, versions were painted to both satisfy the demand for the King’s picture in support of him during English civil war (1642 51), and also to commemorate the King after his death. This is a particularly fine, sensitively rendered and arresting version which is in an excellent state of conservation and housed in its likely original 17th century ‘Lely’ style frame.

King Charles I (1600 – 1649)

Charles was King of England, Scotland, and Ireland from 27 March 1625 until his execution in 1649. He was born into the House of Stuart as the second son of King James VI of Scotland, but after his father inherited the English throne in 1603, he moved to England, where he spent much of the rest of his life. He became heir apparent to the kingdoms of England, Scotland, and Ireland in 1612 upon the death of his elder brother, Henry Frederick, Prince of Wales.

An unsuccessful and unpopular attempt to marry him to the Spanish Habsburg princess Maria Anna culminated in an eight-month visit to Spain in 1623 that demonstrated the futility of the marriage negotiation. Two years later, he married the Bourbon princess Henrietta Maria of France.

After his 1625 succession, Charles quarrelled with the English Parliament, which sought to curb his royal prerogative. He believed in the divine right of kings, and was determined to govern according to his own conscience. Many of his subjects opposed his policies, in particular the levying of taxes without parliamentary consent, and perceived his actions as those of a tyrannical absolute monarch. His religious policies, coupled with his marriage to a Roman Catholic, generated antipathy and mistrust from Reformed religious groups such as the English Puritans and Scottish Covenants, who thought his views too Catholic.

He supported high church Anglican ecclesiastics and failed to aid continental Protestant forces successfully during the Thirty Years' War. His attempts to force the Church of Scotland to adopt high Anglican practices led to the Bishops' Wars, strengthened the position of the English and Scottish parliaments, and helped precipitate his own downfall. From 1642, Charles fought the armies of the English and Scottish parliaments in the English Civil War. After his defeat in 1645 at the hands of the Parliamentarian New Model Army, he fled north from his base at Oxford.

Charles surrendered to a Scottish force and after lengthy negotiations between the English and Scottish parliaments he was handed over to the Long Parliament in London. Charles refused to accept his captors' demands for a constitutional monarchy, and temporarily escaped captivity in November 1647. Re-imprisoned on the Isle of Wight, he forged an alliance with Scotland, but by the end of 1648, the New Model Army had consolidated its control over England.

Charles was tried, convicted, and executed for high treason in January 1649. The monarchy was abolished and the Commonwealth of England was established as a republic. The monarchy was restored to Charles's son, Charles II in 1660.

Sir Anthony van Dyck (22 March 1599 - 1641)

Flemish Baroque artist who became the leading court painter in England, after enjoying great success in Italy and Flanders. He is most famous for his portraits of Charles I of England and his family and court, painted with a relaxed elegance that was to be the dominant influence on English portrait-painting for the next 150 years

Physical Dimensions
Height
93cm (36.61")
Width
81cm (31.89")
Depth
2cm (0.79")
Declaration

Period Portraits has dated this piece to the 17th Century.

Reference Numbers
Sellingantiques Reference
SA1064471
Description
17th century portrait of King Charles I, half-length, wearing armour and the badge of the Order of the Garter - After Sir Anthony van Dyck (1599-1641)

This iconic image is a reduced version of Van Dyck's iconic three-quarter length portrait of King Charles I, datable to circa 1632-33, in the collection of The Duke of Norfolk at Arundel Castle, Sussex.

As with many portraits of the monarch, versions were painted to both satisfy the demand for the King’s picture in support of him during English civil war (1642 51), and also to commemorate the King after his death.

This is a particularly fine, sensitively rendered and arresting version which is in an excellent state of conservation and housed in its likely original 17th century ‘Lely’ style frame.
Period Portraits
fig 1. OIL ON CANVAS PORTRAIT OF KING CHARLES I, HALF LENGTH WEARING ARMOUR AND THE BADGE OF THE ORDER OF THE GARTER - AFTER SIR ANTHONY VAN DYKE
fig 1. Oil on Canvas Portrait of King Charles I, Half Length Wearing Armour and the Badge of the Order of the Garter - After Sir Anthony Van Dyke

King Charles I (1600 – 1649)

Charles was King of England, Scotland, and Ireland from 27 March 1625 until his execution in 1649. He was born into the House of Stuart as the second son of King James VI of Scotland, but after his father inherited the English throne in 1603, he moved to England, where he spent much of the rest of his life. He became heir apparent to the kingdoms of England, Scotland, and Ireland in 1612 upon the death of his elder brother, Henry Frederick, Prince of Wales.

fig 2. OIL ON CANVAS PORTRAIT OF KING CHARLES I, HALF LENGTH WEARING ARMOUR AND THE BADGE OF THE ORDER OF THE GARTER - AFTER SIR ANTHONY VAN DYKE
fig 2. Oil on Canvas Portrait of King Charles I, Half Length Wearing Armour and the Badge of the Order of the Garter - After Sir Anthony Van Dyke

An unsuccessful and unpopular attempt to marry him to the Spanish Habsburg princess Maria Anna culminated in an eight-month visit to Spain in 1623 that demonstrated the futility of the marriage negotiation. Two years later, he married the Bourbon princess Henrietta Maria of France.

fig 3. OIL ON CANVAS PORTRAIT OF KING CHARLES I, HALF LENGTH WEARING ARMOUR AND THE BADGE OF THE ORDER OF THE GARTER - AFTER SIR ANTHONY VAN DYKE
fig 3. Oil on Canvas Portrait of King Charles I, Half Length Wearing Armour and the Badge of the Order of the Garter - After Sir Anthony Van Dyke

After his 1625 succession, Charles quarrelled with the English Parliament, which sought to curb his royal prerogative. He believed in the divine right of kings, and was determined to govern according to his own conscience. Many of his subjects opposed his policies, in particular the levying of taxes without parliamentary consent, and perceived his actions as those of a tyrannical absolute monarch. His religious policies, coupled with his marriage to a Roman Catholic, generated antipathy and mistrust from Reformed religious groups such as the English Puritans and Scottish Covenants, who thought his views too Catholic.

fig 4. OIL ON CANVAS PORTRAIT OF KING CHARLES I, HALF LENGTH WEARING ARMOUR AND THE BADGE OF THE ORDER OF THE GARTER - AFTER SIR ANTHONY VAN DYKE
fig 4. Oil on Canvas Portrait of King Charles I, Half Length Wearing Armour and the Badge of the Order of the Garter - After Sir Anthony Van Dyke

He supported high church Anglican ecclesiastics and failed to aid continental Protestant forces successfully during the Thirty Years' War. His attempts to force the Church of Scotland to adopt high Anglican practices led to the Bishops' Wars, strengthened the position of the English and Scottish parliaments, and helped precipitate his own downfall. From 1642, Charles fought the armies of the English and Scottish parliaments in the English Civil War. After his defeat in 1645 at the hands of the Parliamentarian New Model Army, he fled north from his base at Oxford.

fig 5. OIL ON CANVAS PORTRAIT OF KING CHARLES I, HALF LENGTH WEARING ARMOUR AND THE BADGE OF THE ORDER OF THE GARTER - AFTER SIR ANTHONY VAN DYKE
fig 5. Oil on Canvas Portrait of King Charles I, Half Length Wearing Armour and the Badge of the Order of the Garter - After Sir Anthony Van Dyke

Charles surrendered to a Scottish force and after lengthy negotiations between the English and Scottish parliaments he was handed over to the Long Parliament in London. Charles refused to accept his captors' demands for a constitutional monarchy, and temporarily escaped captivity in November 1647. Re-imprisoned on the Isle of Wight, he forged an alliance with Scotland, but by the end of 1648, the New Model Army had consolidated its control over England.

Charles was tried, convicted, and executed for high treason in January 1649. The monarchy was abolished and the Commonwealth of England was established as a republic. The monarchy was restored to Charles's son, Charles II in 1660.

Sir Anthony van Dyck (22 March 1599 - 1641)

Flemish Baroque artist who became the leading court painter in England, after enjoying great success in Italy and Flanders. He is most famous for his portraits of Charles I of England and his family and court, painted with a relaxed elegance that was to be the dominant influence on English portrait-painting for the next 150 years

Height
93cm (36.61")
Width
81cm (31.89")
Depth
2cm (0.79")
Date of Manufacture

Period Portraits has dated this piece to the 17th Century.

Reference Numbers
Sellingantiques Ref
SA1064471
Period Portraits
Period Portraits
Sellingantiques verified Since Jan 2017

Specialist dealer in portraits from the 17th century to the 20th century. Our stock includes quality oil paintings, drawings, and mezzotints

Dealer Profile

You can view the stock and full dealer information on the Period Portraits Profile Page

PDF SHARE
SAVE
OIL ON CANVAS PORTRAIT OF KING CHARLES I, HALF LENGTH WEARING ARMOUR AND THE BADGE OF THE ORDER OF THE GARTER - AFTER SIR ANTHONY VAN DYKE
1 / 6
Archive I OIL ON CANVAS PORTRAIT OF KING CHARLES I, HALF LENGTH WEARING ARMOUR AND THE BADGE OF THE ORDER OF THE GARTER - AFTER SIR ANTHONY VAN DYKE

Oil on Canvas Portrait of King Charles I, Half Length Wearing Armour and the Badge of the Order of the Garter - After Sir Anthony Van Dyke

Archive II OIL ON CANVAS PORTRAIT OF KING CHARLES I, HALF LENGTH WEARING ARMOUR AND THE BADGE OF THE ORDER OF THE GARTER - AFTER SIR ANTHONY VAN DYKE View II
Archive III OIL ON CANVAS PORTRAIT OF KING CHARLES I, HALF LENGTH WEARING ARMOUR AND THE BADGE OF THE ORDER OF THE GARTER - AFTER SIR ANTHONY VAN DYKE View III
Archive IV OIL ON CANVAS PORTRAIT OF KING CHARLES I, HALF LENGTH WEARING ARMOUR AND THE BADGE OF THE ORDER OF THE GARTER - AFTER SIR ANTHONY VAN DYKE View IV
Archive V OIL ON CANVAS PORTRAIT OF KING CHARLES I, HALF LENGTH WEARING ARMOUR AND THE BADGE OF THE ORDER OF THE GARTER - AFTER SIR ANTHONY VAN DYKE View V
Archive VI OIL ON CANVAS PORTRAIT OF KING CHARLES I, HALF LENGTH WEARING ARMOUR AND THE BADGE OF THE ORDER OF THE GARTER - AFTER SIR ANTHONY VAN DYKE View VI
Enlarged Archival View
Telephone 07889 859729
Location
North Yorkshire
United Kingdom
Verified Since Jan 2017
Items For Sale 48
Items Sold 61
Period Portraits
Period Portraits
Verified Since Jan 2017
View Dealer Info
Location: North Yorkshire, United Kingdom
Verified
Jan 2017
For Sale
48
Sold
61
OIL ON CANVAS PORTRAIT OF KING CHARLES I, HALF LENGTH WEARING ARMOUR AND THE BADGE OF THE ORDER OF THE GARTER - AFTER SIR ANTHONY VAN DYKE
OIL ON CANVAS PORTRAIT OF KING CHARLES I, HALF LENGTH WEARING ARMOUR AND THE BADGE OF THE ORDER OF THE GARTER - AFTER SIR ANTHONY VAN DYKE
Ref: SA1064471
OIL ON CANVAS PORTRAIT OF KING CHARLES I, HALF LENGTH WEARING ARMOUR AND THE BADGE OF THE ORDER OF THE GARTER - AFTER SIR ANTHONY VAN DYKE
Detail View 1
Detail View 5
Detail View 6
Detail View 7
Detail View 8
Archival Detail
Every single antique dealer on our platform is individually approved by our internal team. We verify their professional trade history, ethical standards, and photographic quality to ensure a secure, high-standard buying environment. Upon joining, every dealer agrees to a strict 9-point code of conduct. While issues can occasionally arise, our dealers typically resolve them swiftly and directly with the buyer. In fact, since our founding in 2002, Sellingantiques has only had to step in to help resolve an issue on roughly five occasions—a true testament to the quality of our dealers and their dedication to your happiness.
Our dealers are highly experienced in packing and shipping fragile, high-value antiques. Because you are in direct contact with the dealer, you will be able to easily go through all available shipping and insurance options together to ensure your item arrives safely.
Antiques are the ultimate green purchase. By choosing historical pieces over newly manufactured goods, you completely eliminate the carbon footprint of modern mass production while preserving exceptional, timeless craftsmanship.
items
Add keywords to the filter
Price
£100
£250000
Era
Movements
Material
Origin
Stock Location
Freshness
Online Payments
Categories