McTague of Harrogate has dated this piece to the 1920s.
From 1911 he established a successful studio in London as an independent commercial illustrator, providing drawings for many magazines. Between 1916 and 1919 he was back in Jersey, working in the Royal Jersey Militia during the First World War. Returning to London after the war, Blampied's etchings found new popularity; he was elected an Associate then prestigious Fellow of the Royal Society of Painter-Etchers and Engravers in 1920 and 1921 respectively. Also in 1920, he held a solo show of etchings and drypoints in London at the Leicester Galleries. His first American exhibition took place at Kennedy and Company, New York, in 1922.

Blampied achieved success as an illustrator in London throughout the 1920s and 1930s and in 1938 he became a member of the Royal Society of British Artists. But just before the outbreak of the Second World War he chose to return to Jersey, to settle with his wife. Despite the German Occupation, and the fact that Marianne was Jewish, the Blampieds remained living on Jersey throughout the war and for the rest of their lives. During Occupation, Blampied received commissions to produce designs for Jersey banknotes and postage stamps. Later in life, he focused mainly on painting in oil and watercolour. It is said that a painting lay unfinished on his easel at his death aged eighty. His ashes were scattered in St Aubin's Bay, Jersey.
Blampied's work is held in the collections throughout the UK including the British Museum, Victoria and Albert Museum, Leeds City Art Gallery and Glasgow City Art Gallery, as well as overseas in Australia and in museums throughout the USA.
"Weary" is a good example of one of his most sought after etchings. Measuring 5"x 7" it is signed lower left and is in the original frame giving an overall size of 12"x 15".
McTague of Harrogate has dated this piece to the 1920s.
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