Where were putti pairs placed?

These figures were designed to flank architectural elements, mirrors, or altars in grand domestic and ecclesiastical interiors. Wall brackets often supported candles or small decorative objects above eye level. Fireplace accessories like chenets positioned the figures directly at the hearth, where they reflected the light of the fire across the room.

How do I mount wall brackets?

Most antique wall brackets feature integrated hanging loops or backplates designed for secure wall attachment. Professional installation ensures the weight of the carved wood and gesso is properly supported. Wall sconces and lights require alignment with existing electrical wiring when functional, though many serve strictly as decorative architectural panels.

How do I tell periods apart?

Seventeenth-century pieces often utilise dense limewood with deep, unrestrained carving characteristic of early European workshops. Nineteenth-century revival pieces lean into symmetrical Louis XIV styles or heavier Italian Baroque Revival forms. Material choices also signal the era, with solid carved timber and gesso giving way to cast brass and gilt metal in later production periods.

What is the difference between putti and cherubs?

Art historical terminology often uses putti and cherubs interchangeably to describe winged infant figures found in baroque design. Putti derive from classical mythology, while cherubs carry religious connotations in church interiors. Both forms appear frequently in Italian alters, wall sculptures, and decorative brackets from the seventeenth century onward.

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These antique baroque putti pair selections bring winged figures from seventeenth-century Italian workshops and nineteenth-century revivals straight to your walls.

17th century

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A Decorative Pair of Italian Oils

From Oliveri Antiques Ltd

£1,900

3+ MONTHS AGO

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Antique Baroque Putti Pair

A Decorative Pair of Italian Oils

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