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Thomas Beach 1738-1806 Portrait of a Young Man Thought to Be William Turner 1750-1819 with His Dog Holding a Peregrine Falcon william Turner oil on Canvas 76.20 X 63.50 Cm
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Thomas Beach 1738-1806 Portrait of a Young Man Thought to Be William Turner 1750-1819 with His Dog Holding a Peregrine Falcon william Turner oil on Canvas 76.20 X 63.50 Cm

18th century
For Sale by Artware Fineart
Description

Thomas Beach 1738-1806

Portrait of a Young Man thought to be William Turner 1750-1819 with his dog holding a Peregrine Falcon

oil on canvas

76.20 x 63.50 cm

Thomas Beach carried out three full length portraits for Sir Edward Turner 2nd Bt 1719-1766 , all the portraits were of his children , Elizabeth, Gregory , John and Cassandra. William did not feature in the full length portraits but was painted on his own in a half length portrait.

William (1750-1819) was educated at Magdalen College, Oxford (B.A.1767). He married leaving issue (daughters).admitted to Lincolns Inn dec 1775.

Artist biography

Self-portrait (1802; National Portrait Gallery, London).

Thomas Beach (1738 – 17 December 1806) was a British portraitist who studied under Sir Joshua Reynolds.

Life and work

John Kemble and Mrs. Siddons, in "Macbeth", painted in 1786, now housed at the Garrick Club in London.

Beach was born at Milton Abbas, Dorset in 1738, and showed a strong predilection for art from an early age. In 1760, under the patronage of Lord Dorchester's family, he became a pupil of Sir Joshua Reynolds, while at the same time studying at the St. Martin's Lane Academy. He then settled at the fashionable resort of Bath, where he was much in demand for his portraits and portrait groups, which were usually of a small size.

He painted the actress Sarah Siddons several times. In his first portrait of her, painted in the winter of 1781–2, she is shown seated, in everyday clothes, holding a book. He depicted her again later in 1782, in one of his more ambitious works, an allegorical portrait inspired by Milton's Il Penseroso, in which she represented the personification of Melancholy. In 1787 he painted Mrs. Siddons and John Kemble in the Dagger Scene in Macbeth, of which the actress wrote, "My brother's head is the finest I have ever seen, and the likest of the two".

He was a member of the Incorporated Society of Artists, and a contributor to its exhibitions from 1772 to 1783. He exhibited the Royal Academy every year from 1785 until 1790, but not again until 1797, when he was living at Strand-on-the-Green, near Kew in London, and sent a portrait of the Prince of Wales. Several of Beach's portraits were engraved in mezzotint by William Dickinson, Valentine Green, Richard Houston, and John Jones.

Beach died at Dorchester, Dorset, on 17 December 1806.

The National Portrait Gallery has a portrait by Beach of William Woodfall, the earliest parliamentary reporter. Portraits of Sir Edward Wilmot, bart., M.D., and Richard Tattersall, the horse dealer who established 'Tattersall's, were exhibited in the National Portrait Exhibition of 1867.

Physical Dimensions
Height
76.2cm (30.00")
Width
63.5cm (25.00")
Depth
2cm (0.79")
Declaration

Artware Fineart has dated this 18th Century Oil Portrait to the 18th Century.

Reference Numbers
Sellingantiques Reference
SA1096251
Dealers Internal Reference
4774
Description
Thomas Beach 1738-1806
Portrait of a Young Man thought to be William Turner 1750-1819 with his dog holding a Peregrine Falcon.
Artware Fineart

oil on canvas

76.20 x 63.50 cm

Thomas Beach carried out three full length portraits for Sir Edward Turner 2nd Bt 1719-1766 , all the portraits were of his children , Elizabeth, Gregory , John and Cassandra. William did not feature in the full length portraits but was painted on his own in a half length portrait.

fig 1. An 18th-century oil painting depicting a young man pointing while holding a falcon on his hand with a spotted hunting dog at his side.
fig 1. Thomas Beach 1738-1806 Portrait of a Young Man Thought to Be William Turner 1750-1819 with His Dog Holding a Peregrine Falcon william Turner oil on Canvas 76.20 X 63.50 Cm

William (1750-1819) was educated at Magdalen College, Oxford (B.A.1767). He married leaving issue (daughters).admitted to Lincolns Inn dec 1775.

Artist biography

Self-portrait (1802; National Portrait Gallery, London).

fig 2. An 18th-century oil painting depicting a young man pointing while holding a falcon on his hand with a spotted hunting dog at his side.
fig 2. Thomas Beach 1738-1806 Portrait of a Young Man Thought to Be William Turner 1750-1819 with His Dog Holding a Peregrine Falcon william Turner oil on Canvas 76.20 X 63.50 Cm

Thomas Beach (1738 – 17 December 1806) was a British portraitist who studied under Sir Joshua Reynolds.

Life and work

John Kemble and Mrs. Siddons, in "Macbeth", painted in 1786, now housed at the Garrick Club in London.

fig 3. An 18th-century oil painting depicting a young man pointing while holding a falcon on his hand with a spotted hunting dog at his side.
fig 3. Thomas Beach 1738-1806 Portrait of a Young Man Thought to Be William Turner 1750-1819 with His Dog Holding a Peregrine Falcon william Turner oil on Canvas 76.20 X 63.50 Cm

Beach was born at Milton Abbas, Dorset in 1738, and showed a strong predilection for art from an early age. In 1760, under the patronage of Lord Dorchester's family, he became a pupil of Sir Joshua Reynolds, while at the same time studying at the St. Martin's Lane Academy. He then settled at the fashionable resort of Bath, where he was much in demand for his portraits and portrait groups, which were usually of a small size.

fig 4. An 18th-century oil painting depicting a young man pointing while holding a falcon on his hand with a spotted hunting dog at his side.
fig 4. Thomas Beach 1738-1806 Portrait of a Young Man Thought to Be William Turner 1750-1819 with His Dog Holding a Peregrine Falcon william Turner oil on Canvas 76.20 X 63.50 Cm

He painted the actress Sarah Siddons several times. In his first portrait of her, painted in the winter of 1781–2, she is shown seated, in everyday clothes, holding a book. He depicted her again later in 1782, in one of his more ambitious works, an allegorical portrait inspired by Milton's Il Penseroso, in which she represented the personification of Melancholy. In 1787 he painted Mrs. Siddons and John Kemble in the Dagger Scene in Macbeth, of which the actress wrote, "My brother's head is the finest I have ever seen, and the likest of the two".

fig 5. An 18th-century oil painting depicting a young man pointing while holding a falcon on his hand with a spotted hunting dog at his side.
fig 5. Thomas Beach 1738-1806 Portrait of a Young Man Thought to Be William Turner 1750-1819 with His Dog Holding a Peregrine Falcon william Turner oil on Canvas 76.20 X 63.50 Cm

He was a member of the Incorporated Society of Artists, and a contributor to its exhibitions from 1772 to 1783. He exhibited the Royal Academy every year from 1785 until 1790, but not again until 1797, when he was living at Strand-on-the-Green, near Kew in London, and sent a portrait of the Prince of Wales. Several of Beach's portraits were engraved in mezzotint by William Dickinson, Valentine Green, Richard Houston, and John Jones.

fig 6. An 18th-century oil painting depicting a young man pointing while holding a falcon on his hand with a spotted hunting dog at his side.
fig 6. Thomas Beach 1738-1806 Portrait of a Young Man Thought to Be William Turner 1750-1819 with His Dog Holding a Peregrine Falcon william Turner oil on Canvas 76.20 X 63.50 Cm

Beach died at Dorchester, Dorset, on 17 December 1806.

The National Portrait Gallery has a portrait by Beach of William Woodfall, the earliest parliamentary reporter. Portraits of Sir Edward Wilmot, bart., M.D., and Richard Tattersall, the horse dealer who established 'Tattersall's, were exhibited in the National Portrait Exhibition of 1867.

Height
76.2cm (30.00")
Width
63.5cm (25.00")
Depth
2cm (0.79")
Date of Manufacture

Artware Fineart has dated this 18th Century Oil Portrait to the 18th Century.

Reference Numbers
Sellingantiques Ref
SA1096251
Dealers Internal Ref
4774
Artware Fineart
Sellingantiques verified Since Sep 2008
Dealer Profile

You can view the stock and full dealer information on the Artware Fineart Profile Page

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An 18th-century oil painting depicting a young man pointing while holding a falcon on his hand with a spotted hunting dog at his side.
1 / 9
Archive I An 18th-century oil painting depicting a young man pointing while holding a falcon on his hand with a spotted hunting dog at his side.

Thomas Beach 1738-1806 Portrait of a Young Man Thought to Be William Turner 1750-1819 with His Dog Holding a Peregrine Falcon william Turner oil on Canvas 76.20 X 63.50 Cm

Archive II An 18th-century oil painting depicting a young man pointing while holding a falcon on his hand with a spotted hunting dog at his side. View II
Archive III An 18th-century oil painting depicting a young man pointing while holding a falcon on his hand with a spotted hunting dog at his side. View III
Archive IV An 18th-century oil painting depicting a young man pointing while holding a falcon on his hand with a spotted hunting dog at his side. View IV
Archive V An 18th-century oil painting depicting a young man pointing while holding a falcon on his hand with a spotted hunting dog at his side. View V
Archive VI An 18th-century oil painting depicting a young man pointing while holding a falcon on his hand with a spotted hunting dog at his side. View VI
Archive VII An 18th-century oil painting depicting a young man pointing while holding a falcon on his hand with a spotted hunting dog at his side. View VII
Archive VIII An 18th-century oil painting depicting a young man pointing while holding a falcon on his hand with a spotted hunting dog at his side. View VIII
Archive IX An 18th-century oil painting depicting a young man pointing while holding a falcon on his hand with a spotted hunting dog at his side. View IX
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An 18th-century oil painting depicting a young man pointing while holding a falcon on his hand with a spotted hunting dog at his side.
Thomas Beach 1738-1806 Portrait of a Young Man thought to be William Turner 1750-1819 with his dog holding a Peregrine Falcon William Turner oil on canvas 76.20 x 63.50 cm
Ref: SA1096251
An 18th-century oil painting depicting a young man pointing while holding a falcon on his hand with a spotted hunting dog at his side.
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Antiques are the ultimate green purchase. By choosing historical pieces over newly manufactured goods, you completely eliminate the carbon footprint of modern mass production while preserving exceptional, timeless craftsmanship.

Eighteenth-century British portraiture frequently featured aristocratic subjects accompanied by symbols of status, leisure, or sporting pursuits such as falcons and hunting dogs. Artists employed naturalistic light, dramatic chiaroscuro, and classical compositions influenced by Grand Tour aesthetic traditions.

Artists typically used hand-stretched linen canvases prepared with double-gesso grounds, painted with natural mineral or organic pigments bound in linseed oil. These works were traditionally framed in hand-carved, gilded wooden frames.

Authentic period portraits exhibit age-appropriate craquelure across the paint layer, visible stretcher bar impressions, and natural oxidisation of original varnish layers. The reverse often shows darkened canvas fibres, hand-forged tacks, or historical gallery labels.

Traditional oil portraits can be integrated into contemporary spaces by hanging them as statement focal points against dark feature walls or styled within curated gallery arrangements alongside minimalist modern artwork for contrasting texture.

Display the painting away from direct sunlight, radiators, and areas with high humidity fluctuations to prevent paint flaking or canvas distortion. Dust gently with a soft, dry camel-hair brush and consult a professional conservator for surface cleaning.
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