A bag face is the ornamented front panel of a nomadic storage sack, detached once the utility back wore through. Collectors mount these panels to display intricate tribal patterns on walls. These pieces capture the primary artistic output of weavers from regions like Persia and Central Asia without requiring space for a full rug.

How do I hang a textile fragment?

Many fragments arrive pre-mounted on linen backing or wooden battens to distribute weight evenly. This stabilization prevents distortion and allows for secure wall attachment. Consult a specialist framer if a piece requires custom mounting behind conservation-grade glass or open display with a discreet velcro fastening system.

How are different tribal origins identified?

Tribal origins are determined by specific colour palettes, structural techniques, and repeating motifs such as guls or boteh designs. Afshar, Yomut, and Shahsavan weavers each employed distinct structural traits. Comparing knotting styles and wool quality helps narrow down the specific nomadic group and geographic region of manufacture.

Are these fragments cut from larger pieces?

Some fragments originate from larger functional textiles, such as damaged carpets, complete saddlebags, or full tapestries, salvaged when the surrounding material degraded. Other items, like specific torbas and amulet holders, were created as independent compact objects. Conservation practices historically involved framing these surviving sections to preserve the finest portions of historic needlework.

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These curated vintage wall hanging fragment selections encompass tribal bag faces, tapestry borders, and painted panels that bring historic textile art directly into modern interiors.

Charming Silk Embroidery Amulet, Uzbekistan, Circa 1880

19th century

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Charming Silk Embroidery Amulet, Uzbekistan, Circa 1880

From Aaron Nejad Carpets and Rugs

£575

3+ MONTHS AGO

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Vintage Wall Hanging Fragment

Charming Silk Embroidery Amulet, Uzbekistan, Circa 1880

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