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Vintage Madonna Pendant Gold

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These vintage madonna pendant gold pieces are devotional French jewels portraying the Virgin Mary, sought after for their intricate metalwork and spiritual imagery.

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Sellingantiques  ·  Guide 925922026/2027 edition

Vintage Madonna Pendant Gold

These vintage madonna pendant gold pieces are devotional French jewels portraying the Virgin Mary, sought after for their intricate metalwork and spiritual imagery.

French Mazzoni 18K Yellow Gold Virgin Mary Oval Medal Pendant
Plate I  ·  French Mazzoni 18k Yellow Gold Virgin Mary Oval Medal Pendant, 1930ShinyPrettyThings Ltd
Introduction

Vintage Madonna Pendant Gold

A vintage madonna pendant gold selection typically comprises French religious medals and charms depicting the Virgin Mary, the Madonna and Child, or the Sacred Heart. These pieces originate from periods spanning the late nineteenth century through to the mid-twentieth century, with a strong concentration of items dated around nineteen ten.

Buyers will also encounter pieces incorporating alternative materials alongside gold, such as white gold or combinations of yellow and rose gold. These devotional items served as personal talismans and expressions of faith, maintaining a distinct ecclesiastical aesthetic.

How they were made

Materials and construction

The foundation of these pieces is eighteen carat yellow gold, sometimes paired with white or rose gold sections, shaped into medals, charms, and framed pendants. Goldsmiths employed traditional techniques to mount devotional images of the Virgin Mary in high-purity metal.

From the Sellingantiques archive

Listings feature eighteen carat yellow, white, and rose gold pendants spanning the eighteen nineties to the nineteen fifties.

What sets them apart

Factors that define quality

Quality rests upon the intricacy of the metalwork and the preservation of delicate surface details like plique-a-jour enamel and hand-carved mother of pearl. Pieces featuring named medallists or complex pierced frames demonstrate higher levels of atelier skill.

The integration of precious stones such as seed pearls and diamonds alongside well-preserved polychrome enamel elevates the execution of the devotional subject matter.

Notable makers of vintage madonna pendant gold

Emile Monier·Mazzoni·Pageli Perriat·Emile Dropsy·Sellier·Pageri Perroud·Perriat·Arnault·Augis Grun·Serraz·Augis and Mazzoni

Terms antiques dealers use

The Vintage Madonna Pendant Gold Glossary

Plique-a-jour
An enamelling technique where the enamel is applied cell by cell without a backing, allowing light to shine through the transparent or translucent colour much like stained glass.
Mother of pearl
The iridescent internal layer of certain mollusc shells, carved and polished to form the lustrous background plaques found on devotional pendants.
Seed pearl
Very small natural or cultured pearls, often threaded or set closely together to form delicate floral or geometric borders around a central religious medal.
Sacred Heart
A traditional Christian symbol representing the physical heart of Jesus Christ as a representation of his divine love for humanity, frequently depicted alongside the Madonna.
Medal
A flat piece of metal struck or cast with a commemorative or religious design, worn around the neck as a pendant or attached as a charm.
Questions people ask

Vintage Madonna Pendant Gold: Frequently Asked Questions

What is a vintage madonna pendant gold?

A vintage madonna pendant gold is a religious medal or charm made in eighteen carat gold that depicts the Virgin Mary or the Madonna and Child. These items were predominantly produced in France across the late nineteenth and early twentieth centuries.

They combine devotional imagery with traditional goldsmithing techniques such as enamel work, engraving, and the setting of pearls. Worn as personal items of faith, they function as both jewellery and historical artefacts.

How can I date my pendant?

Dating these pieces involves examining the stylistic markers of periods such as Art Nouveau or mid-century French design, alongside any maker signatures stamped on the metal. Many examples carry hallmarks specific to French production standards for eighteen carat gold.

Specific design traits, such as plique-a-jour enamel or the inclusion of seed pearls, often align with pieces made around nineteen ten. Comparing the style of the relief work to documented works by makers like Emile Dropsy or Mazzoni provides a reliable timeframe.

How were these pendants worn?

These items were worn suspended from chains as necklaces or attached to bracelets as charms for daily devotion. Their double-sided nature or detailed reverse engravings allowed them to sit close to the wearer as protective amulets.

In period practice, they served as both personal expressions of Catholic faith and cherished gifts for significant life events such as communions or feast days.

What materials are used alongside gold?

Gold pendants frequently incorporate mother of pearl as a lustrous backing for carved religious reliefs. Enamel, particularly translucent plique-a-jour, adds vibrant colour to the haloes and garments surrounding the figures.

Gemstones such as seed pearls and small diamonds also appear as decorative borders or structural accents. These varied materials highlight the collaborative skills of jewellers and enamellers.

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