Vintage Fox Hunting
These vintage fox hunting pieces capture the traditional atmosphere of equestrian sport through paintings, taxidermy, and silver.
Vintage Fox Hunting
When you search for vintage fox hunting, you encounter a range of items dedicated to British sporting traditions, primarily spanning the nineteenth and twentieth centuries.
The objects on this page include oil paintings, watercolours, framed prints, bronze sculptures, and taxidermy masks mounted for display.
You are most likely to meet framed artwork and equestrian paintings depicting hounds, huntsmen on horseback, and full cry scenes alongside smaller silver items like hunting horns.
How they were made
Painters utilised oil on canvas or wood, as well as watercolour and ink on paper, to capture detailed equestrian portraits and field pursuits.
Silversmiths shaped sterling silver into table lighters, bugle pins, and hunting horns, occasionally incorporating embossed details and silver collars.
Taxidermists preserved and mounted fox masks onto wooden shields, while artisans cast brass, cast iron, and bronze into doorstops and sculptural studies.
Vintage Fox Hunting Retail Price Guide 2026
Typical asking prices for vintage fox hunting among the pieces listed under this phrase on Sellingantiques today, from the lower quarter to the upper quarter. They describe what is for sale here now, not the wider market.
Listings feature paper, glass, wood, oak, and sterling silver alongside oil paintings, watercolours, and taxidermy.
What varies in quality
Quality rests upon the skill of the artist or maker, separating mass-produced decorative prints from original hand-painted canvases by recognised sporting artists.
Materials dictate the standing of physical objects, distinguishing hollow base metals from solid sterling silver or finely detailed bronze studies.
The precision of the taxidermy work and the documentation associated with individual makers influence the standing of preserved pieces.
Cecil Charles Windsor Aldin·Peter Spicer and Sons·Snaffles Charles Johnson Payne·John Sanderson Wells·Basil Nightingale·Sampson Mordan
The Vintage Fox Hunting Glossary
- Aquatint
- A printmaking technique that produces tonal areas resembling watercolour washes. It allows artists to create subtle gradations of tone in historical prints.
- Full cry
- The stage in a hunt when hounds give tongue collectively upon scenting quarry. This moment is frequently depicted in sporting paintings.
- Taxidermy
- The art of preserving, stuffing, and mounting animal skins for display. Historic specimens often utilise wooden shields for wall mounting.
- Silvered bronze
- A bronze alloy treated with a silver coating to give the appearance of solid silver. It combines durability with a polished metallic finish.
- Signet ring
- A finger ring bearing a carved or raised emblem, sometimes associated with seals. Examples from this category relate to historical figures of the hunt.
Vintage Fox Hunting: Frequently Asked Questions
What periods do these hunting pieces come from?
The listings span from the nineteenth century through the Victorian and Edwardian eras into the twentieth century, up to the nineteen-sixties.
Most items originate from a period when traditional British field sports were widely documented by established sporting artists and craftsmen.
How were hunting horns used?
Hunting horns were carried by huntsmen in the field to signal to hounds and fellow riders during a meet.
In smaller sterling silver formats, they also functioned as decorative table items, hat pins, or cigar lighters.
How should I display taxidermy fox masks?
Taxidermy fox masks are typically mounted on wooden shields designed for wall hanging in studies, libraries, or hallways.
They should be kept away from direct sunlight and damp environments to protect the historic fur and backing materials.
Who was Snaffles?
Snaffles was the professional pseudonym of Charles Johnson Payne, a noted twentieth-century British sporting artist and illustrator.
His works frequently depicted military subjects, horses, and hunt scenes in watercolour, pencil, and published prints.