What is a putto in bronze sculpture?

A putto is a representation of a winged infant or cherub, modelled after classical sculpture and revived during the neoclassical period. These figures appear frequently in nineteenth-century decorative metalwork. Artists utilised these motifs to introduce narrative and classical allusion into domestic objects like clocks, lamps, and candelabra.

How do I date a nineteenth-century bronze?

Dating relies on examining the casting technique, the quality of the patination or gilding, and the nature of the accompanying materials like marble or ormolu. Nineteenth-century pieces often reflect revival styles such as Louis XVI or the aesthetic of the Grand Tour. Physical indicators on the underside, including threaded screws and patination wear, assist in establishing the age of the metalwork.

Where were these pieces displayed historically?

These decorative objects were placed on mantelpieces, side tables, and chests of drawers within elite nineteenth-century drawing rooms and libraries. Pairs of candelabra and clock sets provided architectural symmetry for interior mantels. Smaller figures and plaques served as cabinet pieces or functional lighting supported by classical motifs.

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Neoclassical Bronze Putto

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These neoclassical bronze putto sculptures bring classical mythology into domestic interiors through figures cast in bronze and mounted on marble bases.

Pair of Bronze and Marble Winged Putti Candelabra

19th century

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Pair of Bronze and Marble Winged Putti Candelabra

From Cella

£2,950

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Neoclassical Bronze Putto

Pair of Bronze and Marble Winged Putti Candelabra

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