A putto is a representation of a small child, frequently winged, derived from classical mythology and art. In nineteenth-century bronzes, they appear as playful figures of cupid or bacchic cherubs. These figures were cast to decorate wealthy interiors, often symbolising love, wine, or music depending on the objects they hold.

Where were these bronzes made?

The pieces originate primarily from workshops in Italy and France during the nineteenth century. Artisans produced them to satisfy the demand from travellers touring European cultural centres. Many adopt neoclassical or Renaissance revival styles, reflecting the classical ruins and sculptures these tourists studied abroad.

How do I care for bronze?

Bronze requires minimal maintenance beyond gentle dusting with a soft, dry cloth. Avoid using harsh chemical cleaners or polishes that can strip the historic patina from the metal surface. Keep the pieces away from excessive moisture and direct heat sources to protect any integrated marble bases or gilt highlights.

Are these pieces original nineteenth-century works?

The listings on this page date predominantly from the nineteenth century, spanning periods from the 1800s through the Victorian era. They utilise traditional sand-casting methods typical of that time. Materials such as patinated bronze, ormolu, and heavy marble bases help verify the period manufacture and traditional workshop origins.