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Gold Moon Brooch

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A gold moon brooch captures celestial charm in warm yellow gold, often paired with bright diamonds or deep rubies.

£295
3+ MONTHS AGO
jewellery

Celestial creatures occasionally join the lunar display, including detailed gold scorpions and delicate flying swallows.

Sellingantiques  ·  Guide 1779702026/2027 edition

Gold Moon Brooch

A gold moon brooch captures celestial charm in warm yellow gold, often paired with bright diamonds or deep rubies.

Introduction

Gold Moon Brooch

A gold moon brooch typically takes the form of a crescent moon shape, frequently rendered in yellow gold, rose gold or higher carat gold alloys. These celestial pieces appear across the late Victorian and Edwardian periods, stretching into the early Art Deco era.

The version most commonly met on this page combines a curving crescent frame set with gemstones like rubies, sapphires, pearls or diamonds. Many examples incorporate birds such as swallows or botanical motifs alongside the lunar form.

Makers of the period also produced versatile hybrid pieces that function as both a brooch and a pendant. Collectors find both simple pin-stem formats and more elaborate star-and-moon combinations in the archive.

In brief

How they were made

Goldsmiths utilised varying purities of gold, including 8ct, 9ct, 15ct, 18ct and platinum-topped yellow gold mounts to secure the stones. Gemstones such as diamonds, rubies, sapphires, turquoise and pearls were meticulously flush-set or claw-set into the delicate metal crescent.

Techniques relied on hand-fabrication of the hollow or solid gold crescent body, attaching secure pin stems and C-clasps or safety catches for daily wear. Platinum toppings appeared on later Edwardian pieces to provide a bright, durable white metal surface for diamond settings.

From the Sellingantiques archive

Listings feature yellow gold, rose gold and platinum-topped mounts spanning the Victorian, Edwardian and Art Deco eras.

What sets them apart

What varies in quality

Quality rests upon the weight and purity of the gold used in the crescent mount, alongside the size, colour and clarity of the set gemstones. Heavier 15ct and 18ct gold pieces with substantial unheated sapphires or fine rubies represent the upper tier.

The delicacy of the chasing, the secure box or pin mechanisms, and the symmetry of the graduated stones dictate the piece's standing. Finer examples display precise stone-setting and harmonious proportions between the diamonds and pearls.

Terms antiques dealers use

The Gold Moon Brooch Glossary

Crescent brooch
A pin fashioned into the curved shape of a waxing or waning moon. This profile dominated lunar jewellery design.
Carat
A measure of gold purity or gemstone weight. Higher numbers indicate a greater proportion of pure gold in the alloy.
Cabochon
A gemstone shaped and polished with a smooth convex surface rather than faceted. Moonstones frequently appear in this style.
Old cut diamond
A hand-faceted diamond cut before modern machinery standardised proportions. These stones exhibit smaller tables and open culets.
Bar brooch
A slender metal rod with a pin mechanism on the reverse. Many crescent moons are mounted directly atop this linear base.
Questions people ask

Gold Moon Brooch: Frequently Asked Questions

How do I wear a gold moon brooch?

These brooches secure neatly onto lapels, scarves or heavy knitwear using the traditional pin and catch on the reverse. Some versions include a hidden loop allowing them to double as pendants on a chain.

Heavier gem-set pieces require sturdier fabric to prevent sagging, while lighter 9ct gold versions sit comfortably on silk or cotton.

What is the difference between Victorian and Edwardian brooches?

Victorian examples often feature robust yellow gold mounts paired with deep rubies, garnets or turquoise. They lean towards warm, rich metal tones and organic details.

Edwardian pieces introduce platinum-topped gold settings to showcase diamonds with lighter, airier lace-like frameworks and natural pearls.

Are these brooches solid gold?

The listings include pieces made from solid 8ct, 9ct, 15ct and 18ct yellow or rose gold. Hallmarks and metal tests confirm the purity of the precious metal used in the frame.

Some Edwardian pieces combine an 18ct yellow gold reverse with a platinum front face to enhance the sparkle of set diamonds.

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