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Blue Mounted Picture

13 items

These blue mounted picture selections bring together framed artworks, watercolours, prints, and oil paintings framed or presented with distinct blue mounts.

£1,725
FOR SALE
art
£325
FOR SALE
art
£245
FOR SALE
art
Sellingantiques  ·  Guide 1833422026/2027 edition

Blue Mounted Picture

These blue mounted picture selections bring together framed artworks, watercolours, prints, and oil paintings framed or presented with distinct blue mounts.

Introduction

Blue Mounted Picture

A blue mounted picture encompasses framed artworks, watercolours, prints, and oil paintings presented with distinct blue mounts or framing elements.

The selections span the nineteenth century, Edwardian era, and twentieth century, featuring works from British artists, China Trade pieces, and Japanese prints.

Buyers encounter oil paintings, lithographs, watercolours, and antique prints housed in wood, gilt wood, and glass frames.

In brief

How they were made

Makers utilised paper, card, and canvas as supports for watercolour paint, ink, and oil paint.

Frames are constructed from wood and gilt wood, often incorporating glass protection and gold leaf details.

Mounts and cards provide structural borders for prints, watercolours, and engravings.

The market

Blue Mounted Picture Retail Price Guide 2026

Entry-levelUnder £200
Typical prices£200 – £1,700
Premium examplesOver £1,700

Typical asking prices for blue mounted picture among the pieces listed under this phrase on Sellingantiques today, from the lower quarter to the upper quarter. They describe what is for sale here now, not the wider market.

From the Sellingantiques archive

Rev B. Morris spent time observing water fowl closely enough to publish hand-coloured illustrations that still surface in frames today.

What sets them apart

What varies in quality

The refinement of the mounting card and the execution of the framing materials separate standard presentation from superior craftsmanship.

The handling of pigment in watercolours and oil paintings dictates the visual depth of the artwork.

Condition of the paper, card, and original framing elements influences the overall integrity of the piece.

Notable makers of blue mounted picture

Warwick Goble·Stanley Orchart·Consalvo Carelli·William Powell Frith·William Swainson

Terms antiques dealers use

The Blue Mounted Picture Glossary

Mount
A card border placed around a picture inside the frame to separate the artwork from the glass. It provides a visual transition and structural support.
Lithograph
A print made from a planographic process where the image is drawn onto limestone or a metal plate with a greasy medium. This technique captures fine detail in nineteenth century prints.
Gilt wood
Wood that has been decorated with a thin layer of gold leaf or metallic powder. It provides a reflective and ornate finish to antique frames.
China Trade
Goods produced in China specifically for export to Western markets during the nineteenth and early twentieth centuries. These works frequently depict maritime and regional scenes.
School of Posillipo
A nineteenth century group of artists based near Naples who focused on realistic landscape and marine painting. Their works often feature coastal views of Vesuvius and the surrounding bays.
Questions people ask

Blue Mounted Picture: Frequently Asked Questions

What periods do these pictures come from?

The pieces span from the early nineteenth century through the Edwardian period and into the mid twentieth century. They reflect diverse stylistic movements including Victorian, Japonisme, and China Trade production.

Collector examples include nineteenth century hand-coloured water fowl, Edwardian maritime scenes, and Japanese first edition prints.

How are these artworks framed?

Framing materials include wood, gilt wood, and glass, paired with paper or card mounts. Many pieces retain their period frames alongside protective glass.

The inclusion of gold leaf and specific mount colours defines the presentation of prints and watercolours from the Victorian and Edwardian eras.

Where do these pieces originate?

Origins include British artists and printmakers, European schools such as the School of Posillipo in Italy, and East Asian workshops.

China Trade and Meiji period pieces demonstrate the global exchange of artistic styles during the nineteenth and early twentieth centuries.

What mediums are used in these works?

Mediums range from watercolour paint and oil paint to ink on paper and card. Lithographs and engravings also form a significant portion of the selection.

Hand colouring appears on several nineteenth century botanical and ornithological prints.

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