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Art Deco Lady Statue

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An art deco lady statue brings the sleek geometry and dynamic movement of the interwar years straight onto a cabinet or mantelpiece.

£875
FOR SALE
lighting
£345
FOR SALE
ceramics
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Sellingantiques  ·  Guide 2221162026/2027 edition

Art Deco Lady Statue

An art deco lady statue brings the sleek geometry and dynamic movement of the interwar years straight onto a cabinet or mantelpiece.

Introduction

Art Deco Lady Statue

When searching for an art deco lady statue, a buyer encounters figures cast in bronze, spelter, and carved from ceramic or bone china. These pieces depict dancers, runners, and elegant female figures embodying the modern spirit of the interwar period.

The most common version on this page is the 1930s spelter or ceramic figurine, often mounted on an onyx or marble base, reflecting both French and English production. Sculptures and table lamps merge decorative utility with the characteristic aesthetic of the era.

Earlier Edwardian pieces appear alongside the dominant 1920 and 1930 dates, showing a gradual transition from classical busts towards stylised modernist forms. Figures range from small bone china porcelain ladies to large bronze dancer sculptures.

How they were made

Materials and construction methods

Metal figures rely on bronze casting or spelter fabrication, frequently finished with patinated metal, chrome plate, or painted surfaces. Spelter offers a lighter, more affordable alternative to bronze while retaining crisp decorative detail.

Ceramic and bone china examples utilise slip casting and manual glazing techniques, seen clearly in English porcelain figurines and German green dress lady ceramics. Marble, onyx, and alabaster provide solid, heavy foundations for metal and ceramic figures alike.

The market

Art Deco Lady Statue Retail Price Guide 2026

Entry-levelUnder £500
Typical prices£500 – £1,200
Premium examplesOver £1,200

Typical asking prices for art deco lady statue among the pieces listed under this phrase on Sellingantiques today, from the lower quarter to the upper quarter. They describe what is for sale here now, not the wider market.

From the Sellingantiques archive

Materials span bronze, spelter, marble, onyx, bone china, glass, and plaster across Edwardian and 1930 periods.

What sets them apart

Distinctions in execution and finish

The sophistication of the casting and the crispness of the chasing separate standard figures from exceptional works. Fine bronze casts display sharp facial expressions and fluid drapery folds that softer spelter castings sometimes blur.

The integration of the figure with its base indicates overall standard, particularly where onyx, marble, or alabaster mounts are fitted seamlessly. Original surface finishes, whether cold-painted pigments or patinated metal, carry more integrity than later repainting.

Signed works by known sculptors and established potteries demonstrate superior artistic conception and controlled studio execution compared to anonymous factory productions.

Notable makers of art deco lady statue

Georges Gori·D.H. Chiparus·Royal Doulton·Charles Vyse·Hagenauer·Josef Lorenzl·Demetre Chiparus·Geo Maxim·H. Bal·Jose Dunach

Terms antiques dealers use

The Art Deco Lady Statue Glossary

Spelter
A zinc alloy commonly used in the interwar period as a cost-effective substitute for bronze. It takes patination and paint well.
Chryselephantine
A sculpture combining metal with carved bone or ivory. This technique highlights the decorative luxury of the era.
Patinated metal
Metal treated with chemicals or heat to produce a specific surface colour and finish. It protects the material while enhancing visual depth.
Slip casting
A ceramic manufacturing method where liquid clay is poured into a plaster mould. This technique allows for repeatable, detailed figurine production.
Car Mascot
A decorative sculptural ornament mounted on the radiator cap of a motor car. They were frequently cast in bronze during the period.
Questions people ask

Art Deco Lady Statue: Frequently Asked Questions

What is a chryselephantine figure?

A chryselephantine figure combines metal casting with carved bone or ivory elements. These materials work together to depict flesh and clothing with contrasting textures.

Such pieces represent the height of luxury during the period and require careful environmental conditions to preserve the organic components.

How were these statues used originally?

Many figures served purely as decorative sculptures displayed on desks, mantelpieces, or cabinets. Others were integrated into functional objects such as table lamps and car mascots.

This blend of ornamentation and utility defined interior design during the interwar decades.

Are spelter and bronze different?

Spelter is a zinc-based alloy, whereas bronze is an alloy of copper and tin. Bronze offers superior weight, durability, and a finer grain for detailed casting.

Spelter was utilised as a more affordable alternative and frequently wears a painted or patinated coating.

How do I date a ceramic figurine?

Ceramic and porcelain pieces often rely on factory marks, glaze types, and stylistic cues. Edwardian models display softer, traditional forms, while 1930s examples favour geometric lines and bold colours.

Studio pottery pieces can sometimes be attributed through artist signatures and specific regional styles.

What bases are common?

Marble, onyx, and alabaster serve as the primary heavy bases for metal figures. These stones provide stability and add a contrasting natural pattern beneath the metalwork.

Many bases are cut into stepped or geometric profiles typical of the design ethos.

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