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Gold Devotional Medal
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Antique Gold Devotional Medal

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An antique gold devotional medal brings French religious artistry to the neck, offering portable faith in yellow or rose gold.

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Sellingantiques  ·  Guide 911872026/2027 edition

Antique Gold Devotional Medal

An antique gold devotional medal brings French religious artistry to the neck, offering portable faith in yellow or rose gold.

Introduction

Antique Gold Devotional Medal

An antique gold devotional medal is a pendant designed for personal religious observance, depicting figures such as the Virgin Mary, the Madonna and Child, or the Sacred Heart. Most examples found here originate from France and date from the late nineteenth century through to the mid-twentieth century.

These pieces function primarily as pendants, charms, or wearable art objects suspended from a chain. The form takes circular or oval shapes, often framed by decorative borders in styles ranging from ecclesiastical traditionalism to French Art Nouveau.

The most common versions encountered are stamped in 18-carat yellow gold and feature raised devotional iconography on one or both sides. Collectors encounter specific imagery including Saint Christopher, Saint Joseph, Jesus Christ with the crown of thorns, and various manifestations of the Virgin Mary.

How they were made

Materials and construction

The construction relies predominantly on 18-carat gold, utilised in yellow, rose, and occasionally white variations to provide a durable yet lustrous foundation for detailed stamping and engraving. This precious metal is shaped into medals and charms that often incorporate hand-finished details by skilled artisans.

From the Sellingantiques archive

Listings feature 18-carat yellow and rose gold pendants spanning the decades from 1890 to 1950, highlighting French religious art.

What sets them apart

Evaluating the craftsmanship

Quality rests upon the crispness of the relief work and the reputation of the medalist who signed or stamped the piece. Finer examples display deep, three-dimensional modeling where facial expressions and drapery remain sharp and legible despite decades of wear.

The integration of secondary materials dictates the upper tier of the range. Medals incorporating translucent plique-à-jour enamel, seed pearls, or hand-engraved borders demand greater technical skill than plain stamped gold discs.

Notable makers of gold devotional medal

Emile Monier·Mazzoni·Pageli Perriat·Dropsy·Vernon·Sellier·Tairac·Pageri Perroud·Perriat·Charl·Arnault·Monet·Ruffony

Terms antiques dealers use

The Antique Gold Devotional Medal Glossary

Plique-a-jour enamel
An enamelling technique where the enamel is applied without a backing, creating a stained-glass effect that lets light through the coloured material.
Sacred Heart
A Christian devotion representing the physical heart of Jesus Christ as a symbol of divine love, frequently shown surrounded by flames or a crown of thorns.
Medalist
An artist or sculptor who designs and produces medals, often stamping their surname into the metal edge or field of the piece.
Virgo Virginum
Latin for Virgin of Virgins, an epithet for the Virgin Mary that appears on devotional inscriptions.
Questions people ask

Antique Gold Devotional Medal: Frequently Asked Questions

What is an antique gold devotional medal?

These are small religious pendants cast in 18-carat gold, depicting sacred figures intended for personal devotion and daily wear.

Originating largely from France, they combine religious iconography with the decorative metalwork styles of the late nineteenth and early twentieth centuries.

Who made these medals?

Many pieces were produced by skilled French medalists and workshops who signed their work with tiny stamped signatures near the edge.

Names such as Dropsy, Sellier, and Tairac appear frequently on the surface of the gold alongside religious imagery.

How do I date an antique medal?

Dating relies on stylistic clues such as the sweeping organic lines of Art Nouveau versus the cleaner geometric forms of later decades.

Assay marks and the specific signatures of known turn-of-the-century medalists also help narrow down the period of production.

How were they worn originally?

They were worn suspended from chains around the neck as protective amulets and expressions of Catholic faith.

Some examples also functioned as charms attached to bracelets or as travel medals kept safely in pockets.

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