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All Over Floral Carpet
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All Over Floral Carpet

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An all over floral carpet brings enduring pattern and rich colour to a room, offering a balanced scheme without a dominant central medallion.

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Mahal and Khorassan carpets appear frequently alongside named town weaves such as Kashan, Heriz, Sultanabad, and Hamadan.

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Sellingantiques  ·  Guide 1388822026/2027 edition

All Over Floral Carpet

An all over floral carpet brings enduring pattern and rich colour to a room, offering a balanced scheme without a dominant central medallion.

Introduction

All Over Floral Carpet

When you search for an all over floral carpet, you encounter woven floor coverings from Persian and Turkish traditions dating from the Victorian era into the twentieth century. These pieces repeat botanical motifs across the entire field rather than focusing attention on a central medallion.

The format suits large reception rooms and country houses because the continuous pattern allows furniture to be arranged freely without obscuring a central design. Most examples you meet here span the late nineteenth and early twentieth centuries, including regional weaves such as Mahal, Heriz, Khorassan, and Sultanabad.

How they were made

Materials and construction

The pieces on this page are constructed using wool for the pile, prized for its durability and ability to hold rich dye colours over decades of use. Cotton typically serves as the foundation warp and weft, providing stability and crisp structure to the woven field.

Weavers knotted the wool by hand onto the cotton foundation, building up dense floral and trellis patterns that cover the entire surface. Natural and early synthetic dyes create the varied ground colours, from deep reds and ivories to softer muted tones.

From the Sellingantiques archive

Master weaver Saber signed his work directly into the pile, leaving a woven signature that speaks across a century.

What sets them apart

Assessing quality and character

Quality in these carpets rests on the fineness of the knotting and the handled balance of wool used across the field. A finer weave allows botanical details to render with greater clarity.

The harmony of the palette and the fluidity of the drawing also separate standard pieces from the finest examples. Tonal shifts in the wool, often called abrash, add depth and visual movement to the background.

Notable makers of all over floral carpet

Saber

Terms antiques dealers use

The All Over Floral Carpet Glossary

Field
The central background area of the carpet enclosed by the borders. It is here that the repeating floral patterns are displayed.
Warp
The vertical threads stretched on the loom that form the foundational skeleton of the carpet. Cotton is commonly used for this purpose.
Weft
The horizontal threads passed through the warps to bind the knots in place. They cross the width of the carpet in alternating rows.
Abrash
Natural variations in dye colour within the same shade of wool, caused by different dye batches or hand-spun yarn lots. It creates a subtle, shaded effect across the ground.
Medallion
A central ornamental design motif found in many rugs, though absent in the all-over layouts seen here.
Questions people ask

All Over Floral Carpet: Frequently Asked Questions

What is an all over floral carpet?

An all over floral carpet is a rug featuring a continuous botanical design distributed evenly across the field instead of focusing on a central medallion.

This layout provides a balanced pattern that makes furnishing large rooms straightforward.

Where were these carpets made?

These carpets originate primarily from traditional weaving centres in Persia, with occasional examples from Turkey.

Towns and districts such as Mahal, Heriz, Kashan, and Sultanabad each contributed distinct regional designs and knotting styles.

How do I care for an antique carpet?

Protect the wool pile by using a suitable underlay and vacuuming gently without using a rotating brush head.

Rotate the carpet periodically to ensure even wear from foot traffic and sunlight exposure.

How do I date an older carpet?

Dating relies on stylistic clues, structural analysis of the foundation, and the specific palette of natural and early aniline dyes.

Comparing the weave density and floral drawing to known regional examples helps narrow the period of origin.

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