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Red Stone Pendant

11 items

A red stone pendant brings deep crimson colour to the neckline, spanning Georgian, Victorian and Edwardian gold settings.

£150
3+ MONTHS AGO
miscellaneous
£245
3+ MONTHS AGO
jewellery
Sellingantiques  ·  Guide 1977752026/2027 edition

Red Stone Pendant

A red stone pendant brings deep crimson colour to the neckline, spanning Georgian, Victorian and Edwardian gold settings.

Introduction

Red Stone Pendant

A red stone pendant is a striking piece of historical jewellery, most frequently encountered here in Victorian, Edwardian and Georgian forms.

The pieces on this page encompass not only traditional necklaces and pendants but also swivel fobs, seal stones and drop earrings.

Garnet, carnelian, paste and simulated ruby provide the characteristic red tones, often suspended from nine-carat yellow or rose gold chains.

In brief

How they were made

Goldsmiths shaped nine-carat and fifteen-carat gold into elaborate frames, incorporating gilt metal and silver settings alongside seed pearls.

Gemstones such as bohemian garnets and carved carnelian were hand-set into collet or claw mounts, frequently augmented by paste stones and foil backings.

From the Sellingantiques archive

Listings feature periods from the Georgian era through the Victorian and Edwardian decades up to the nineteen-fifties, utilising gold, silver, garnet and paste.

What sets them apart

What varies in quality

The refinement of the metalwork distinguishes standard production from superior examples, particularly visible in detailed Etruscan revival wirework and precise stone cutting.

The clarity and depth of the red stones dictate the visual impact, with natural garnets and deep carnelian outperforming simple glass paste.

Original integrity plays a major role, as intact seed pearl surrounds and matching gold chains preserve the historical completeness of the piece.

Notable makers of red stone pendant

Jefferson

Terms antiques dealers use

The Red Stone Pendant Glossary

Cabochon
A gemstone shaped and polished with a smooth, convex domed surface rather than faceted. This cut highlights the rich, deep interior colour of garnets and red rock crystal.
Paste
Hand-cut and polished lead glass used historically to imitate genuine gemstones. High-quality paste captures light remarkably well in antique jewellery settings.
Collet
A band of metal that holds a gemstone in place by enclosing its girdle. It represents a traditional method of stone setting seen across Georgian and Victorian pieces.
Fringe
A decorative border of dangling pendants or drops suspended along a necklace chain. Bohemian garnet fringe necklaces demonstrate this cascading style.
Swivel fob
A seal or decorative stone mounted on a rotating axis within a metal frame. These were originally designed to be spun on a pocket watch chain for stamping wax.
Questions people ask

Red Stone Pendant: Frequently Asked Questions

How do I date a red stone pendant?

Examine the metal purity marks, the cut of the stones, and the overall construction style. Georgian and early Victorian pieces often feature closed-back settings and hand-carved details.

Later Edwardian and Art Nouveau examples introduce flowing silver and lighter nine-carat gold frameworks with seed pearl accents.

Are these stones natural garnets?

The red stones vary considerably across the selection, ranging from genuine bohemian garnets and carnelian to historical paste and simulated rubies. Each material contributes a distinct optical quality to the jewellery.

Magnification helps reveal internal crystal characteristics or glass bubbles, distinguishing natural minerals from manufactured alternatives.

How should I wear an antique pendant?

Suspended from a compatible period gold chain, a pendant makes a central statement against dark fabrics that highlight the crimson stones. Pairing them with matching drop earrings completes a traditional suite.

Care should be taken to protect delicate seed pearls and softer paste stones from moisture and physical impact during daily wear.

What is an Etruscan revival piece?

Etruscan revival jewellery draws inspiration from archaeological discoveries made during the nineteenth century. Goldsmiths utilised granulation and filigree wirework on gold to replicate ancient Mediterranean craftsmanship.

These pieces frequently combine red garnets or paste with rich yellow gold backgrounds to emulate antiquity.

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