How were antique painting pendants worn?

These pieces were primarily suspended from chains around the neck as personal adornments or kept close as mementos of loved ones. Many double-sided examples allowed the wearer to display portraits or hairwork on both sides. Over time, some pieces were adapted with brooch fittings to be pinned to garments while retaining their pendant loops.

What periods do these pendants come from?

The selection spans the eighteenth century and the Georgian era through to the Victorian, Edwardian and Art Deco periods. Eighteenth-century and Georgian pieces frequently feature finely detailed watercolour or enamel portraits of naval officers and society figures in gold frames. Later twentieth-century examples often showcase silver and enamel work or butterfly wing designs from makers like Thomas L Mott.

What materials are used in the paintings?

Artists painted on a variety of delicate surfaces including vellum, glass, agate panels and prepared card. Pigments ranged from traditional watercolours to oils and fired enamels. The surrounding mounts utilise gold, silver, gilt metal and enamel, occasionally accented with pearls.

How should I care for an antique painting pendant?

Keep the pendant away from moisture, direct sunlight and harsh chemical cleaners to protect the delicate painted surface and the metal frame. Store it safely in a padded box when not being worn to prevent friction against other jewellery. Handle the piece by the metal mount rather than pressing directly on the glass or painted panel.

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Antique Painting Pendant

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An antique painting pendant holds miniature portraits and delicate watercolours within gold, silver or enamel frames, offering miniature art for personal wear.