How do I identify the sitter?

Many portraits bear inscriptions on the reverse of the canvas, on old labels, or along the frame detailing the name and dates of the individual. Biographical clues such as professions or crests also help identify the subject. Researching contemporary records or exhibition catalogues often links the sitter to the artist and the date of execution.

Where should I hang a large oil painting?

Large canvases require a wall with stable environmental conditions, away from direct sunlight and excessive heat sources like radiators. Placing them at eye level in principal reception rooms allows the fine details of the pose and expression to be appreciated. Ensure the wall construction safely supports the combined weight of the painting and its wooden frame.

What is the difference between an oil and a watercolour?

Oil paintings utilise pigment bound in drying oil on canvas, offering rich textures, deep tones, and high durability over centuries. Watercolours apply water-soluble pigments onto paper, resulting in a lighter, more translucent appearance. Watercolours require glass framing to protect the paper surface from atmospheric moisture.

How do I care for a framed pastel drawing?

Pastel works on paper must remain sealed behind glass to prevent the delicate pigment dust from shifting or smudging. Avoid placing them in rooms with high humidity, which can damage both the paper support and the mounting materials. Dust the wooden and gilt frames gently with a dry cloth without touching the glazed surface.

Home > 19th Century Seated Portrait > Page 2

19th Century Seated Portrait

21 items · page 2 of 2

← Page 2 of 2 →

These pieces capture a sitter at rest, and a 19th century seated portrait brings character and presence to a room through oil on canvas, watercolour, or pastel.