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James Archer R.s.a. "Portrait of a Gentleman". Large Oil Painting.
William Greenwood Fine Art
for sale €5,733     $6,223
£4,900

William Greenwood Fine Art

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James Archer R.s.a. "Portrait of a Gentleman". Large Oil Painting.

19th century
Description

Artist: James Archer R.S.A. (1822-1904).

Title: "Portrait of a Gentleman". In a wood paneled room.

Signed with monogram and dated 1872.

Oil on canvas.

Size: 50"x 40". Framed size: 58 1/2"x 48 1/2".

Contained in it's very good original wood ebony and gold leaf frame.

A very fine quality and large portrait. Trade enquiries welcome.

In good ready to hang condition. Free UK delivery.

For more info please contact us at:

Tel: 01677 424830

Mob: 07885 175279

Email: williamgreenwoodfineart@gmail.com

Elected ARSA: 13 November 1850

Elected RSA: 10 February 1858

James Archer, R.S.A., the oldest Member of the Academy, was born at Edinburgh in 1823. He was educated at the High School, and, having a decided taste for Art, became a student of the Board of Trustees’ School of Design. His first exhibit in the Royal Scottish Academy was in 1812, “The Child John in the Wilderness.” From that year he was a frequent and liberal contributor to the Annual Exhibition till 1867, when, following his removal to London, his contributions became less frequent. In 1884 he visited the United States, and two years later went to India. After three years’ residence there he returned to London in 1889.

Among his important works are :—“ The Last Supper,” 1849; “The Douglas Tragedy

1850; “The Old Oak Chest,” 1852; “Hamlet the Dane,” 1853; “Rosalind and Celia” (Diploma Work), 1854; “Portrait of The Earl of Kintore,” 1854; “The Shadow on the Path,” 1857; “In Time of War,’ 1858; “The Harvest Field—Evening,” 1859; “Fair Rosamond and Queen Eleanor,” 1860; “La Morte d’Arthur,” 1861; “ King Arthur in Quest of his Mystic Sword Excalibur,’ 1862 “ Sir Launcelot looks on Queen Guinevere,” 1864 ;“ Parting of Arthur and Guinevere,’ 1865 ;“ Henry II and Fair Rosamond,” 1868; “ Fair Helen of Kirkconnel,” 1870; “The Heather Gatherers—Surrey,’ 1871; “The Three Sisters,” 1874; ‘ Portrait of Professor Blackie” (now in the Library), 1876; “Portrait of Sir Daniel Macnee” (now in the Library), 1877; “The late Earl of Dalhousie,” 1890; “O lang, lang, may their ladies sit” (Sir Patrick Spens), 1894.

He was elected an Associate of the Royal Scottish Academy in 1850 and attained the rank of Academician in 1858. In April 1900 he was appointed by the Academy its Representative Trustee of the British Institution Scholarship Fund in room of the late W. E. Lockhart, R.S.A.

His death took place at Hazlemere, Surrey, on 5th September.

Physical Dimensions
Height
149cm (58.66")
Width
123cm (48.43")
Depth
8cm (3.15")
Declaration

William Greenwood Fine Art has dated this Victorian Oil Portrait Painting to the 19th Century.

Reference Numbers
Sellingantiques Reference
SA930705
Dealers Internal Reference
WGB
Description
Artist: James Archer R.S.A. (1822-1904).

Title: "Portrait of a Gentleman". In a wood paneled room.

Signed with monogram and dated 1872.

Oil on canvas.

Size: 50"x 40". Framed size: 58 1/2"x 48 1/2".

Contained in it's very good original wood ebony and gold leaf frame.

fig 1. A Victorian oil painting depicting a seated gentleman with a moustache holding a walking stick, housed in a gilt and black wooden frame.
fig 1. James Archer R.s.a. "Portrait of a Gentleman". Large Oil Painting.

A very fine quality and large portrait. Trade enquiries welcome.

In good ready to hang condition. Free UK delivery.

For more info please contact us at:

Tel: 01677 424830

Mob: 07885 175279

Email: williamgreenwoodfineart@gmail.com

fig 2. A Victorian oil painting depicting a seated gentleman with a moustache holding a walking stick, housed in a gilt and black wooden frame.
fig 2. James Archer R.s.a. "Portrait of a Gentleman". Large Oil Painting.

Elected ARSA: 13 November 1850

Elected RSA: 10 February 1858

James Archer, R.S.A., the oldest Member of the Academy, was born at Edinburgh in 1823.

He was educated at the High School, and, having a decided taste for Art, became a student of the Board of Trustees’ School of Design.
William Greenwood Fine Art

His first exhibit in the Royal Scottish Academy was in 1812, “The Child John in the Wilderness.” From that year he was a frequent and liberal contributor to the Annual Exhibition till 1867, when, following his removal to London, his contributions became less frequent. In 1884 he visited the United States, and two years later went to India. After three years’ residence there he returned to London in 1889.

fig 3. A Victorian oil painting depicting a seated gentleman with a moustache holding a walking stick, housed in a gilt and black wooden frame.
fig 3. James Archer R.s.a. "Portrait of a Gentleman". Large Oil Painting.

Among his important works are :—“ The Last Supper,” 1849; “The Douglas Tragedy

1850; “The Old Oak Chest,” 1852; “Hamlet the Dane,” 1853; “Rosalind and Celia” (Diploma Work), 1854; “Portrait of The Earl of Kintore,” 1854; “The Shadow on the Path,” 1857; “In Time of War,’ 1858; “The Harvest Field—Evening,” 1859; “Fair Rosamond and Queen Eleanor,” 1860; “La Morte d’Arthur,” 1861; “ King Arthur in Quest of his Mystic Sword Excalibur,’ 1862 “ Sir Launcelot looks on Queen Guinevere,” 1864 ;“ Parting of Arthur and Guinevere,’ 1865 ;“ Henry II and Fair Rosamond,” 1868; “ Fair Helen of Kirkconnel,” 1870; “The Heather Gatherers—Surrey,’ 1871; “The Three Sisters,” 1874; ‘ Portrait of Professor Blackie” (now in the Library), 1876; “Portrait of Sir Daniel Macnee” (now in the Library), 1877; “The late Earl of Dalhousie,” 1890; “O lang, lang, may their ladies sit” (Sir Patrick Spens), 1894.

fig 4. A Victorian oil painting depicting a seated gentleman with a moustache holding a walking stick, housed in a gilt and black wooden frame.
fig 4. James Archer R.s.a. "Portrait of a Gentleman". Large Oil Painting.

He was elected an Associate of the Royal Scottish Academy in 1850 and attained the rank of Academician in 1858. In April 1900 he was appointed by the Academy its Representative Trustee of the British Institution Scholarship Fund in room of the late W. E. Lockhart, R.S.A.

His death took place at Hazlemere, Surrey, on 5th September.

Height
149cm (58.66")
Width
123cm (48.43")
Depth
8cm (3.15")
Date of Manufacture

William Greenwood Fine Art has dated this Victorian Oil Portrait Painting to the 19th Century.

Reference Numbers
Sellingantiques Ref
SA930705
Dealers Internal Ref
WGB
William Greenwood Fine Art
Sellingantiques verified Since Oct 2012
Dealer Profile

You can view the stock and full dealer information on the William Greenwood Fine Art Profile Page

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A Victorian oil painting depicting a seated gentleman with a moustache holding a walking stick, housed in a gilt and black wooden frame.
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Archive I A Victorian oil painting depicting a seated gentleman with a moustache holding a walking stick, housed in a gilt and black wooden frame.

James Archer R.s.a. "Portrait of a Gentleman". Large Oil Painting.

Archive II A Victorian oil painting depicting a seated gentleman with a moustache holding a walking stick, housed in a gilt and black wooden frame. View II
Archive III A Victorian oil painting depicting a seated gentleman with a moustache holding a walking stick, housed in a gilt and black wooden frame. View III
Archive IV A Victorian oil painting depicting a seated gentleman with a moustache holding a walking stick, housed in a gilt and black wooden frame. View IV
Archive V A Victorian oil painting depicting a seated gentleman with a moustache holding a walking stick, housed in a gilt and black wooden frame. View V
Archive VI A Victorian oil painting depicting a seated gentleman with a moustache holding a walking stick, housed in a gilt and black wooden frame. View VI
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DL8 2JE
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William Greenwood Fine Art
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A Victorian oil painting depicting a seated gentleman with a moustache holding a walking stick, housed in a gilt and black wooden frame.
James Archer R.S.A. "Portrait of a Gentleman". Large oil painting.
Ref: SA930705
A Victorian oil painting depicting a seated gentleman with a moustache holding a walking stick, housed in a gilt and black wooden frame.
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Every single antique dealer on our platform is individually approved by our internal team. We verify their professional trade history, ethical standards, and photographic quality to ensure a secure, high-standard buying environment. Upon joining, every dealer agrees to a strict 9-point code of conduct. While issues can occasionally arise, our dealers typically resolve them swiftly and directly with the buyer. In fact, since our founding in 2002, Sellingantiques has only had to step in to help resolve an issue on roughly five occasions—a true testament to the quality of our dealers and their dedication to your happiness.
Our dealers are highly experienced in packing and shipping fragile, high-value antiques. Because you are in direct contact with the dealer, you will be able to easily go through all available shipping and insurance options together to ensure your item arrives safely.
Antiques are the ultimate green purchase. By choosing historical pieces over newly manufactured goods, you completely eliminate the carbon footprint of modern mass production while preserving exceptional, timeless craftsmanship.

Victorian portraiture typically features realistic representations of subjects, often depicted in formal attire against subdued or architectural backdrops to reflect social status and character.

Artists utilised oil pigments suspended in drying oils, painted onto stretched linen or cotton canvas, often mounted in carved gilt or timber frames.

Look for natural craquelure across the paint surface, historic wood key stretchers, period-correct framing, and authentic artist signatures or institutional stamps.

Hang the artwork as a focal point in a study, library, or dining room, paired with dark wood furniture, warm ambient lighting, and classic textiles.

Keep the painting away from direct sunlight and fluctuating humidity, dust gently with a soft brush, and consult a professional conservator for any necessary cleaning.
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