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Charles Walter Radclyffe, Oil on Canvas, Dowton Castle from Downton Woods Herefordshire, Shropshire Hills Beyond
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for sale €7,605     $8,255
£6,500

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Charles Walter Radclyffe, Oil on Canvas, Dowton Castle from Downton Woods Herefordshire, Shropshire Hills Beyond

19th century
For Sale by Artware Fineart
Description

Charles Walter Radclyffe, 1817–1903

Dowton Castle from Downton Woods Herefordshire, with the Shropshire Hills beyond

signed " C W Radclyffe" and further inscribed on a label attached to the reverse " 'Downton Woods, Herefordshire, Early Spring' by Charles W Radclyffe."

oil on canvas

Provenance

from a descendant of the artist

Notes

Downton Castle is a grade I listed 18th-century country house in the parish of Downton on the Rock in Herefordshire, England, situated about 5 miles (8.0 km) west of Ludlow, Shropshire. The south-facing entrance front has a central square tower, six bays to the left terminating in an octagonal tower and five bays to the right flanked by a square tower, the whole resembling a medieval castle with embattled parapets. Pevsner considered the inspiration to be the French semi-fortified houses in paintings by Claude Lorraine or Gaspard Poussin.

It was the Norman baron Ralph de Mortimer, who as part of his reward for helping William the Conqueror defeat the English in 1066, was given Downton. After a mention in the Doomsday Book of 1086 the estate was quietly left to its own devices for the next six centuries until, in 1727, Richard Knight, a successful iron smelter, acquired it. He in turn left it to his grandson Richard Payne Knight, a ‘libertine and freethinker’, who was a founding member of the Picturesque Movement that wished to `improve’ the landscape

The estate of Downton was acquired by Richard Knight (1659–1749) a wealthy ironmaster from Madeley, Shropshire, and proprietor of the Bringewood Ironworks. The Downton Estate is part of the `birthplace of the Industrial Revolution’. It is less than 25 miles from Iron Bridge, the world heritage site where the technique of smelting iron with coke was perfected in the late 18th century. It was at Downton, in the gorge, where over ten percent of the country’s iron, from nails to plough shares, was produced. There were eleven working mills on the Estate and while some remain in a state of disrepair, much of the industrial heritage including the bridges, weirs and mills in the river gorge have been renovated.

The estate passed to his grandson the art connoisseur and MP Richard Payne Knight (1750-1824), who rebuilt the house in the Gothic revival style. Payne Knight was an enthusiast of the picturesque style, and commissioned the landscape artist Thomas Hearne to produce drawings of the grounds. Construction started in 1772/3 and was largely completed by 1778.Knight conceived the idea of building Downton Castle in the gothic revival style and he designed it to complement the wild and irregular scenery of the area, as opposed to reflecting the then fashionable `artificial and tame’ landscapes advocated by the great garden architects Capability Brown and Humphrey Repton. He cut new paths, built a Roman Bath, an Alpine Bridge and a Switchback Tunnel. He also commissioned the English landscape water-colourist Thomas Hearne to paint twelve views of the dramatic Downton Gorge

In 1824 the estate was inherited by the horticulturalist Charlotte Knight (c.1801-1843), niece of Payne Knight, the daughter and heiress of his brother, the botanist Thomas Andrew Knight. She was the wife of Sir William Edward Rouse-Boughton, 2nd and 10th Baronet (1788-1856), of Downton Hall, Stanton Lacy, Shropshire, (about 6 miles (9.7 km) to the NE of Downton Castle), a Member of Parliament for Evesham in Worcestershire. As her eldest son was heir to his father's estates and two baronetcies, she bequeathed the Downton Castle estate to their second son Andrew Rouse-Boughton-Knight (d.1947), who in 1857 adopted the additional surname of Knight. He served as High Sheriff of Herefordshire in 1860 and at that time began improvements and extensions to the house, including a new entrance and porch, a north west tower, and a chapel.[1] He added terraced gardens in 1865 to t

Physical Dimensions
Height
56cm (22.05")
Width
91cm (35.83")
Depth
3cm (1.18")
Declaration

Artware Fineart has dated this Victorian Landscape Oil Painting to the 19th Century.

Reference Numbers
Sellingantiques Reference
SA868401
Dealers Internal Reference
4458
Description
Charles Walter Radclyffe, 1817–1903

Dowton Castle from Downton Woods Herefordshire, with the Shropshire Hills beyond

signed " C W Radclyffe" and further inscribed on a label attached to the reverse " 'Downton Woods, Herefordshire, Early Spring' by Charles W Radclyffe.
Artware Fineart

"

fig 1. A 19th-century panoramic landscape oil painting depicting rolling green hills, dense trees, and a cloud-filled blue sky.
fig 1. Charles Walter Radclyffe, Oil on Canvas, Dowton Castle from Downton Woods Herefordshire, Shropshire Hills Beyond

oil on canvas

Provenance

from a descendant of the artist

Notes

Downton Castle is a grade I listed 18th-century country house in the parish of Downton on the Rock in Herefordshire, England, situated about 5 miles (8.0 km) west of Ludlow, Shropshire. The south-facing entrance front has a central square tower, six bays to the left terminating in an octagonal tower and five bays to the right flanked by a square tower, the whole resembling a medieval castle with embattled parapets. Pevsner considered the inspiration to be the French semi-fortified houses in paintings by Claude Lorraine or Gaspard Poussin.

fig 2. A 19th-century panoramic landscape oil painting depicting rolling green hills, dense trees, and a cloud-filled blue sky.
fig 2. Charles Walter Radclyffe, Oil on Canvas, Dowton Castle from Downton Woods Herefordshire, Shropshire Hills Beyond

It was the Norman baron Ralph de Mortimer, who as part of his reward for helping William the Conqueror defeat the English in 1066, was given Downton. After a mention in the Doomsday Book of 1086 the estate was quietly left to its own devices for the next six centuries until, in 1727, Richard Knight, a successful iron smelter, acquired it. He in turn left it to his grandson Richard Payne Knight, a ‘libertine and freethinker’, who was a founding member of the Picturesque Movement that wished to `improve’ the landscape

fig 3. A 19th-century panoramic landscape oil painting depicting rolling green hills, dense trees, and a cloud-filled blue sky.
fig 3. Charles Walter Radclyffe, Oil on Canvas, Dowton Castle from Downton Woods Herefordshire, Shropshire Hills Beyond

The estate of Downton was acquired by Richard Knight (1659–1749) a wealthy ironmaster from Madeley, Shropshire, and proprietor of the Bringewood Ironworks. The Downton Estate is part of the `birthplace of the Industrial Revolution’. It is less than 25 miles from Iron Bridge, the world heritage site where the technique of smelting iron with coke was perfected in the late 18th century. It was at Downton, in the gorge, where over ten percent of the country’s iron, from nails to plough shares, was produced. There were eleven working mills on the Estate and while some remain in a state of disrepair, much of the industrial heritage including the bridges, weirs and mills in the river gorge have been renovated.

fig 4. A 19th-century panoramic landscape oil painting depicting rolling green hills, dense trees, and a cloud-filled blue sky.
fig 4. Charles Walter Radclyffe, Oil on Canvas, Dowton Castle from Downton Woods Herefordshire, Shropshire Hills Beyond

The estate passed to his grandson the art connoisseur and MP Richard Payne Knight (1750-1824), who rebuilt the house in the Gothic revival style. Payne Knight was an enthusiast of the picturesque style, and commissioned the landscape artist Thomas Hearne to produce drawings of the grounds. Construction started in 1772/3 and was largely completed by 1778.Knight conceived the idea of building Downton Castle in the gothic revival style and he designed it to complement the wild and irregular scenery of the area, as opposed to reflecting the then fashionable `artificial and tame’ landscapes advocated by the great garden architects Capability Brown and Humphrey Repton. He cut new paths, built a Roman Bath, an Alpine Bridge and a Switchback Tunnel. He also commissioned the English landscape water-colourist Thomas Hearne to paint twelve views of the dramatic Downton Gorge

fig 5. A 19th-century panoramic landscape oil painting depicting rolling green hills, dense trees, and a cloud-filled blue sky.
fig 5. Charles Walter Radclyffe, Oil on Canvas, Dowton Castle from Downton Woods Herefordshire, Shropshire Hills Beyond

In 1824 the estate was inherited by the horticulturalist Charlotte Knight (c.1801-1843), niece of Payne Knight, the daughter and heiress of his brother, the botanist Thomas Andrew Knight. She was the wife of Sir William Edward Rouse-Boughton, 2nd and 10th Baronet (1788-1856), of Downton Hall, Stanton Lacy, Shropshire, (about 6 miles (9.7 km) to the NE of Downton Castle), a Member of Parliament for Evesham in Worcestershire. As her eldest son was heir to his father's estates and two baronetcies, she bequeathed the Downton Castle estate to their second son Andrew Rouse-Boughton-Knight (d.1947), who in 1857 adopted the additional surname of Knight. He served as High Sheriff of Herefordshire in 1860 and at that time began improvements and extensions to the house, including a new entrance and porch, a north west tower, and a chapel.[1] He added terraced gardens in 1865 to t

Height
56cm (22.05")
Width
91cm (35.83")
Depth
3cm (1.18")
Date of Manufacture

Artware Fineart has dated this Victorian Landscape Oil Painting to the 19th Century.

Reference Numbers
Sellingantiques Ref
SA868401
Dealers Internal Ref
4458
Artware Fineart
Sellingantiques verified Since Sep 2008
Dealer Profile

You can view the stock and full dealer information on the Artware Fineart Profile Page

Relevant Links
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SAVE
A 19th-century panoramic landscape oil painting depicting rolling green hills, dense trees, and a cloud-filled blue sky.
1 / 6
Archive I A 19th-century panoramic landscape oil painting depicting rolling green hills, dense trees, and a cloud-filled blue sky.

Charles Walter Radclyffe, Oil on Canvas, Dowton Castle from Downton Woods Herefordshire, Shropshire Hills Beyond

Archive II A 19th-century panoramic landscape oil painting depicting rolling green hills, dense trees, and a cloud-filled blue sky. View II
Archive III A 19th-century panoramic landscape oil painting depicting rolling green hills, dense trees, and a cloud-filled blue sky. View III
Archive IV A 19th-century panoramic landscape oil painting depicting rolling green hills, dense trees, and a cloud-filled blue sky. View IV
Archive V A 19th-century panoramic landscape oil painting depicting rolling green hills, dense trees, and a cloud-filled blue sky. View V
Archive VI A 19th-century panoramic landscape oil painting depicting rolling green hills, dense trees, and a cloud-filled blue sky. View VI
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A 19th-century panoramic landscape oil painting depicting rolling green hills, dense trees, and a cloud-filled blue sky.
Charles Walter Radclyffe, oil on canvas, Dowton Castle from Downton Woods Herefordshire, Shropshire Hills beyond
Ref: SA868401
A 19th-century panoramic landscape oil painting depicting rolling green hills, dense trees, and a cloud-filled blue sky.
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19th-century British landscape paintings typically focus on pastoral scenes, naturalistic lighting, and atmospheric depictions of the countryside, reflecting the Romantic and Victorian interest in natural scenery.

These artworks were typically created using natural pigment oils applied to stretched flax or linen canvas, often mounted on wooden stretcher bars and framed in gilded or dark carved wooden frames.

Authentic period paintings generally display age-appropriate craquelure across the paint surface, natural yellowing of historical varnish layers, and age-related darkening or oxidisation on the reverse of the canvas.

Position the artwork as a focal point above a mantelpiece, sideboard, or console table to introduce historical depth and organic tones to modern neutral colour schemes.

Keep the painting away from direct sunlight, extreme humidity, and heat sources, dusting the surface gently with a soft dry brush while avoiding liquid cleaners.
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