Cella has dated these Grand Tour Bronze Sculptures to the 19th Century.
Antoine Coysevox was directly influenced by the antique marble Borghese version of the Crouching Venus when he created his large marble original sometimes referred to as the Venus à la Tortue. Venus is modelled at her toilette, kneeling in a stream, sitting on a tortoise. The representation of Arrotino is thought to be a figure from a Hellenistic-Roman group depicting a Scythian slave preparing a knife for the god Apollo, who was about to flay the satyr Marsyas and is now on display in the Tribuna of the Uffizi in Florence. A classic pairing designed to sit either side of a mantel shelf or commode. Old repair to the base of the Arrotino figure. Probably French, circa 1830.
Cella has dated these Grand Tour Bronze Sculptures to the 19th Century.
Specialists in the grand tour and french decorative objects, clocks and furniture, circa 1780-1880.
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