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Green Velvet Arm Chair
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Green Velvet Arm Chair

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A green velvet arm chair brings rich colour and deep texture to a room, drawing on centuries of upholstery traditions.

£495
12 DAYS AGO
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£2,750
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£575
1 MONTH AGO
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£1,275
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£950
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£925
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Listings feature hardwood frames in mahogany, walnut, rosewood, and oak paired with velvet fabric across Victorian, Edwardian, and Regency periods.

£1,500
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£695
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£350
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£795
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Sellingantiques  ·  Guide 1197652026/2027 edition

Green Velvet Arm Chair

A green velvet arm chair brings rich colour and deep texture to a room, drawing on centuries of upholstery traditions.

Introduction

Green Velvet Arm Chair

When searching for a green velvet arm chair, buyers encounter seating spanning the Georgian, Regency, Victorian and Edwardian periods. These pieces range from substantial library chairs and wingbacks to low bedroom chairs and carved elbow chairs.

The selection here includes mahogany, walnut, rosewood and oak frames paired with velvet upholstery in shades from sage to dark green, often finished with button backs or tassel trim.

In brief

How they were made

Frames are constructed from hardwoods such as mahogany, walnut, rosewood, oak and satinwood, sometimes featuring carved details, barley twist supports, or brass accents. Upholstery employs velvet fabric stretched over traditional stuffing and springs.

Maker signatures and stamps occasionally appear on timber frames, while construction methods reflect the cabinet-making standards of the nineteenth and early twentieth centuries.

From the Sellingantiques archive

Some chairs retain threadbare green velvet that has absorbed decades of fireside heat and quiet reading sessions.

What sets them apart

What varies in quality

Quality rests in the timber selection and the carving of the frame, where dense hardwoods like mahogany and walnut indicate finer work than plain secondary woods. The execution of details such as scrolled arms, turned legs, and inlaid satinwood defines the higher tiers.

The execution of the upholstery work, including buttoning and trim application, separates standard workshop output from pieces attributed to notable makers.

Notable makers of green velvet arm chair

Gillows·Hampton and sons·Howard and sons·Holland and sons

Terms antiques dealers use

The Green Velvet Arm Chair Glossary

Button back
An upholstery style where depressions are formed in the padding by pulling buttons deep into the stuffing. This creates a diamond pattern across the inner back.
Barley twist
A decorative turning technique resembling a twisted rope. It appears on the legs and structural supports of Victorian chairs.
Wingback
An armchair with side panels attached to the back and arms. These panels originally blocked drafts in older rooms.
Scroll arm
An armchair arm shaped in a continuous curve resembling a scroll. This profile is common in Regency and Victorian designs.
Questions people ask

Green Velvet Arm Chair: Frequently Asked Questions

How do I clean antique green velvet?

Velvet requires gentle handling to preserve the pile and the rich green colour. Professional cleaning is recommended for antique upholstery.

Avoid using water or standard chemical sprays on older fabrics, as moisture can damage the backing and the timber frame beneath.

Are these chairs comfortable for daily use?

Many of these armchairs were designed for sitting in libraries, drawing rooms, or bedrooms, offering solid lumbar support and padded seats.

Upholstered versions with sprung seats provide a softer sit, though the depth and height vary considerably between Georgian and Victorian models.

How can I tell a Victorian chair from a Georgian one?

Georgian chairs generally display cleaner architectural lines and darker mahogany timbers with less applied ornamentation. Victorian pieces often introduce heavier proportions, walnut or rosewood veneers, and elaborate carvings like barley twists.

Upholstery styles also shift, with button backs and deep tufting becoming prevalent during the nineteenth century.

What wood types should I look for?

Mahogany and walnut form the backbone of the better nineteenth-century frames. Rosewood and satinwood appear on select library and drawing room pieces.

Softer woods like oak and various hardwoods are typically found on provincial or revival pieces from the later Victorian and Edwardian periods.

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