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John A.a. Berrie. "Sir Max Muspratt, Bt". Very Large Oil Painting Portrait.
William Greenwood Fine Art
for sale €4,037     $4,382
£3,450

William Greenwood Fine Art

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John A.a. Berrie. "Sir Max Muspratt, Bt". Very Large Oil Painting Portrait.

1900 - 1920
Description

Artist: John Archibald Alexander Berrie A.R.C.A. R. Cam A. F.R.C.A. (1887-1962).

Title: Portrait of "Sir Max Muspratt". (1872-1934). 1st Baronet.

Signed. Dated Circa 1920.

Very large oil on canvas. Contained in it's original gilt frame.

Size: 50"x 40". Framed size: 55 1/2"x 45 1/2".

Now painting and frame cleaned. In very good ready to hang condition. Free UK delivery.

A very important painting by this internationally acclaimed portrait artist of royalty and aristocracy.

Sir Max Muspratt, 1st Baronet (3 February 1872 – 20 April 1934) was a British chemist and a politician in the city of Liverpool.

He was born at Seaforth Hall, Liverpool, the son of Edmund Knowles Muspratt and his wife Frances. The Muspratt family was originally from Dublin but moved to Liverpool in 1822 when James Muspratt, the father of Edmund, established a chemical factory in Vauxhall Road.

Max was educated at a private school in Hemel Hempstead and at Clifton College, Bristol, before studying industrial chemistry at Zürich Polytechnic. He joined the United Alkali Company in 1892 (the firm had been founded by his father), becoming a director in 1901 and its chairman from 1914. In 1926 the United Alkali Company merged with three other companies to form Imperial Chemical Industries (ICI) and Muspratt was a director from its founding until until his death in 1934. He was also a director of the International Automatic Telephone Company. He was a member of the Society of Chemical Industry from 1894, becoming its Vice–President from 1904 to 1906 and again from 1921 to 1924. From 1924 he was chairman of the Association of British Chemical Manufacturers and from 1926–1927 president of the Federation of British Industries.

Muspratt was a Liberal and served on the Liverpool City Council from 1904. At the January 1910 general election he was returned to the House of Commons as Member of Parliament (MP) for Liverpool Exchange, but was not re-elected at the December 1910 general election,[4] and was defeated in the Bootle by-election, 1911. He was created a baronet in 1922, of Merseyside, Lancashire. He left the Liberals for the Conservative Party in 1926.

During the First World War, Muspratt served as Lord Mayor of Liverpool from 1916 to 1917. He advised the Ministry of Munitions about industrial chemical matters, particularly in the supply of sulphuric acid and worked in the Trench Warfare Department.

In 1896 Muspratt married Helena Agnes Dalrymple Ainsworth of Blackburn, Lancashire. They had two sons, one of whom died in childhood, and two daughters. His surviving son, Rudolph, pre–deceased him and the baronetcy became extinct on his death.

John Archibald Alexander Berrie A.R.C.A., R.Cam.A., F.R.S.A. (1887-1962)

Painter of landscapes and portraits (some sport) in oil. He studied at Bootle and Liverpool Schools of Art, Bushey, Herts and in Paris. He travelled in Europe and lived in London and Harrogate before South Africa. A prolific exhibitor at the R.Cam.A., Walker Gallery, Liverpool and Walker’s Gallery London.

For more information please contact us at:

Tel: 01677 424830

Mob: 07885 175279

Email: williamgreenwoodfineart@gmail.com

Trade enquiries welcome.

Physical Dimensions
Height
141cm (55.51")
Width
116cm (45.67")
Depth
8cm (3.15")
Declaration

William Greenwood Fine Art has dated this Antique Oil Portrait Painting to the 1920s.

Reference Numbers
Sellingantiques Reference
SA720194
Dealers Internal Reference
WGP
Description
Artist: John Archibald Alexander Berrie A.R.C.A. R. Cam A. F.R.C.A. (1887-1962).

Title: Portrait of "Sir Max Muspratt". (1872-1934). 1st Baronet.

Signed. Dated Circa 1920.

Very large oil on canvas. Contained in it's original gilt frame.

fig 1. An antique oil painting depicting a seated gentleman wearing a dark suit and spectacles, set within an ornate gilded frame.
fig 1. John A.a. Berrie. "Sir Max Muspratt, Bt". Very Large Oil Painting Portrait.

Size: 50"x 40". Framed size: 55 1/2"x 45 1/2".

Now painting and frame cleaned. In very good ready to hang condition. Free UK delivery.

A very important painting by this internationally acclaimed portrait artist of royalty and aristocracy.
William Greenwood Fine Art
fig 2. An antique oil painting depicting a seated gentleman wearing a dark suit and spectacles, set within an ornate gilded frame.
fig 2. John A.a. Berrie. "Sir Max Muspratt, Bt". Very Large Oil Painting Portrait.

Sir Max Muspratt, 1st Baronet (3 February 1872 – 20 April 1934) was a British chemist and a politician in the city of Liverpool.

He was born at Seaforth Hall, Liverpool, the son of Edmund Knowles Muspratt and his wife Frances. The Muspratt family was originally from Dublin but moved to Liverpool in 1822 when James Muspratt, the father of Edmund, established a chemical factory in Vauxhall Road.

fig 3. An antique oil painting depicting a seated gentleman wearing a dark suit and spectacles, set within an ornate gilded frame.
fig 3. John A.a. Berrie. "Sir Max Muspratt, Bt". Very Large Oil Painting Portrait.

Max was educated at a private school in Hemel Hempstead and at Clifton College, Bristol, before studying industrial chemistry at Zürich Polytechnic. He joined the United Alkali Company in 1892 (the firm had been founded by his father), becoming a director in 1901 and its chairman from 1914. In 1926 the United Alkali Company merged with three other companies to form Imperial Chemical Industries (ICI) and Muspratt was a director from its founding until until his death in 1934. He was also a director of the International Automatic Telephone Company. He was a member of the Society of Chemical Industry from 1894, becoming its Vice–President from 1904 to 1906 and again from 1921 to 1924. From 1924 he was chairman of the Association of British Chemical Manufacturers and from 1926–1927 president of the Federation of British Industries.

fig 4. An antique oil painting depicting a seated gentleman wearing a dark suit and spectacles, set within an ornate gilded frame.
fig 4. John A.a. Berrie. "Sir Max Muspratt, Bt". Very Large Oil Painting Portrait.

Muspratt was a Liberal and served on the Liverpool City Council from 1904. At the January 1910 general election he was returned to the House of Commons as Member of Parliament (MP) for Liverpool Exchange, but was not re-elected at the December 1910 general election,[4] and was defeated in the Bootle by-election, 1911. He was created a baronet in 1922, of Merseyside, Lancashire. He left the Liberals for the Conservative Party in 1926.

fig 5. An antique oil painting depicting a seated gentleman wearing a dark suit and spectacles, set within an ornate gilded frame.
fig 5. John A.a. Berrie. "Sir Max Muspratt, Bt". Very Large Oil Painting Portrait.

During the First World War, Muspratt served as Lord Mayor of Liverpool from 1916 to 1917. He advised the Ministry of Munitions about industrial chemical matters, particularly in the supply of sulphuric acid and worked in the Trench Warfare Department.

fig 6. An antique oil painting depicting a seated gentleman wearing a dark suit and spectacles, set within an ornate gilded frame.
fig 6. John A.a. Berrie. "Sir Max Muspratt, Bt". Very Large Oil Painting Portrait.

In 1896 Muspratt married Helena Agnes Dalrymple Ainsworth of Blackburn, Lancashire. They had two sons, one of whom died in childhood, and two daughters. His surviving son, Rudolph, pre–deceased him and the baronetcy became extinct on his death.

John Archibald Alexander Berrie A.R.C.A., R.Cam.A., F.R.S.A. (1887-1962)

Painter of landscapes and portraits (some sport) in oil. He studied at Bootle and Liverpool Schools of Art, Bushey, Herts and in Paris. He travelled in Europe and lived in London and Harrogate before South Africa. A prolific exhibitor at the R.Cam.A., Walker Gallery, Liverpool and Walker’s Gallery London.

For more information please contact us at:

Tel: 01677 424830

Mob: 07885 175279

Email: williamgreenwoodfineart@gmail.com

Trade enquiries welcome.

Height
141cm (55.51")
Width
116cm (45.67")
Depth
8cm (3.15")
Date of Manufacture

William Greenwood Fine Art has dated this Antique Oil Portrait Painting to the 1920s.

Reference Numbers
Sellingantiques Ref
SA720194
Dealers Internal Ref
WGP
William Greenwood Fine Art
Sellingantiques verified Since Oct 2012
Dealer Profile

You can view the stock and full dealer information on the William Greenwood Fine Art Profile Page

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An antique oil painting depicting a seated gentleman wearing a dark suit and spectacles, set within an ornate gilded frame.
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Archive I An antique oil painting depicting a seated gentleman wearing a dark suit and spectacles, set within an ornate gilded frame.

John A.A. Berrie. "Sir Max Muspratt, Bt". Very large oil painting portrait.

Archive II An antique oil painting depicting a seated gentleman wearing a dark suit and spectacles, set within an ornate gilded frame. View II
Archive III An antique oil painting depicting a seated gentleman wearing a dark suit and spectacles, set within an ornate gilded frame. View III
Archive IV An antique oil painting depicting a seated gentleman wearing a dark suit and spectacles, set within an ornate gilded frame. View IV
Archive V An antique oil painting depicting a seated gentleman wearing a dark suit and spectacles, set within an ornate gilded frame. View V
Archive VI An antique oil painting depicting a seated gentleman wearing a dark suit and spectacles, set within an ornate gilded frame. View VI
Archive VII An antique oil painting depicting a seated gentleman wearing a dark suit and spectacles, set within an ornate gilded frame. View VII
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An antique oil painting depicting a seated gentleman wearing a dark suit and spectacles, set within an ornate gilded frame.
John A.A. Berrie. "Sir Max Muspratt, Bt". Very large oil painting portrait.
Ref: SA720194
An antique oil painting depicting a seated gentleman wearing a dark suit and spectacles, set within an ornate gilded frame.
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Every single antique dealer on our platform is individually approved by our internal team. We verify their professional trade history, ethical standards, and photographic quality to ensure a secure, high-standard buying environment. Upon joining, every dealer agrees to a strict 9-point code of conduct. While issues can occasionally arise, our dealers typically resolve them swiftly and directly with the buyer. In fact, since our founding in 2002, Sellingantiques has only had to step in to help resolve an issue on roughly five occasions—a true testament to the quality of our dealers and their dedication to your happiness.
Our dealers are highly experienced in packing and shipping fragile, high-value antiques. Because you are in direct contact with the dealer, you will be able to easily go through all available shipping and insurance options together to ensure your item arrives safely.
Antiques are the ultimate green purchase. By choosing historical pieces over newly manufactured goods, you completely eliminate the carbon footprint of modern mass production while preserving exceptional, timeless craftsmanship.

Formal early twentieth-century portraiture typically emphasises realistic representation, capturing prominent figures in dignified poses with subdued lighting and dark, rich colour palettes.

Traditional oil portraits were painted using pigment bound with linseed oil on stretched linen or cotton canvas, housed in moulded plaster and gilded timber frames.

Authenticity is determined by examining canvas weave, age-consistent surface craquelure, period-appropriate stretcher construction, and authentic signatures or inscriptions.

A large framed portrait can serve as a focal point in a dining room, library, or entry hall, paired with contemporary furniture to create visual contrast.

Keep the canvas away from direct sunlight and heat sources, maintain stable humidity levels, and dust the surface gently with a soft dry brush.
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