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Portrait Oil Painting of a Gentleman, C1720, Follower of Enoch Seeman the Younger
Benton Fine Art
for sale €4,622     $5,017
£3,950
Benton Fine Art

Benton Fine Art

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Portrait Oil Painting of a Gentleman, C1720, Follower of Enoch Seeman the Younger

18th century
For Sale by Benton Fine Art
Description

Follower of Enoch Seeman the Younger

German, (1694-1744)

Portrait of Gilbert Sympkin

Oil on canvas

Image size: 29.25 inches x 24.5 inches

Size including frame: 38 inches x 33.25 inches

A fine three quarter length portrait of a gentleman traditionally identified as Gilbert Simpkin (Sympkin), follower of Enoch Seeman the younger, C1720. The portrait is set in a feigned sculptured oval cartouche, a device used to give a sense of depth. The sitter is depicted wearing a fashionable blue jacket and matching waistcoat with a white chemise and lace jabot. He wears a powdered wig in the fashionable style of the day and is posed holding his hat under his left arm with the fingers of his right hand stretched out. At court, long fingers signified wealth, culture and intelligence. The painting has clearly been executed by an artist of great ability who has been influenced by Enoch Seeman the younger.

Gilbert Simpkin (Sympkin) was born in London on 24 August 1683, the son of John Simpkin and Susannah Butler. His grandfather was also called Gilbert Simpkin. He entered Oxford University in 1700 where he studied at St John’s College. In 1702, he became a student of Middle Temple, which at the time was one of the world’s most important centres of legal education. He later settled in Plymouth and then Bristol. He died in Bristol on 15 May, 1744 and was buried at Bristol Cathedral. He remained unmarried and the portrait may well have been commissioned to commemorate when he was first Called to the Bar or perhaps had established his own practice.

Enoch Seeman or Seemann the younger was born in Danzig, Germany now Gdansk, Poland in 1694. His father was Enoch Seeman Senior, an artist of Flemish origin and his brothers Isaac, Noah and Abraham also became artists. He came to London with his father and brothers around 1704 and established himself as a portrait artist. From 1717 he became painter to the Royal court painting portraits of George I and his family was later commissioned to paint coronation portraits of George II and his wife Queen Caroline of Ansbach. He also painted portraits of other members of the nobility as well as important public figures including the Duke and Duchess of Marlborough, Sir Isaac Newton, Sir James Dashwood, Lady Diana Cecil and Lady Caroline D'Arcy, Countess of Ancram. He died in London in 1744.

Examples of his work are held in a number of public collections including the Birmingham Museum, English Heritage, Ipswich Museum, National Trust, The Royal Collection, University of Cambridge, University of Oxford and Watford Museum. His paintings can also be found at the Met Museum, New York and the Fine Art Museum of San Francisco.

Presentation: The painting is housed in its original gilt frame which is in excellent condition.

Condition: As with all of our original antique oil paintings, this work is offered in ready to hang gallery condition, having been professionally cleaned, restored and revarnished.

© Benton Fine Art

Physical Dimensions
Height
96.5cm (37.99")
Width
84.5cm (33.27")
Depth
6.5cm (2.56")
Declaration

Benton Fine Art has dated this Georgian Oil Portrait Gentleman to the 18th Century.

Reference Numbers
Sellingantiques Reference
SA1010411
Dealers Notes

Members of the British Antique Dealers Association (BADA) the London and Provincial Antique Dealers Association (LAPADA).

We use a professional, fully insured and tracked door to door service for our UK and international deliveries. Please contact us for further information and shipping quotes.

Viewing is by APPOINTMENT ONLY. However, we can also arrange for you to view the item in your home, depending on the location.

For a wider range of stock please visit www.bentonfineart.com.

If you would like to purchase this item or have any questions, please email us at pictures@bentonfineart.com or call 07710 540549.

© Benton Fine Art

Description
Follower of Enoch Seeman the Younger

German, (1694-1744)

Portrait of Gilbert Sympkin

Oil on canvas

Image size: 29.25 inches x 24.5 inches

Size including frame: 38 inches x 33.25 inches

A fine three quarter length portrait of a gentleman traditionally identified as Gilbert Simpkin (Sympkin), follower of Enoch Seeman the younger, C1720.
Benton Fine Art

The portrait is set in a feigned sculptured oval cartouche, a device used to give a sense of depth. The sitter is depicted wearing a fashionable blue jacket and matching waistcoat with a white chemise and lace jabot. He wears a powdered wig in the fashionable style of the day and is posed holding his hat under his left arm with the fingers of his right hand stretched out. At court, long fingers signified wealth, culture and intelligence. The painting has clearly been executed by an artist of great ability who has been influenced by Enoch Seeman the younger.

fig 1. An 18th-century oil painting depicting a gentleman in a teal coat within a feigned oval border, framed in a carved giltwood frame.
fig 1. Portrait Oil Painting of a Gentleman, C1720, Follower of Enoch Seeman the Younger

Gilbert Simpkin (Sympkin) was born in London on 24 August 1683, the son of John Simpkin and Susannah Butler. His grandfather was also called Gilbert Simpkin. He entered Oxford University in 1700 where he studied at St John’s College. In 1702, he became a student of Middle Temple, which at the time was one of the world’s most important centres of legal education. He later settled in Plymouth and then Bristol. He died in Bristol on 15 May, 1744 and was buried at Bristol Cathedral. He remained unmarried and the portrait may well have been commissioned to commemorate when he was first Called to the Bar or perhaps had established his own practice.

fig 2. An 18th-century oil painting depicting a gentleman in a teal coat within a feigned oval border, framed in a carved giltwood frame.
fig 2. Portrait Oil Painting of a Gentleman, C1720, Follower of Enoch Seeman the Younger

Enoch Seeman or Seemann the younger was born in Danzig, Germany now Gdansk, Poland in 1694. His father was Enoch Seeman Senior, an artist of Flemish origin and his brothers Isaac, Noah and Abraham also became artists. He came to London with his father and brothers around 1704 and established himself as a portrait artist. From 1717 he became painter to the Royal court painting portraits of George I and his family was later commissioned to paint coronation portraits of George II and his wife Queen Caroline of Ansbach. He also painted portraits of other members of the nobility as well as important public figures including the Duke and Duchess of Marlborough, Sir Isaac Newton, Sir James Dashwood, Lady Diana Cecil and Lady Caroline D'Arcy, Countess of Ancram. He died in London in 1744.

fig 3. An 18th-century oil painting depicting a gentleman in a teal coat within a feigned oval border, framed in a carved giltwood frame.
fig 3. Portrait Oil Painting of a Gentleman, C1720, Follower of Enoch Seeman the Younger

Examples of his work are held in a number of public collections including the Birmingham Museum, English Heritage, Ipswich Museum, National Trust, The Royal Collection, University of Cambridge, University of Oxford and Watford Museum. His paintings can also be found at the Met Museum, New York and the Fine Art Museum of San Francisco.

fig 4. An 18th-century oil painting depicting a gentleman in a teal coat within a feigned oval border, framed in a carved giltwood frame.
fig 4. Portrait Oil Painting of a Gentleman, C1720, Follower of Enoch Seeman the Younger

Presentation: The painting is housed in its original gilt frame which is in excellent condition.

Condition: As with all of our original antique oil paintings, this work is offered in ready to hang gallery condition, having been professionally cleaned, restored and revarnished.

© Benton Fine Art

Height
96.5cm (37.99")
Width
84.5cm (33.27")
Depth
6.5cm (2.56")
Date of Manufacture

Benton Fine Art has dated this Georgian Oil Portrait Gentleman to the 18th Century.

Reference Numbers
Sellingantiques Ref
SA1010411
Benton Fine Art
Benton Fine Art
Sellingantiques verified Since Sep 2012

Specialists in 19th & early 20th century original oil paintings by listed artists

Dealer Profile

You can view the stock and full dealer information on the Benton Fine Art Profile Page

Trade Associations

Benton Fine Art is a registered member of LAPADA  BADA  CINOA

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An 18th-century oil painting depicting a gentleman in a teal coat within a feigned oval border, framed in a carved giltwood frame.
1 / 11
Archive I An 18th-century oil painting depicting a gentleman in a teal coat within a feigned oval border, framed in a carved giltwood frame.

Portrait Oil Painting of a Gentleman, C1720, Follower of Enoch Seeman the Younger

Archive II An 18th-century oil painting depicting a gentleman in a teal coat within a feigned oval border, framed in a carved giltwood frame. View II
Archive III An 18th-century oil painting depicting a gentleman in a teal coat within a feigned oval border, framed in a carved giltwood frame. View III
Archive IV An 18th-century oil painting depicting a gentleman in a teal coat within a feigned oval border, framed in a carved giltwood frame. View IV
Archive V An 18th-century oil painting depicting a gentleman in a teal coat within a feigned oval border, framed in a carved giltwood frame. View V
Archive VI An 18th-century oil painting depicting a gentleman in a teal coat within a feigned oval border, framed in a carved giltwood frame. View VI
Archive VII An 18th-century oil painting depicting a gentleman in a teal coat within a feigned oval border, framed in a carved giltwood frame. View VII
Archive VIII An 18th-century oil painting depicting a gentleman in a teal coat within a feigned oval border, framed in a carved giltwood frame. View VIII
Archive IX An 18th-century oil painting depicting a gentleman in a teal coat within a feigned oval border, framed in a carved giltwood frame. View IX
Archive X An 18th-century oil painting depicting a gentleman in a teal coat within a feigned oval border, framed in a carved giltwood frame. View X
Archive XI An 18th-century oil painting depicting a gentleman in a teal coat within a feigned oval border, framed in a carved giltwood frame. View XI
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Benton Fine Art
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Verified Since Sep 2012
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Location: Near Broadway, Worcestershire, United Kingdom, , By appointment only.
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Sep 2012
For Sale
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An 18th-century oil painting depicting a gentleman in a teal coat within a feigned oval border, framed in a carved giltwood frame.
Portrait oil painting of a gentleman, C1720, follower of Enoch Seeman the Younger
Ref: SA1010411
An 18th-century oil painting depicting a gentleman in a teal coat within a feigned oval border, framed in a carved giltwood frame.
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Our dealers are highly experienced in packing and shipping fragile, high-value antiques. Because you are in direct contact with the dealer, you will be able to easily go through all available shipping and insurance options together to ensure your item arrives safely.
Antiques are the ultimate green purchase. By choosing historical pieces over newly manufactured goods, you completely eliminate the carbon footprint of modern mass production while preserving exceptional, timeless craftsmanship.

Early 18th-century British portraiture, produced during the Georgian era, frequently depicted sitters within a feigned oval spandrel. Influenced by court painters such as Enoch Seeman, artists emphasized formal poses, detailed period costume including powdered wigs and cravats, and subdued tonal backgrounds.

Paintings from this period were executed using oil paints ground from natural earth pigments mixed with linseed oil, applied onto hand-stretched linen or cotton canvas. Frames were typically carved from wood and covered in gold leaf using water or oil gilding techniques.

Authentic paintings from the 1700s exhibit age-appropriate canvas tension, stable craquelure across the paint layer, and hand-cut timber stretcher bars on the reverse. The gilding on period frames often shows subtle wear, displaying underlying red or grey bole preparation layers.

A Georgian portrait can serve as a focal point when hung above a mantelpiece or console table in both traditional and contemporary settings. Pairing classical oil portraiture with modern minimalist furniture creates a balanced, layered interior aesthetic.

Keep oil paintings away from direct sunlight, excess humidity, and sudden temperature changes to prevent canvas warping and paint flaking. Dust the frame gently with a dry, soft brush, and consult a professional conservator for surface cleaning or varnish restoration.
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