Where were these figures made?

The majority originate from specialised carving centres in Italy, particularly Florence and Volterra, as well as artistic studios in France. Master sculptors in these regions produced works for international exhibition and private collectors. Many pieces were acquired by travellers touring Europe during the nineteenth and early twentieth centuries.

How do I identify the subject?

Subjects often draw from classical mythology, literature, and allegorical themes, identifiable by attributes like harps, lyres, or hunting bows. Inscribed titles on the base or plinth frequently name goddesses such as Hestia or Diana. Portrait busts and genre figures of children or dancers represent popular nineteenth-century romantic motifs.

Are signatures common on alabaster?

Signatures appear on numerous exhibition-quality pieces, either carved directly into the stone or applied via a brass plaque on the plinth. They indicate the studio master or the sculptor responsible for the model. Unsigned works remain frequent, reflecting the high volume of decorative sculpture produced in European workshops during this period.

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White Alabaster Figurine

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A white alabaster figurine captures neoclassical grace and soft translucence, offering collectors finely carved figures spanning the Victorian era through the early twentieth century.