How do I hang heavy framed silk scrolls?

Heavy framed scrolls and reverse glass paintings require secure wall anchors suited to the weight of the timber frame and glass. Hang them away from direct sunlight to protect delicate silk threads and fugitive watercolours from fading. Ensure the hanging wire or brackets on the reverse match the load capacity of your wall fixings. Professional picture hooks distribute the weight evenly across the structure.

How should I clean antique glass frames?

Clean the glass gently using a soft cloth and a mild glass cleaner sprayed onto the cloth rather than directly onto the frame. This prevents moisture from seeping under the edge and damaging the paper or silk artwork inside. Keep moisture away from wooden, lacquered, or gilt frames to protect the original finish. Dust carved wooden elements regularly with a dry, soft brush.

What is the difference between pith paper and rice paper?

Pith paper is a spongy, cellular material sliced from the pith of a specific plant native to southern China. It absorbs watercolour and gouache readily, creating a velvety depth unlike standard paper. Rice paper is a common misnomer often applied to various Asian papers made from mulberry, bamboo, or hemp fibres. True pith paper retains a characteristic thickness and fibrous texture when examined closely.

How do I identify a reverse glass painting?

Reverse glass paintings present a glossy, reflective surface where the imagery appears trapped beneath a clear layer of glass. The brushstrokes lie on the rear face, protecting the paint from atmospheric dust and direct contact. Look closely at the edges where the glass meets the frame to observe the layered nature of the medium. The colours often exhibit a distinct brilliance because the light passes through the glass to illuminate the pigment.