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Edwardian Gypsy Set Ring
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Edwardian Gypsy Set Ring

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An edwardian gypsy set ring brings flush stones and low-profile bands together, offering a durable piece for daily wear.

£1,500
12 DAYS AGO
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£695
1 MONTH AGO
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£525
2 MONTHS AGO
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£850
2 MONTHS AGO
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£795
3+ MONTHS AGO
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Stones include diamonds, rubies, sapphires, and emeralds set into rings originating from Victorian, Edwardian, and George V eras.

£375
3+ MONTHS AGO
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£420
3+ MONTHS AGO
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£1,350
3+ MONTHS AGO
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Sellingantiques  ·  Guide 1185312026/2027 edition

Edwardian Gypsy Set Ring

An edwardian gypsy set ring brings flush stones and low-profile bands together, offering a durable piece for daily wear.

Introduction

Edwardian Gypsy Set Ring

Makers shaped these bands primarily from yellow gold, ranging from nine carat up to eighteen carat, alongside occasional rose gold variations. Gemstones set into these bands typically include old cut diamonds, rubies, sapphires, and emeralds, arranged as single stones, starbursts, or multi-stone rows.

The profile remains low and the shoulders taper smoothly toward the finger, designed for practical everyday wear without losing decorative detail. Starburst or celestial engravings frequently surround the flush-set stones, adding character to the polished metal surface.

In brief

How they were made

Goldsmiths constructed these rings by hammering or casting gold bands, then carefully recessing the gemstones directly into the solid metal. This flush technique required precise hand-fitting so the metal could be burnished securely around the girdle of each stone.

Gems featured in these settings are predominantly old cut diamonds, rose cut diamonds, rubies, and sapphires, shaped by hand before mounting. Jewelers often added starburst or celestial graver work around the bezels to frame the stones and catch the light.

From the Sellingantiques archive

Star motifs chased into the gold ensure your ring still sparkles even when the diamonds are taking a day off.

What sets them apart

What varies in quality

The crispness of the hand-engraved starburst or celestial motifs around the stones separates finer work from simpler bands. Sharp, deep graver lines retain their definition, whereas worn or hastily finished metal appears soft.

The weight and thickness of the gold band determine the longevity of the setting, as lighter bands thin down around the flush stones over decades of wear. Substantial eighteen carat gold mountings provide greater structural integrity than thinner nine carat counterparts.

Terms antiques dealers use

The Edwardian Gypsy Set Ring Glossary

Gypsy setting
A method of mounting gemstones flush with the surface of the metal band rather than in raised claws. This technique protects the girdle of the stone.
Old cut diamond
A hand-faceted diamond cut before modern machine standards, featuring a smaller table, higher crown, and open culet. These stones display softer, chunkier light flashes.
Rose cut diamond
A historic diamond cut with a flat base and a domed crown of triangular facets arranged in a symmetrical pattern. It produces a subtle, translucent shimmer.
Trilogy ring
A ring set with three gemstones arranged in a row, often representing past, present, and future. In these listings, they combine diamonds with rubies or sapphires.
Questions people ask

Edwardian Gypsy Set Ring: Frequently Asked Questions

Can I wear a gypsy ring every day?

The flush setting protects the stones from catching on clothing, making these bands suitable for daily wear.

Heavier eighteen carat gold versions withstand everyday use better than lighter nine carat examples.

How do I know if a ring is Edwardian?

Edwardian rings typically date from the reign of King Edward VII, spanning the early years of the twentieth century.

Hallmarks, specific band proportions, and old cut diamond configurations help distinguish them from Victorian pieces.

What stones are used in these rings?

Diamonds are the most common stones found in these flush settings, often paired with rubies or sapphires.

Stones are usually old cut or rose cut, matching the period methods of hand-faceting.

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