How were earthenware delft plates used?

Historic delft chargers and dishes served as table service for dining or as decorative wall platters displayed in prominent rooms. Large chargers were frequently hung on walls or set upon dressers to showcase painted Chinoiserie or floral designs. Over time, many of these plates transitioned purely into ornamental objects due to the fragile nature of tin glaze. Collectors today continue this tradition by mounting chargers on walls or displaying them on plate stands.

How do I care for antique delftware?

Antique tin-glazed earthenware requires gentle handling to protect the soft ceramic body and the brittle tin glaze from chips and impact damage. Dust the surface with a dry, soft cloth and avoid liquid immersion or harsh cleaning agents. Display the plates away from areas subject to high humidity or rapid temperature fluctuations to prevent further crazing of the glaze. Wall mounting requires secure, padded hangers designed specifically for heavy earthenware chargers.

How do I tell seventeenth and eighteenth-century pieces apart?

Seventeenth-century delft plates often display heavier potting, deeper dish profiles, and distinct Kraak or early blue and white motifs influenced by imported porcelain. The body clay tends to be thicker and more robust. Eighteenth-century examples frequently incorporate lighter bodies, refined polychrome palettes, and varied floral or geometric borders. English and Dutch production methods also shifted during this period toward lighter domestic tableware formats.

What is the difference between blue and white and polychrome delft?

Blue and white delft relies exclusively on cobalt pigment applied to the white tin glaze, creating crisp monochrome designs that mimic Chinese porcelain. This style remained popular across multiple centuries in both English and Dutch workshops. Polychrome delft introduces additional pigments like yellow, green, orange, and manganese to create multicoloured floral or figural scenes. These pieces required greater skill in pigment preparation and firing control.