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19th Century Oil Painting Bay Hunter Horse Partisan by James Barenger
Cheshire Antiques Consultant Ltd
for sale €14,040     $15,240
£12,000
Cheshire Antiques Consultant Ltd

Cheshire Antiques Consultant Ltd

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19th Century Oil Painting Bay Hunter Horse Partisan by James Barenger

19th century
Description

1 Fine Antique English Early 19th Century Wall Art Oil Painting Portrait Of Bay Hunter Horse 'Partisan' By Known Artist James Barenger.

Subject Equine race horse portrait of a bay hunter horse Partisan, facing left outside in open green field landscape with trees in the background.

Title Hunter In Landscape old label verso.

Name of the horse is also inscribed verso "Partisan" & dated 1827 along with artist biography.

Oil on canvas.

Circa early 19th century.

This painting is signed by the English known accomplished artist James Barenger.

This is a fine example of his work.

Partisan was a moderately good race horse who established a long-lasting sire line in Europe and England. He got several sons who exceeded his accomplishments on the turf, and three sons who sent the Highflyer sire line forward. Of the good daughters and producers that sprang from his sons, two, Queen Mary and Queen Bertha, had a significant influence on the breed.Partisan and his offspring ran during the nadir of English racing, when the sport was operating with Jockey Club rules.

Partisan in the Stud Although he never led the sire's list, Partisan proved to be a highly influential sire. He got four classic winners -- 1821 1,000 Guineas winner Zeal, 1827 Derby winner Mameluke, 2,000 Guineas winner Patron, and Oaks winner Cyprian -- and three exceptionally successful sire sons, Gladiator, Glaucus, and Venison. He got a good many daughters who bred on, but only a few were immediately successful dams of classic winners.

Partisan on the Turf Partisan's first season on the turf, at age 3, was moderately promising. He was nominated for the Derby, but did not run, his trainer, Robert Robson, electing not to run him in the classic because he was unable to get him into condition, due to a long, hard winter. He ran seven times that year, winning three 200 guineas matches at Newmarket over the course of the season, first against another Walton son, the undistinguished Pinions, next against the better Magician, by Sorcerer, and a third match against an Orville filly. In a match against the Selim colt Little Turk, he received a forfeit. Early in the season he ran unplaced in a three-year-old sweep, won by Bourbon, and in July ran unplaced in the Newmarket Town Plate. By October, he was beginning to show his form, winning a sweep at Newmarket, beating the older Curlew, and the good race filly Medora, who had won the Oaks that year. Ref source tbheritage Partisan.

James Barenger (1780–1831) was an English animal painter and illustrator.Barenger was born in Kentish Town, London, the son of James Barenger Snr., a metal chaser and artist who exhibited paintings of insects at the Society of Artists and Royal Academy, and Sarah Woollett, the daughter of the engraver, William Woollett. His brother Samuel Barenger (christened Major Samuel Barenger) also became an engraver.

Beginning as a landscape artist, Barenger went on to specialise in painting horses, dogs and other animals, and hunting scenes. In 1807, at the age of 28, he exhibited at the Royal Academy for the first time. At this stage, he was living with his father in Kentish Town, but later moved to Camden Town. He went on to exhibit 48 paintings at the Royal Academy and eight at the British Institution.

He acquired numerous wealthy and aristocratic patrons, and his pictures were also engraved for sporting publications such as W. H. Scott's British Field Sports, The Sporting Repository, The Annals of Sporting and The Sporting Magazine. For the last of these, Scott engraved Barenger's painting of the racehorse Blucher (ca. 1814).

As well as painting, Barenger also bred pointer dogs. He died on 1 October 1831 and was buried in Old St Pancras churchyard. References Jump up to: a b c d Sir Walter Gilbey, F. Babbage, Animal painters of England from the year 1650, Volume 1 - Alken to Gooch (London: Vinton &

Physical Dimensions
Height
78cm (30.71")
Width
90cm (35.43")
Depth
4.5cm (1.77")
Declaration

Cheshire Antiques Consultant Ltd has dated this Antique Equestrian Oil Painting to the 19th Century.

Reference Numbers
Sellingantiques Reference
SA936066
Dealers Internal Reference
350
Dealers Notes

Delivery shipping information

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Great care and much time are taken over the safe transportation of the Fine Art & Antique pieces which we sell.

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For larger paintings, antique furniture pieces, and fragile items which can not be sent via the normal postal services, we use professional door-to-door delivery providers, who will always strive to deliver your piece promptly, within approximate. 2-5 working days for the United Kingdom mainland & International delivery between 5-14 working days.

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Description
1 Fine Antique English Early 19th Century Wall Art Oil Painting Portrait Of Bay Hunter Horse 'Partisan' By Known Artist James Barenger.
Subject Equine race horse portrait of a bay hunter horse Partisan, facing left outside in open green field landscape with trees in the background.
Cheshire Antiques Consultant Ltd
fig 1. A 19th-century oil painting on canvas depicting a standing bay hunter horse in an open landscape, housed within a moulded gilded frame.
fig 1. 19th Century Oil Painting Bay Hunter Horse Partisan by James Barenger

Title Hunter In Landscape old label verso.

Name of the horse is also inscribed verso "Partisan" & dated 1827 along with artist biography.

Oil on canvas.

Circa early 19th century.

This painting is signed by the English known accomplished artist James Barenger.

fig 2. A 19th-century oil painting on canvas depicting a standing bay hunter horse in an open landscape, housed within a moulded gilded frame.
fig 2. 19th Century Oil Painting Bay Hunter Horse Partisan by James Barenger

This is a fine example of his work.

Partisan was a moderately good race horse who established a long-lasting sire line in Europe and England. He got several sons who exceeded his accomplishments on the turf, and three sons who sent the Highflyer sire line forward. Of the good daughters and producers that sprang from his sons, two, Queen Mary and Queen Bertha, had a significant influence on the breed.Partisan and his offspring ran during the nadir of English racing, when the sport was operating with Jockey Club rules.

fig 3. A 19th-century oil painting on canvas depicting a standing bay hunter horse in an open landscape, housed within a moulded gilded frame.
fig 3. 19th Century Oil Painting Bay Hunter Horse Partisan by James Barenger

Partisan in the Stud Although he never led the sire's list, Partisan proved to be a highly influential sire. He got four classic winners -- 1821 1,000 Guineas winner Zeal, 1827 Derby winner Mameluke, 2,000 Guineas winner Patron, and Oaks winner Cyprian -- and three exceptionally successful sire sons, Gladiator, Glaucus, and Venison. He got a good many daughters who bred on, but only a few were immediately successful dams of classic winners.

fig 4. A 19th-century oil painting on canvas depicting a standing bay hunter horse in an open landscape, housed within a moulded gilded frame.
fig 4. 19th Century Oil Painting Bay Hunter Horse Partisan by James Barenger

Partisan on the Turf Partisan's first season on the turf, at age 3, was moderately promising. He was nominated for the Derby, but did not run, his trainer, Robert Robson, electing not to run him in the classic because he was unable to get him into condition, due to a long, hard winter. He ran seven times that year, winning three 200 guineas matches at Newmarket over the course of the season, first against another Walton son, the undistinguished Pinions, next against the better Magician, by Sorcerer, and a third match against an Orville filly. In a match against the Selim colt Little Turk, he received a forfeit. Early in the season he ran unplaced in a three-year-old sweep, won by Bourbon, and in July ran unplaced in the Newmarket Town Plate. By October, he was beginning to show his form, winning a sweep at Newmarket, beating the older Curlew, and the good race filly Medora, who had won the Oaks that year. Ref source tbheritage Partisan.

fig 5. A 19th-century oil painting on canvas depicting a standing bay hunter horse in an open landscape, housed within a moulded gilded frame.
fig 5. 19th Century Oil Painting Bay Hunter Horse Partisan by James Barenger

James Barenger (1780–1831) was an English animal painter and illustrator.Barenger was born in Kentish Town, London, the son of James Barenger Snr., a metal chaser and artist who exhibited paintings of insects at the Society of Artists and Royal Academy, and Sarah Woollett, the daughter of the engraver, William Woollett. His brother Samuel Barenger (christened Major Samuel Barenger) also became an engraver.

fig 6. A 19th-century oil painting on canvas depicting a standing bay hunter horse in an open landscape, housed within a moulded gilded frame.
fig 6. 19th Century Oil Painting Bay Hunter Horse Partisan by James Barenger

Beginning as a landscape artist, Barenger went on to specialise in painting horses, dogs and other animals, and hunting scenes. In 1807, at the age of 28, he exhibited at the Royal Academy for the first time. At this stage, he was living with his father in Kentish Town, but later moved to Camden Town. He went on to exhibit 48 paintings at the Royal Academy and eight at the British Institution.

fig 7. A 19th-century oil painting on canvas depicting a standing bay hunter horse in an open landscape, housed within a moulded gilded frame.
fig 7. 19th Century Oil Painting Bay Hunter Horse Partisan by James Barenger

He acquired numerous wealthy and aristocratic patrons, and his pictures were also engraved for sporting publications such as W. H. Scott's British Field Sports, The Sporting Repository, The Annals of Sporting and The Sporting Magazine. For the last of these, Scott engraved Barenger's painting of the racehorse Blucher (ca. 1814).

fig 8. A 19th-century oil painting on canvas depicting a standing bay hunter horse in an open landscape, housed within a moulded gilded frame.
fig 8. 19th Century Oil Painting Bay Hunter Horse Partisan by James Barenger

As well as painting, Barenger also bred pointer dogs. He died on 1 October 1831 and was buried in Old St Pancras churchyard. References Jump up to: a b c d Sir Walter Gilbey, F. Babbage, Animal painters of England from the year 1650, Volume 1 - Alken to Gooch (London: Vinton &

Height
78cm (30.71")
Width
90cm (35.43")
Depth
4.5cm (1.77")
Date of Manufacture

Cheshire Antiques Consultant Ltd has dated this Antique Equestrian Oil Painting to the 19th Century.

Reference Numbers
Sellingantiques Ref
SA936066
Dealers Internal Ref
350
Cheshire Antiques Consultant Ltd
Cheshire Antiques Consultant Ltd
Sellingantiques verified Since Jan 2021

Source the historic in 17th, 18th, 19th & 20th century fine arts, painting, sculptures & collectibles

Dealer Profile

You can view the stock and full dealer information on the Cheshire Antiques Consultant Ltd Profile Page

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A 19th-century oil painting on canvas depicting a standing bay hunter horse in an open landscape, housed within a moulded gilded frame.
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Archive I A 19th-century oil painting on canvas depicting a standing bay hunter horse in an open landscape, housed within a moulded gilded frame.

19th Century Oil Painting Bay Hunter Horse Partisan by James Barenger

Archive II A 19th-century oil painting on canvas depicting a standing bay hunter horse in an open landscape, housed within a moulded gilded frame. View II
Archive III A 19th-century oil painting on canvas depicting a standing bay hunter horse in an open landscape, housed within a moulded gilded frame. View III
Archive IV A 19th-century oil painting on canvas depicting a standing bay hunter horse in an open landscape, housed within a moulded gilded frame. View IV
Archive V A 19th-century oil painting on canvas depicting a standing bay hunter horse in an open landscape, housed within a moulded gilded frame. View V
Archive VI A 19th-century oil painting on canvas depicting a standing bay hunter horse in an open landscape, housed within a moulded gilded frame. View VI
Archive VII A 19th-century oil painting on canvas depicting a standing bay hunter horse in an open landscape, housed within a moulded gilded frame. View VII
Archive VIII A 19th-century oil painting on canvas depicting a standing bay hunter horse in an open landscape, housed within a moulded gilded frame. View VIII
Archive IX A 19th-century oil painting on canvas depicting a standing bay hunter horse in an open landscape, housed within a moulded gilded frame. View IX
Archive X A 19th-century oil painting on canvas depicting a standing bay hunter horse in an open landscape, housed within a moulded gilded frame. View X
Archive XI A 19th-century oil painting on canvas depicting a standing bay hunter horse in an open landscape, housed within a moulded gilded frame. View XI
Archive XII A 19th-century oil painting on canvas depicting a standing bay hunter horse in an open landscape, housed within a moulded gilded frame. View XII
Archive XIII A 19th-century oil painting on canvas depicting a standing bay hunter horse in an open landscape, housed within a moulded gilded frame. View XIII
Archive XIV A 19th-century oil painting on canvas depicting a standing bay hunter horse in an open landscape, housed within a moulded gilded frame. View XIV
Archive XV A 19th-century oil painting on canvas depicting a standing bay hunter horse in an open landscape, housed within a moulded gilded frame. View XV
Archive XVI A 19th-century oil painting on canvas depicting a standing bay hunter horse in an open landscape, housed within a moulded gilded frame. View XVI
Archive XVII A 19th-century oil painting on canvas depicting a standing bay hunter horse in an open landscape, housed within a moulded gilded frame. View XVII
Archive XVIII A 19th-century oil painting on canvas depicting a standing bay hunter horse in an open landscape, housed within a moulded gilded frame. View XVIII
Archive XIX A 19th-century oil painting on canvas depicting a standing bay hunter horse in an open landscape, housed within a moulded gilded frame. View XIX
Archive XX A 19th-century oil painting on canvas depicting a standing bay hunter horse in an open landscape, housed within a moulded gilded frame. View XX
Archive XXI A 19th-century oil painting on canvas depicting a standing bay hunter horse in an open landscape, housed within a moulded gilded frame. View XXI
Archive XXII A 19th-century oil painting on canvas depicting a standing bay hunter horse in an open landscape, housed within a moulded gilded frame. View XXII
Archive XXIII A 19th-century oil painting on canvas depicting a standing bay hunter horse in an open landscape, housed within a moulded gilded frame. View XXIII
Archive XXIV A 19th-century oil painting on canvas depicting a standing bay hunter horse in an open landscape, housed within a moulded gilded frame. View XXIV
Archive XXV A 19th-century oil painting on canvas depicting a standing bay hunter horse in an open landscape, housed within a moulded gilded frame. View XXV
Archive XXVI A 19th-century oil painting on canvas depicting a standing bay hunter horse in an open landscape, housed within a moulded gilded frame. View XXVI
Archive XXVII A 19th-century oil painting on canvas depicting a standing bay hunter horse in an open landscape, housed within a moulded gilded frame. View XXVII
Archive XXVIII A 19th-century oil painting on canvas depicting a standing bay hunter horse in an open landscape, housed within a moulded gilded frame. View XXVIII
Archive XXIX A 19th-century oil painting on canvas depicting a standing bay hunter horse in an open landscape, housed within a moulded gilded frame. View XXIX
Archive XXX A 19th-century oil painting on canvas depicting a standing bay hunter horse in an open landscape, housed within a moulded gilded frame. View XXX
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Cheshire Antiques Consultant Ltd
Cheshire Antiques Consultant Ltd
Verified Since Jan 2021
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Location: 71-75 Shelton Street, Covent Garden, London, WC2H 9JQ, United Kingdom, , By appointment
Verified
Jan 2021
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250
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A 19th-century oil painting on canvas depicting a standing bay hunter horse in an open landscape, housed within a moulded gilded frame.
19th Century Oil Painting Bay Hunter Horse Partisan By James Barenger
Ref: SA936066
A 19th-century oil painting on canvas depicting a standing bay hunter horse in an open landscape, housed within a moulded gilded frame.
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Antiques are the ultimate green purchase. By choosing historical pieces over newly manufactured goods, you completely eliminate the carbon footprint of modern mass production while preserving exceptional, timeless craftsmanship.

19th-century British sporting art focuses on subjects related to field sports, horse racing, hunting, and livestock portraiture. Characterised by detailed anatomical representation of horses and dogs against realistic natural landscapes, this genre gained immense popularity among landowners and noble patrons during the Georgian and Victorian eras.

Paintings from this era were primarily executed using oil pigments ground with natural drying oils, such as linseed oil, applied onto stretched linen or cotton canvas. Frames were typically constructed from softwood or hardwood with moulded plaster ornament and finished with gold leaf gilded surfaces.

Authentic pieces exhibit natural craquelure across the paint layer, age-appropriate darkening or discolouration of varnish, and evidence of hand-stretched canvas over wooden stretchers. Stretcher bars, iron tacks, and gilding wear on the frame corners provide further structural indications of period origin.

An antique equestrian painting serves as a focal point when positioned above a mantelpiece, console, or sideboard. It balances modern minimalist architecture by introducing texture, rich warm tones, and historical depth to contemporary rooms.

Display the artwork away from direct sunlight, heat sources, and areas of fluctuating humidity to prevent canvas movement and paint flaking. Clean the painted surface gently with a soft dry brush, avoiding liquid cleaners or solvents, and dust the gilded frame using a dry microfibre cloth.
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