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ID #SA815138
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Portrait of Judith Morice C.1730, by Enoch Seeman.
Roy Precious - Antiques & Fine Art
for sale €8,132     $8,827
£6,950
Roy Precious - Antiques & Fine Art

Roy Precious - Antiques & Fine Art

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    Roy and nadine precious: specialists in portraiture from the 16th to the 20th century. Established in 1972.
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Portrait of Judith Morice C.1730, by Enoch Seeman.

18th century
Description

Oil on canvas in a period gilt frame.

This is a fine and sensitive portrait of a young woman by Enoch Seeman, who painted her on at least two occasions. She was also painted by Allan Ramsay in an elegant full-length as the goddess Diana (Virginia Museum of Fine Arts).

JUDITH MORICE (1710-1743) was the second daughter of Humphry Morice of Werrington, near Launceston, Cornwall. On the 5th of June 1742 she married Sir George Lee, a Whig politician.

She died aged 33, and is buried in the vault of the Lee family in Hartwell Church, Buckinghamshire.

ENOCH SEEMAN the Younger (c. 1694 - March 1744) was a painter, active in England in the first half of the eighteenth century. He was born into a family of painters in Danzig (now Gdansk, Poland), around 1694.

Seeman was brought to London from his home of Flanders by his father, also Enoch (born 1661), in 1704. As a painter to the British royal court Seeman the Younger completed portraits of George I, in 1730, in the robes of his coronation and of George II some years later. The first of these pictures is held at the Middle Temple in London, England, and the second is at Windsor Castle in Berkshire, England, part of the Royal Collection.

He had a successful practice and his female portraits were much admired.

He died in 1744.

SIZE: 36 x 31 inches framed.

PROVENANCE: Presumably Hartwell Hall, home of the Lees.

Ruyton Hall, Shropshire.

Physical Dimensions
Height
91.5cm (36.02")
Width
79cm (31.10")
Depth
4cm (1.57")
Declaration

Roy Precious - Antiques & Fine Art has dated this Georgian Oval Portrait Painting to the 18th Century.

Reference Numbers
Sellingantiques Reference
SA815138
Dealers Internal Reference
9229
Description
Oil on canvas in a period gilt frame.
This is a fine and sensitive portrait of a young woman by Enoch Seeman, who painted her on at least two occasions.
Roy Precious - Antiques & Fine Art

She was also painted by Allan Ramsay in an elegant full-length as the goddess Diana (Virginia Museum of Fine Arts).

fig 1. An 18th-century oval oil portrait on canvas depicting a lady in a green dress and purple mantle within a carved gilded frame.
fig 1. Portrait of Judith Morice C.1730, by Enoch Seeman.

JUDITH MORICE (1710-1743) was the second daughter of Humphry Morice of Werrington, near Launceston, Cornwall. On the 5th of June 1742 she married Sir George Lee, a Whig politician.

She died aged 33, and is buried in the vault of the Lee family in Hartwell Church, Buckinghamshire.

fig 2. An 18th-century oval oil portrait on canvas depicting a lady in a green dress and purple mantle within a carved gilded frame.
fig 2. Portrait of Judith Morice C.1730, by Enoch Seeman.

ENOCH SEEMAN the Younger (c. 1694 - March 1744) was a painter, active in England in the first half of the eighteenth century. He was born into a family of painters in Danzig (now Gdansk, Poland), around 1694.

fig 3. An 18th-century oval oil portrait on canvas depicting a lady in a green dress and purple mantle within a carved gilded frame.
fig 3. Portrait of Judith Morice C.1730, by Enoch Seeman.

Seeman was brought to London from his home of Flanders by his father, also Enoch (born 1661), in 1704. As a painter to the British royal court Seeman the Younger completed portraits of George I, in 1730, in the robes of his coronation and of George II some years later. The first of these pictures is held at the Middle Temple in London, England, and the second is at Windsor Castle in Berkshire, England, part of the Royal Collection.

He had a successful practice and his female portraits were much admired.

He died in 1744.

SIZE: 36 x 31 inches framed.

PROVENANCE: Presumably Hartwell Hall, home of the Lees.

Ruyton Hall, Shropshire.

Height
91.5cm (36.02")
Width
79cm (31.10")
Depth
4cm (1.57")
Date of Manufacture

Roy Precious - Antiques & Fine Art has dated this Georgian Oval Portrait Painting to the 18th Century.

Reference Numbers
Sellingantiques Ref
SA815138
Dealers Internal Ref
9229
Roy Precious - Antiques & Fine Art
Roy Precious - Antiques & Fine Art
Sellingantiques verified Since Mar 2003

Roy and nadine precious: specialists in portraiture from the 16th to the 20th century. Established in 1972.

Dealer Profile

You can view the stock and full dealer information on the Roy Precious - Antiques & Fine Art Profile Page

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An 18th-century oval oil portrait on canvas depicting a lady in a green dress and purple mantle within a carved gilded frame.
1 / 5
Archive I An 18th-century oval oil portrait on canvas depicting a lady in a green dress and purple mantle within a carved gilded frame.

Portrait of Judith Morice C.1730, by Enoch Seeman.

Archive II An 18th-century oval oil portrait on canvas depicting a lady in a green dress and purple mantle within a carved gilded frame. View II
Archive III An 18th-century oval oil portrait on canvas depicting a lady in a green dress and purple mantle within a carved gilded frame. View III
Archive IV An 18th-century oval oil portrait on canvas depicting a lady in a green dress and purple mantle within a carved gilded frame. View IV
Archive V An 18th-century oval oil portrait on canvas depicting a lady in a green dress and purple mantle within a carved gilded frame. View V
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Roy Precious - Antiques & Fine Art
Roy Precious - Antiques & Fine Art
Verified Since Mar 2003
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An 18th-century oval oil portrait on canvas depicting a lady in a green dress and purple mantle within a carved gilded frame.
Portrait of Judith Morice c.1730, by Enoch Seeman.
Ref: SA815138
An 18th-century oval oil portrait on canvas depicting a lady in a green dress and purple mantle within a carved gilded frame.
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Archival Detail
Every single antique dealer on our platform is individually approved by our internal team. We verify their professional trade history, ethical standards, and photographic quality to ensure a secure, high-standard buying environment. Upon joining, every dealer agrees to a strict 9-point code of conduct. While issues can occasionally arise, our dealers typically resolve them swiftly and directly with the buyer. In fact, since our founding in 2002, Sellingantiques has only had to step in to help resolve an issue on roughly five occasions—a true testament to the quality of our dealers and their dedication to your happiness.
Our dealers are highly experienced in packing and shipping fragile, high-value antiques. Because you are in direct contact with the dealer, you will be able to easily go through all available shipping and insurance options together to ensure your item arrives safely.
Antiques are the ultimate green purchase. By choosing historical pieces over newly manufactured goods, you completely eliminate the carbon footprint of modern mass production while preserving exceptional, timeless craftsmanship.

Early Georgian portraiture typically features sitters positioned against dark backgrounds to emphasise facial details, fine costume elements, and draped fabrics. Influenced by continental masters, artists focused on subtle tonal transitions, formal elegance, and aristocratic dress styles.

Artists painted on hand-stretched linen canvases prepared with a gesso primer, applying oil paint mixed with natural mineral pigments. Frames from this era were constructed from carved timber coated with gesso and hand-applied gold leaf gilding.

Authentic period paintings display natural age-related craquelure across the paint surface, original canvas weave variations, and hand-carved joinery on the stretcher bars and gilt frame. Inspecting the reverse side often reveals dark, oxidised canvas fibres and historical hand-forged nails.

Place the artwork above a mantelpiece or side console to create a central focal point. Contrast the historical gilded frame against dark, saturated wall paint or minimalist contemporary panelling to balance classic and modern aesthetic elements.

Display the artwork away from direct sunlight, radiator heat sources, and fluctuating humidity levels to prevent paint flaking and canvas tension loss. Dust the frame gently using a soft, dry camel-hair brush, avoiding water or chemical cleaning agents.
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