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Joseph Clover, 1779-1853 Portrait of John Harris Frewer (1781-1816) Sadler & Brewer of Norwich, Norfolk Seated at His Desk
Artware Fineart
for sale €2,340     $2,540
£2,000

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Joseph Clover, 1779-1853 Portrait of John Harris Frewer (1781-1816) Sadler & Brewer of Norwich, Norfolk Seated at His Desk

18th century
For Sale by Artware Fineart
Description

Joseph Clover, 1779-1853

Portrait of John Harris Frewer (1781-1816) Sadler & Brewer of Norwich, Norfolk seated at his Desk

Signed/Inscribed:

indisctinctly signed and dated " J Clover / 1815 or 1813" ?

oil on panel

35 x 26 cm. (14 x 10.1/4in.)

There was a Portrait of the Late Mr Frewer exhibited in 1816, There is an engraving by William Camden Edwards, after Joseph Clover original portrait of Eadey Frewer (née Jacob) the wife of John Harris Frewer. The line engraving was executed in 1818. There was also a portrait of Thomas Mickelburgh, Merchant chair of the Farmers Club Cromer, exhibited in 1813 at the Norwhich School Exhibitions organised by John Crome.There was one portrait exhibited at the Royal Acdemy of the Rev C Townley LLD in 1817 no 415, but this is unikely. Mr Frewer's wife was a teacher of drawing in Norwhich We thank Anthony Clover with his help in cataloguing this portrait.

Artist Biography

Joseph Clover, was an artist of the Norwich School of Painters. He was predominantly a landscape and portrait painter and many of his paintings can be viewed here. Although he had strong links to Norfolk, he preferred to live in London and was very close to his nephew from the time that Joseph arrived in London to study medicine. Clover's diaries record regular visits to his uncle, and frequent loans of £5.00 There is no record of these loans being repaid, although they may have been money provided via his uncle from his family in Aylsham. Clover actually first moved to London in 1807, and stayed in a variety of lodgings before settling at Newman Street in 1816. Newman Street off Oxford Street , where he kept more or less open house for other members of the Norwich School.

He was a member of the Swedenborgian church and a trustee for many years. He was part of a Swedenborgian congregation in London and lived at 44 Newman Street - a street which was popular with artists

Uncle Joseph was a favourite with many of the next generation of the Clover family and there are many surviving letters to him from his nieces and nephews. Amongst his many paintings are several of the family, notably a portrait of Joseph T Clover, now in the Royal College of Surgeons in London, a self portrait which includes his two brothers, John Wright and Thomas, and a portrait of his brother Thomas' wedding.

Joseph never married. He was engaged to Ann Berry, daughter of Mary Berry of Aylsham, but after Ann's death at the early age of 20, he remained a bachelor for the remainder of his life. When he died in 1853, he named his nephew Joseph as the executor of his will, leaving bequests to all his nieces and nephews.

Physical Dimensions
Height
35cm (13.78")
Width
26cm (10.24")
Depth
3cm (1.18")
Declaration

Artware Fineart has dated this Georgian Gentleman Oil Portrait to the 18th Century.

Reference Numbers
Sellingantiques Reference
SA551094
Dealers Internal Reference
3997
Description
Joseph Clover, 1779-1853

Portrait of John Harris Frewer (1781-1816) Sadler & Brewer of Norwich, Norfolk seated at his Desk

Signed/Inscribed:

indisctinctly signed and dated " J Clover / 1815 or 1813" ?

oil on panel

fig 1. A Georgian oil portrait depicting a seated gentleman in a dark coat holding a quill at a desk covered with green cloth, in front of a panelled wall and window.
fig 1. Joseph Clover, 1779-1853 Portrait of John Harris Frewer (1781-1816) Sadler & Brewer of Norwich, Norfolk Seated at His Desk

35 x 26 cm. (14 x 10.1/4in.)

There was a Portrait of the Late Mr Frewer exhibited in 1816, There is an engraving by William Camden Edwards, after Joseph Clover original portrait of Eadey Frewer (née Jacob) the wife of John Harris Frewer. The line engraving was executed in 1818.

There was also a portrait of Thomas Mickelburgh, Merchant chair of the Farmers Club Cromer, exhibited in 1813 at the Norwhich School Exhibitions organised by John Crome.
Artware Fineart

There was one portrait exhibited at the Royal Acdemy of the Rev C Townley LLD in 1817 no 415, but this is unikely. Mr Frewer's wife was a teacher of drawing in Norwhich We thank Anthony Clover with his help in cataloguing this portrait.

fig 2. A Georgian oil portrait depicting a seated gentleman in a dark coat holding a quill at a desk covered with green cloth, in front of a panelled wall and window.
fig 2. Joseph Clover, 1779-1853 Portrait of John Harris Frewer (1781-1816) Sadler & Brewer of Norwich, Norfolk Seated at His Desk

Artist Biography

Joseph Clover, was an artist of the Norwich School of Painters. He was predominantly a landscape and portrait painter and many of his paintings can be viewed here. Although he had strong links to Norfolk, he preferred to live in London and was very close to his nephew from the time that Joseph arrived in London to study medicine. Clover's diaries record regular visits to his uncle, and frequent loans of £5.00 There is no record of these loans being repaid, although they may have been money provided via his uncle from his family in Aylsham. Clover actually first moved to London in 1807, and stayed in a variety of lodgings before settling at Newman Street in 1816. Newman Street off Oxford Street , where he kept more or less open house for other members of the Norwich School.

He was a member of the Swedenborgian church and a trustee for many years. He was part of a Swedenborgian congregation in London and lived at 44 Newman Street - a street which was popular with artists

Uncle Joseph was a favourite with many of the next generation of the Clover family and there are many surviving letters to him from his nieces and nephews. Amongst his many paintings are several of the family, notably a portrait of Joseph T Clover, now in the Royal College of Surgeons in London, a self portrait which includes his two brothers, John Wright and Thomas, and a portrait of his brother Thomas' wedding.

Joseph never married. He was engaged to Ann Berry, daughter of Mary Berry of Aylsham, but after Ann's death at the early age of 20, he remained a bachelor for the remainder of his life. When he died in 1853, he named his nephew Joseph as the executor of his will, leaving bequests to all his nieces and nephews.

Height
35cm (13.78")
Width
26cm (10.24")
Depth
3cm (1.18")
Date of Manufacture

Artware Fineart has dated this Georgian Gentleman Oil Portrait to the 18th Century.

Reference Numbers
Sellingantiques Ref
SA551094
Dealers Internal Ref
3997
Artware Fineart
Sellingantiques verified Since Sep 2008
Dealer Profile

You can view the stock and full dealer information on the Artware Fineart Profile Page

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A Georgian oil portrait depicting a seated gentleman in a dark coat holding a quill at a desk covered with green cloth, in front of a panelled wall and window.
1 / 3
Archive I A Georgian oil portrait depicting a seated gentleman in a dark coat holding a quill at a desk covered with green cloth, in front of a panelled wall and window.

Joseph Clover, 1779-1853 Portrait of John Harris Frewer (1781-1816) Sadler & Brewer of Norwich, Norfolk Seated at His Desk

Archive II A Georgian oil portrait depicting a seated gentleman in a dark coat holding a quill at a desk covered with green cloth, in front of a panelled wall and window. View II
Archive III A Georgian oil portrait depicting a seated gentleman in a dark coat holding a quill at a desk covered with green cloth, in front of a panelled wall and window. View III
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A Georgian oil portrait depicting a seated gentleman in a dark coat holding a quill at a desk covered with green cloth, in front of a panelled wall and window.
Joseph Clover, 1779-1853 Portrait of John Harris Frewer (1781-1816) Sadler & Brewer of Norwich, Norfolk seated at his Desk
Ref: SA551094
A Georgian oil portrait depicting a seated gentleman in a dark coat holding a quill at a desk covered with green cloth, in front of a panelled wall and window.
Detail View 1
Detail View 2
Archival Detail
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Antiques are the ultimate green purchase. By choosing historical pieces over newly manufactured goods, you completely eliminate the carbon footprint of modern mass production while preserving exceptional, timeless craftsmanship.

Georgian and Regency portraiture from the late 18th and early 19th centuries typically depicts sitters within realistic interior or landscape settings, incorporating contextual props, attire, and lighting that reflect the individuals social standing and occupation.

Artists during this era primarily applied oil-based pigments to stretched linen or cotton canvas, prepared with primed gesso grounds to ensure smooth paint application and longevity.

Authentication relies on examining surface craquelure, age-appropriate stretcher frames, hand-forged tacks, and using ultraviolet light to detect historical varnish layers or restorative retouching.

An antique oil portrait can be styled as a focal point above modern cabinetry, integrated into an eclectic gallery wall, or contrasted against contemporary paint schemes and minimalist furniture.

Paintings must be displayed away from direct sunlight, high humidity, and heat sources. Light surface dusting should be performed using a soft brush, while thorough cleaning requires a professional conservator.
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